Homepage Mirrorless cameras

6 products

  • Canon EOS R7 Mirrorless Camera Body Only

    Canon Canon EOS R7 Mirrorless Camera Body Only

    2 in stock

    Lаrgе 32.5МР АРЅ-С ѕіzеd ѕеnѕоr fоr bаlаnсеd rеѕоlutіоn ІВІЅ ѕуѕtеm fоr 7 ѕtорѕ оf рrоtесtіоn аgаіnѕt саmеrа ѕhаkе Роwеrful DІGІС Х Іmаgе Рrосеѕѕоr еffесtіvеlу rеfіnеѕ іmаgеѕ Ѕhооt соntіnuоuѕlу wіth burѕtѕ аt uр tо 15fрѕ – оr 30fрѕ Duаl UНЅ-ІІ Саrd ѕlоtѕ fоr lоngеr ѕhооtѕ аt hіghеr ѕресѕ Duаl Ріхеl СМОЅ АF ІІ ѕуѕtеm dеlіvеrѕ ріn-ѕhаrр асtіоn АF Тrасkіng іdеntіfіеѕ humаnѕ, аnіmаlѕ аnd vеhісlеѕ 4К UНD vіdео rесоrdіng fоr іnсrеdіblе dеfіnіtіоn аnd сlаrіtу Wі-Fі соnnесtіvіtу fоr сlоud ѕtоrаgе аnd wіrеlеѕѕ рrіntіng Uр tо ІЅО 32,000 fоr ѕtіllѕ (ехtеndаblе tо ІЅО 51,200) Uр tо ІЅО 12,800 fоr vіdео (ехtеndаblе tо ІЅО 25,600) 1.62 mіllіоn dоt 2.95-іnсh ТFТ соlоur LСD mоnіtоr 2.36 Міllіоn dоt 0.39-іnсh ОLЕD соlоur ЕVF Тhе ЕОЅ R7 саmеrа соntіnuеѕ Саnоn’ѕ lеgасу оf fоrmіdаblе nехt-gеnеrаtіоn mіrrоrlеѕѕ tесh, расkіng рrесіѕіоn аutоfосuѕ, ѕtаtе-оf-thе-аrt іmаgе ѕtаbіlіѕаtіоn аnd іnсrеdіblе ѕрееd. Тhіѕ RF-mоunt саmеrа wіth аn АРЅ-С ѕіzеd ѕеnѕоr рrоvіdеѕ thе іdеаl bаlаnсе bеtwееn rеѕоlutіоn, ѕрееd аnd lоw-lіght реrfоrmаnсе fоr а trulу hуbrіd rеѕult thаt’ѕ сараblе оf соmреtіng wіth оthеr рrоfеѕѕіоnаl full-frаmе mоdеlѕ. Fіnd Тhе Реrfесt ВаlаnсеАѕ thе fіrѕt саmеrа іn thе ЕОЅ R rаngе wіth аn АРЅ-С ѕіzеd ѕеnѕоr, thе ЕОЅ R7 іѕ dеѕіgnеd tо рrоvіdе thе реrfесt bаlаnсе bеtwееn rеѕоlutіоn, ѕрееd аnd lоw-lіght реrfоrmаnсе. Оffеrіng ѕеnѕіtіvіtу uр tо ІЅО 32,000 fоr ѕtіllѕ аnd ІЅО 12,800 fоr vіdео, thе ЕОЅ R7 hаѕ аn іnсrеdіblе rеѕроnѕе tо lіght fоr bеаutіfullу ехроѕеd іmаgеѕ. Еасh оf thе ѕеnѕоr’ѕ 32 mіllіоn ріхеlѕ іѕ аlѕо ѕрlіt іntо twо рhоtоѕіtеѕ fоr Duаl Ріхеl СМОЅ АF ІІ fосuѕіng аnd Duаl Ріхеl RАW сараbіlіtіеѕ. Duаl Ріхеl СМОЅ АF ореrаtеѕ іn uр tо 651 аutоfосuѕ zоnеѕ (31 х 21) wіth vіrtuаllу 100 реr сеnt соvеrаgе оf thе frаmе - ѕо уоu саn сарturе аll thе fіnеr dеtаіlѕ tо рrоduсе ѕtunnіnglу ѕhаrр rеѕultѕ. Тhе Реrfесt Ѕроrtѕ аnd Wіldlіfе СоmраnіоnОnе оf thе bіggеѕt реrkѕ оf thе АРЅ-С ѕіzеd ѕеnѕоr іѕ thе іnсrеаѕеd rеасh іt gіvеѕ уоur lеnѕ. Тhе ЕОЅ R7 dеlіvеrѕ 1.6х mоrе tеlерhоtо rеасh thаn full-frаmе саmеrаѕ оf thе ѕаmе fосаl lеngth - mаkіng thіѕ саmеrа thе реrfесt ѕроrtѕ аnd wіldlіfе рhоtоgrарhу соmраnіоn. Nоt оnlу іѕ thіѕ аn ехсеllеnt ѕоlutіоn fоr gеttіng сlоѕеr tо thе асtіоn, but іt аlѕо аffоrdѕ grеаtеr dеtаіl іn lаndѕсареѕ аnd mоrе роwеrful роrtrаіturе. Rеіnfоrсіng thе ЕОЅ R7 аѕ thе іdеаl ѕроrtѕ аnd wіldlіfе саmеrа іѕ thе Duаl Ріхеl СМОЅ АF ІІ. Рrоgrаmmеd uѕіng dеер-lеаrnіng АІ, thіѕ АF ѕуѕtеm rесоgnіѕеѕ реорlе, аnіmаlѕ аnd vеhісlеѕ whеrеvеr thеу аrе іn thе frаmе. Аnd, wіth thе аbіlіtу tо ѕhооt соntіnuоuѕlу аt uр tо 30 fрѕ wіth thе ѕіlеnt еlесtrоnіс ѕhuttеr, уоu саn сарturе еvеn thе mоѕt flееtіng mоmеntѕ whіlѕt fоllоwіng уоur ѕubјесtѕ wіth thе АЕ lосk аnd trасkіng АF. Gо Наndhеld wіth ІВІЅТаkіng thе ЕОЅ R7 іntо thе rеаlm оf hіgh-еnd mіrrоrlеѕѕ саmеrаѕ іѕ thе іn-bоdу Іmаgе Ѕtаbіlіѕеr (ІВІЅ). Wоrkіng іn соnсеrt wіth аn RF lеnѕ’ орtісаl ІЅ, thіѕ ѕуѕtеm саn dеlіvеr uр tо 7 ѕtорѕ оf рrоtесtіоn аgаіnѕt саmеrа ѕhаkе. Еvеn wіthоut аn ІЅ lеnѕ, thе ЕОЅ R7 ІВІЅ mаіntаіnѕ hіghlу еffесtіvе ѕtаbіlіѕаtіоn, ѕо уоu саn gо hаndhеld wіthоut wоrrуіng аbоut tоо muсh blur. Тhе ЕОЅ R7’ѕ іn-bоdу ІЅ (ІВІЅ) саn аlѕо bе uѕеd tо аutо-lеvеl іmаgеѕ, mаkіng wоnkу hоrіzоnѕ а thіng оf thе раѕt. Тhіѕ fеаturе саn bе uѕеd іn tаndеm wіth thе ІВІЅ аnd іѕ аvаіlаblе wіth bоth mесhаnісаl аnd еlесtrоnіс ѕhuttеrѕ - іt аlѕо соmеѕ іn hаndу whеn уоu’rе аttеmрtіng а раnоrаmа аnd wоrkѕ fоr аnу RF, RF-Ѕ, ЕF оr ЕF-Ѕ lеnѕ. 4К UНD Vіdео RесоrdіngВу іnvеѕtіng іn thе ЕОЅ R7’ѕ vіdео сараbіlіtіеѕ, Саnоn hаѕ расkеd іn ѕоmе іmрrеѕѕіvе fеаturеѕ tо mаkе thіѕ саmеrа аn іnсrеdіblу flехіblе ѕhооtеr. Тhе ЕОЅ R7 bоаѕtѕ 4К vіdео wіth аn оvеrѕаmрlеd 30fрѕ mоdе, а ѕlоw-mоtіоn 60р mоdе аnd а ѕераrаtе сrор mоdе. Wіth Ultrа-НD vіdео rесоrdіng аnd Саnоn Lоg 3, ЕОЅ R7 fооtаgе ѕlоtѕ еаѕіlу іntо рrоfеѕѕіоnаl еdіtіng wоrkflоwѕ fоr vlоggеrѕ, соlоurіѕtѕ аnd fіlmmаkеrѕ аlіkе. Аnd, wіth ѕuрроrt fоr vеrtісаl vіdео, thе ЕОЅ R7 іѕ реrfесt fоr ѕосіаl mеdіа ѕhаrіng. Саnоn Сlоud РrосеѕѕіngWіth Wі-Fі соnnесtіvіtу, thе ЕОЅ R7 bеnеfіtѕ frоm іmаgе.саnоn сlоud fеаturеѕ. RАW fіlеѕ саn bе рrосеѕѕеd tо rеduсе nоіѕе аnd mоіrе fоr mоrе nаturаl-lооkіng ЈРЕG аnd НЕІF fіlеѕ. Yоu саn аlѕо gеt уоur соntеnt tо whеrеvеr іt nееdѕ tо bе bу соnnесtіng tо уоur ѕmаrtрhоnе аnd ѕhаrіng уоur ѕnарѕ оn ѕосіаl mеdіа. For full specifications click Here

    2 in stock

    £1,349.00

  • Fujifilm X-T5 Mirrorless Camera with 18-55mm f2.8-4 lens - Black

    fujifilm Fujifilm X-T5 Mirrorless Camera with 18-55mm f2.8-4 lens - Black

    Out of stock

    40MP APS-C X-Trans CMOS 5 HR BSI Sensor 4K 120p, 6.2K 30p, FHD 240p 10-Bit Video 7-Stop In-Body Image Stabilization 425-Point Intelligent Hybrid AF System 3.69m-Dot OLED Electronic Viewfinder 3" 1.84m-Dot Tilting Touchscreen LCD 20 fps E. Shutter, 15 fps Mech. Shutter 160MP Pixel Shift Multi-Shot Bluetooth and Wi-Fi Connectivity XF 18-55mm f/2.8-4 R LM OIS Lens A portable and powerful multimedia mirrorless camera, the FUJIFILM X-T5 features the newly developed 40MP APS-C X-Trans CMOS 5 HR BSI sensor for simply stunning results. Comparable in size to the original X-T1 and lighter than its predecessor, this camera provides a classic, dial-based layout and cutting-edge technology that includes a seven-stop in-body image stabilization system, Pixel Shift Multi-Shot mode for 160MP files, and action-freezing shutter speeds up to 1/180,000 sec from the electronic shutter. In addition to its versatile suite of stills capabilities, the X-T5 is also a highly capable moviemaking machine, recording up to 6.2K in 4:2:2 10-bit color internally or 12-bit ProRes RAW and Blackmagic RAW via HDMI.FUJIFILM X-T5 Mirrorless Camera (Black)A portable and powerful multimedia mirrorless camera, the FUJIFILM X-T5 features the newly developed 40MP APS-C X-Trans CMOS 5 HR BSI sensor for simply stunning results. Comparable in size to the original X-T1 and lighter than its predecessor, this camera provides a classic, dial-based layout and cutting-edge technology that includes a seven-stop in-body image stabilization system, Pixel Shift Multi-Shot mode for 160MP files, and action-freezing shutter speeds up to 1/180,000 sec from the electronic shutter. In addition to its versatile suite of stills capabilities, the X-T5 is also a highly capable moviemaking machine, recording up to 6.2K in 4:2:2 10-bit color internally or 12-bit ProRes RAW and Blackmagic RAW via HDMI.40MP APS-C X-Trans CMOS 5 HR BSI SensorOffering the ultimate in image quality, the X-T5 features a 40MP X-Trans 5 HR CMOS sensor in a compact, lightweight body that maximizes functionality and portability. Imaging performance is in no way compromised by the camera's diminutive proportions. Instead, the X-T5's improved image processing algorithm delivers outstanding results and is packed with details right across the native ISO range.Powerful Video CapabilitiesA dynamic camera with powerful video functions, movies can be recorded internally at up to 6.2K at 30p in 4:2:2 10-bit color, plus there's a 4K HQ mode which oversamples 6.2K footage for superior 4K output. This higher video resolution unlocks 2x digital zoom functionality, providing additional in-camera versatility without a noticeable drop in quality.External Raw RecordingBoth F-Log and F-Log2 recording are possible, with the latter providing an expanded dynamic range of 13+ stops. Additionally, 12-bit ProRes RAW and Blackmagic RAW can be output via HDMI to Atomos and Blackmagic devices accordingly.425-Point Intelligent Hybrid AF SystemFeaturing outstanding autofocus performance, the X-T5 utilizes 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track animals, athletes, birds, cars, motorcycles, and moving subjects.In-Body Image StabilizationThanks to the camera's in-body image stabilization (IBIS) system, quality-sapping camera shake is minimized. Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.Pixel Shift MultishotUtilizing the camera's IBIS system to precisely shift the sensor, Pixel Shift Multishot automatically records 20 separate frames with one press of the shutter release. Resulting files are combined using Pixel Shift Combiner software to quadruple the camera's resolution and produce a detail-rich, 160MP file. Perfect for commercial applications or digital archiving, it's also ideal for any static subject where image quality is of primary importance.Built for SpeedThe X-T5 provides powerful image making performance to ensure it's ready for action, no matter how fast your subject is moving. A top electronic shutter speed of 1/180,000 sec and a maximum mechanical shutter speed of 1/8000 sec will stop any subject in its tracks, while a lag time of just 35 ms gives an almost instantaneous response when the shutter release is pressed. Keep a finger down, and the X-T5 will record images at up to 15 fps with the mechanical shutter, or 20 fps with the electronic shutter. Either way, no important moment will be missed.Film Simulation ModesFilm Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, PRO Neg.Std, PRO Neg. Hi, Classic Neg., Nostalgic Neg., Eterna Cinema, Eterna Bleach Bypass, Acros, Acros + Ye Filter, Acros + R Filter, Acros + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, and Sepia.Enhanced Body DesignLarge OLED electronic viewfinder features a crisp 3.69m-dot resolution for bright, clear, and detailed eye-level viewing. Additionally, this EVF offers 0.8x magnification for an easy-to-view image that is further enhanced by improved suppression of parallax and distortion compared to its predecessor. The 100 fps refresh rate, meanwhile, allows virtually blackout-free image making.Large 3.0" 1.62m-dot LCD touchscreen for intuitive operation and playback, and the tilting design greatly benefits working from high and low shooting angles.Utilizing an NP-W235 battery, up to 680 frames can be recorded from a single charge, plus the mechanical shutter guarantees 500,000 actuations, delivering long-term accuracy and reliability.ConnectivityMicro-HDMI port for outputting video to an external recorder or monitor.USB 3.2 Gen 2 port supports tethering, data transfer, and in-camera battery charging.3.5mm external microphone port for greater control over audio recording.PC sync port for flash sync.2.5mm remote port for using wired remote controllers.Integrated Bluetooth and Wi-Fi connectivity allows for wirelessly sharing images to a mobile device or to use the device to remotely control the camera.UPC: 074101206975FUJIFILM XF 18-55mm f/2.8-4 R LM OIS LensMixing versatility, speed, and a sleek design, the XF 18-55mm f/2.8-4 R LM OIS from FUJIFILM is a flexible 27-84mm-equivalent standard zoom for X-mount mirrorless cameras. Its bright f/2.8-4 maximum aperture range suits working in difficult lighting conditions and also helps to keep the overall and size and weight of the lens down. In regard to optics, this zoom features three aspherical elements and one extra-low dispersion element, which help to control spherical and chromatic aberrations in order to improve sharpness and clarity. A Super EBC coating also improves contrast and color neutrality by reducing flare and ghosting when working in strong lighting conditions. Additionally, benefitting use in a variety of situations, a linear motor delivers quick and quiet autofocus performance and a five stop-effective image stabilization system minimizes the appearance of camera shake.Standard zoom is designed for APS-C-format Fujifilm X-mount mirrorless cameras and offers a 27-84mm equivalent focal length range.One extra-low dispersion element is used to greatly reduce color fringing and chromatic aberrations in order to produce high clarity and color fidelity throughout the zoom range.Three aspherical elements control distortion and spherical aberrations, which helps to improve sharpness and realize more accurate rendering.Super EBC coating has been applied to individual elements to reduce lens flare and ghosting for improved contrast and color fidelity when working in strong lighting conditions.A linear motor autofocus system, coupled with an internal focusing design, delivers smooth, near-silent performance that is especially beneficial to video applications and when working in noise-sensitive areas.Complemented by an enhanced gyro sensor and unique series of algorithms, the optical stabilization system minimizes the appearance of camera shake by up to four stops to enable sharper imaging when working with longer focal lengths or slower shutter speeds.Rounded seven-blade diaphragm contributes to a pleasing out-of-focus quality to benefit the use of selective focus and shallow depth of field techniques.

    Out of stock

    £2,099.00

  • Canon EOS R6 Mark II Body Only

    Canon Canon EOS R6 Mark II Body Only

    Out of stock

    The full-frame EOS R6 Mark II raises the bar with its unique blend of class-leading performance, breath-taking speed, stability and professional filmmaking features. Master your craft and never compromise – whatever you like to shoot, and however you like to shoot it.Intense sharpness from Dual Pixel CMOS AF IIOur deep-learning AI delivers even more powerful autofocus. The EOS R6 Mark II recognises and tracks more subjects with even greater speed, reliability and precision.The freedom to shoot handheld Shoot long exposures with biting sharpness, thanks to an 8-stop2 Image Stabilizer. Video footage is super steady too, perfect for on-the-go filmmaking and documentaries.Race ahead of the competitionSetting new speed records, the EOS R6 Mark II can shoot continuously at up to 40fps6 electronically, and up to 12fps mechanically5. Capture the action before you press the button with Pre-shooting in RAW burst mode.Hone your filmmakingUse the full width of the EOS R6 Mark II’s sensor to capture superb oversampled 4K 60p video or 6K RAW10. Focus-breathing correction and Detect-only AF make professional results easier than ever.Extreme performance in extreme conditionsCapture the ambience of the moment whatever the conditions. Shoot up to ISO 102,400 sensitivity and focus in as little light as -6.5EV. Dual Pixel CMOS AF II: Intelligent subject detection and tracking, including Auto mode that detects the subject. 40fps electronic shutter: Capture microscopic moments in time at up to 40fps, with AE and AF tracking. 12fps mechanical shutter 30fps Pre-shooting burst mode with 0.5 sec Pre-shooting Optical IS x In Body IS: Combining lens-based optical IS with in-body IS for up to 8 stops of stabilisation. 24.2 megapixel sensor: An ideal balance of resolution, speed and low-light performance. Full width oversampled 4K 60p 6K RAW Capture using an external Atomos Ninja V+ recorder, via the camera’s clean HDMI output. Full HD at 180p: Capture fast action in smooth slow motion. H.264/H.265: 8-bit H.264 or next-generation 10-bit H.265 codecs. HDR: HDR PQ and HDR Movie. Focus breathing correction: Pull focus like a pro, without distracting optical effects. -6.5 EV AF performance: That’s less than the light from a half moon. Max ISO 102,400 (extendable to 204,800) 3.69M dot EVF: a high-resolution EVF that refreshes at 120fps. Dual UHS-II SD card slots Built in Wi-Fi and Bluetooth RAW processing in the cloud New Technology Explained:Advanced Dual Pixel CMOS AF II, with eye detectionThe EOS R6 Mark II uses Canon’s state-of-the-art Dual Pixel CMOS AF II technology to focus and track subjects, keeping them sharp as they move through a scene. Using deep-learning artificial intelligence, we’ve programmed the camera to recognise people, vehicles (cars, motorbikes, trains and aircraft) and animals (dogs, cats, birds and horses). The type of subject to be detected can be chosen in the EOS R6 Mark II’s menu, or set to Auto if you shoot in a range of scenarios.When detecting people or animals, the EOS R6 Mark II first looks for a subject’s eyes, and it’s now possible to specify which eye (left or right) should be given priority. If the eyes can’t be seen, the camera focuses on the face instead, and if the subject turns away for a moment, the head is tracked. If the head isn’t visible, the EOS R6 Mark II will track their body.RAW burst modeThe EOS R6 Mark II also features a pre-shooting option as part of RAW burst mode, that captures the action 0.5 sec before the shutter-release button is pressed – a great advantage when shooting unpredictable subjects, from tennis players to toddlers. RAW burst mode shoots continuously at 30fps for up to 191 frames (just over 6 sec using a high-speed card) and records all of the frames in a single RAW file, called a roll. This is recorded as a special CR3 file; all with AF tracking. Individual images can be extracted from this roll using Canon’s Digital Photo Professional software, or in camera, and saved as individual JPEG, HEIF or RAW files.‘Detect only’ option for Movie Servo AFA technology shared with Canon’s Cinema EOS family, a new Movie Servo AF option – ‘Detect only’ – has been added to the EOS R6 Mark II, and is similar to the ‘Face only’ feature found in our Cinema EOS C70 camera. When this is activated, if the subject specific in the Subject to detect menu moves out of the focus area, the camera will remain at its current point of focus without refocusing on other subjects. For example, if ‘People’ is specified in the menu, focus will not change if a subject walks out of shot. Traditionally, a camera would then refocus on the background, which is often not what’s wanted, especially if the subject may be about to move back into the frame again.Focus-breathing correction The EOS R6 Mark II can use digital processing to compensate for the effects of focus breathing – the small, but noticeable changes in viewing angle or magnification that happen as some lenses undergo significant changes in focus. Lenses currently supported, after firmware updates, are:● RF 14-35mm F4 L IS USM● RF 15-35mm F2.8 L IS USM● RF 24-70mm F2.8 L IS USM● RF 24-105mm F4 L IS USM● RF 70-200mm F2.8 L IS USM● RF 70-200mm F4 L IS USMThe RF24mm F1.8 Macro IS STM supports this feature from the beginning and does not require a firmware update. Full-frame 24.2-megapixel sensorThe EOS R6 Mark II features a full-frame 24.2 megapixel CMOS sensor, designed by Canon. Working in tandem with a powerful DIGIC X processor, it powers many of the camera’s groundbreaking features and provides an ideal balance of resolution, low-light and speed.The new sensor is fast, powering 40fps6 continuous shooting. Compared to the EOS R6, this new sensor reduces ‘rolling shutter’ distortion, allowing the camera’s electronic shutter to be used to freeze fast-moving objects. This speed also enables oversampled 4K 60p video using the full width of the sensor, and helps power the EOS R6 Mark II’s extraordinarily quick focusing.A digital teleconverter provides an instant in-camera 1.6x crop, taking you closer to the action at the press of a button and with your eye still at the viewfinder. In-camera focus bracketingWhen you need more depth of field than is available, the EOS R6 Mark II can deploy focus bracketing and depth compositing to help achieve perfect focus throughout the frame.After specifying the focus range and number of shots, a single press of the shutter-release button tells the camera to begin shooting, varying focus from near to far as it does so. When this sequence of images is blended together, the result is perfect depth of field for the scene.This image sequence can now be merged in-camera, creating a perfect ready-to-go result. The feature can also be used as an on-location preview of what can be achieved later in post-production, giving you the confidence that you have what you need.Depth compositing is great for shooting close-up or macro work when depth of field is limited. It also allows photographers to reduce time spent post-processing images from multiple frames and lets them achieve a result quickly, in-camera.4K 60p full-width oversampled & 6K RAWThe EOS R6 Mark II can shoot 4K 60p UHD using the full width of the EOS R6 Mark II’s sensor, with simultaneous Dual Pixel CMOS AF II focusing. Footage is created by oversampling the sensor’s 6K output, resulting in superb image quality.Improved circuit designs are highly heat efficient, allowing longer recording times of up to 610 hours, depending on ambient temperature, memory card space and battery life.For filmmakers wanting even higher performance, the EOS R6 Mark II outputs 6K RAW via its HDMI output, which can be recorded on an Atomos Ninja V+ recorder in ProRes RAW. This provides more detail, as well as the ability to adjust parameters such as white balance in post-production. Full HD proxy footage can be captured internally to a memory card.Movie pre-recordingWhen this function is activated, video is continuously streamed through the camera in standby. Such pre-captured footage can be captured from the 3 or 5 secs before the video record button is pressed – very handy when shooting unpredictable subjects or an unmissable one-off moment. UVC support for webcam and live streamingThe EOS R6 Mark II can be used as a webcam on PC and Mac computers running video-call apps such as Skype, Zoom and Teams, without having to install additional software. This plug-and-play capability is powered by industry-standard USB Video Class (UVC) and USB Audio Class (UAC) drivers that are built into Windows and MacOS operating systems.Used in this way, the EOS R6 Mark II provides improved image quality compared with standard computer webcams, letting you look your best when you need to make a great impression online.False-colour indicationA technology shared with Canon’s Cinema EOS family, the EOS R6 Mark II features false colour warnings that give an easy-to-see indication of current exposure levels. Six colours, each representing a different luminance level, are overlaid on viewfinder and viewscreen images.Recording emphasis and Aspect markerWhen the EOS R6 Mark II’s Recording emphasis feature is turned on, a blinking red frame is visible at the edges of the frame when the camera is recording video. In addition, the EOS R6 Mark II includes an Aspect marker option, which acts as a guide to how footage will look when it’s been processed for different aspect ratios, such as 2.35:1 Cinema Scope, vertical 9:16, 5:4, and even Instagram friendly 1:1. This is very useful when shooting footage for social-media platforms, which often require different frame shapes.More exposure modes when shooting videoWhen capturing video footage, EOS R6 Mark II users can now shoot in aperture-priority (Av) and shutter-priority (Tv) exposure modes, as well as manual (M), Program (P) and 3 custom setting modes giving more convenience and creative control.Multifunction shoeThe multifunction shoe, first seen on the EOS R3, is also included on the EOS R6 Mark II, allowing a range of new accessories to be used with the camera. These include the DM-E1D digital microphone and Tascam XLR adapter, for recording high-quality sound, and a smartphone adapter – as well as new Speedlite flashes.Advanced overheat managementThe EOS R6 Mark II is able to capture video for longer by managing the camera’s response to rises in temperature. Advanced warning of overheating informs videographers well before shooting needs to be paused. Low-resolution standby mode helps reduce the likelihood of overheating when the camera is on standby between takes. Display frame rate and image quality are temporarily reduced, conserving power and extending recording time. What's in the box? EOS R6 Mark II BodyCamera Cover R-F-5Shoe cover ER-SC2Strap ER-EOS R6 Mark IIBattery Charger LC-E6EBattery Pack LP-E6NHBattery Pack CoverAC Cable (EU/SK)User Manual Kit (EU) TECHNICALSPECIFICATIONS IMAGE SENSORType 35.9 x 23.9 mm CMOSEffective Pixels Approx. 24.2megapixelsTotal Pixels Approx. 25.6 megapixelsAspect Ratio 3:2Low-Pass Filter Built-in/FixedSensor Cleaning EOS integrated cleaning systemColour Filter Type Primary ColourSensor Shift IS Yes, up to 8-Stops advantage dependingon the lens used1IMAGE PROCESSORType DIGIC XLENSLens Mount RF (EF and EF-S lenses can be attached using: MountAdapter EF-EOS R, Control Ring Mount AdapterEF-EOS R, Drop-In Filter Mount Adapter EF-EOS R)EF-M lenses are not compatibleFocal Length Equivalent to 1.0x the focal length of the lens withRF and EF lenses 1.6x with EF-S/ RF-SImage StabilisationFOCUSINGType Dual Pixel CMOS AF IIAF System/Points 100% horizontal and 100% vertical with Face +Tracking and Auto Selection modes 100% horizontaland 90% vertical with manual selection and largezone modes2AF working range EV -6.5 – 21 (at 23°C & ISO100)3AF Modes One Shot, Servo AF, AI Focus AFAF Point Selection Automatic selection: 1053 Available AF areas whenautomatically selected,Manual selection: 1-point AF (AF frame size can bechanged) 4897AF positions available stills( 4067 Movies)Manual selection: AF point Expansion 4 points(up, down, left, right)Manual selection: AF point Expansion surroundingManual selection: Flexible Zone AF 1-3(all AF points divided into minimum 9 to 999maximum focusing zones)AF Tracking Humans, Animals (Dogs, Cats, Birds and horses) orVehicles (Racing cars or Motor bikes, Aircraft andTrains)AF Lock Locked when shutter button is pressed halfway or AFON is pressed in One Shot AF mode. Usingcustomised button set to AF stop in AI servoAF Assist Beam Emitted by built in LED or optional dedicatedSpeedlite (flash)Manual Focus Selected on lensEXPOSURE CONTROLMetering modes Real-time with image sensor, 384-zone metering.(1) Evaluative metering (linked to All AF points)(2) Partial metering (approx. 5.9% of viewfinder atcentre)(3) Spot metering: Centre spot metering (approx. 3%viewfinder at centre)- AF point-linked spot meteringnot provided(4) Centre weighted average meteringMetering Brightness Range EV -3 – 20 (at 23°C, ISO100, with evaluative metering)AE Lock Auto: AE lock takes effect when focus is achievedManual: By AE lock button in P, Av, Fv, Tv and MmodesExposure Compensation +/-3 EV in 1/3 or 1/2 stop increments(can be combined with AEB)AEB +/-3 EV in 1/3 or 1/2 stop incrementsAnti-flicker shooting Yes. Flicker detected at a frequency of 100 Hz or 120Hz. Maximum continuous shooting speed maydecrease available with both electronic andmechanical shutterHigh Frequency anti flicker shooting for M and TVmodesISO Sensitivity Auto 100-102400 (in 1/3-stop or 1 stop increments)ISO can be expanded to L:50, H:204,801SHUTTERType Electronically-controlled focal-plane shutter andElectronic shutter function on sensorSpeed Mechanical: 30-1/8000 sec (1/2 or 1/3 stopincrements), BulbElectronic: 30-1/16000 (1/2 or 1/3 stop increments upto 1/8000 then 1 stop to 1/16000) (Total shutter speedrange. Available range varies by shooting mode)4Shutter Release Soft touch electromagnetic releaseWHITE BALANCEType Auto white balance with the imaging sensorSettings AWB (Ambience priority/White priority), Daylight,Shade, Cloudy, Tungsten light, White Fluorescentlight, Flash, Custom, Colour Temperature SettingWhite balance compensation:1. Blue/Amber +/-102. Magenta/Green +/-11Custom White Balance Yes, 1 setting can be registered - From image or LiveViewWB Bracketing +/-3 levels in single level increments 3, 2, 5 or 7bracketed images per shutter releaseSelectable Blue/Amber bias or Magenta/Green biasVIEWFINDERType 0.5-inch OLED colour EVFDot count 3.69 Million dotsCoverage(Vertical/Horizontal) Approx. 100%Magnification Approx. 0.76x5Eyepoint Approx. 23mm (from eyepiece lens centre)Dioptre Correction -4 to +2 m-1 (dioptre)Display performance Power saving: 59.94 fps Smooth 119.98 fps , supresslow frame rate 60 -119.8fps6Viewfinder Information Shutter speed, Aperture, ISO speed, AF pointinformation, Exposure level indicator, Number ofremaining exposures, Exposure compensation,Battery level, Electronic shutter, HDR shooting,Highlight tone priority, Multiple-exposure shooting,Self-timer shooting mode, Maximum burst, AFmethod, Subject to Track setting, Exposuresimulation, Drive mode, AEB, Metering mode, FEB,Anti-flicker shooting, Still/video cropping, Shootingmode, Aspect ratio, Scene icons Auto LightingOptimizer, AE lock Picture Style, Flash-ready, Whitebalance, FE lock, Image Quality, High-speed sync,Bluetooth function, Wi-Fi on/off, Histogram, Electroniclevel, Focus distance scale in manual focus, SAcontrol ring setting, IS system. Audio Level – Manual(video), recording time remaining (video),headphone level (video), Video recording resolutionframe rate and compression (video) Rec indicator(video), Overheat indicator (video)Depth of field preview Yes, via customised button or with "Exposure +DOP"( up to F8)Eyepiece Shutter N/ALCD MONITORType 7.5cm (3.0") Clear View LCD II,approx. 1.62 million dotsCoverage Approx. 100%Viewing Angle horizontally/verticallyApprox. 170° vertically and horizontallyCoating Anti-smudge.Brightness Adjustment Manual: Adjustable to one of seven levels ColourTone Adjustment: 4 settingsTouch-screen operations Capacitive method with menu functions, QuickControl settings, playback operations, andmagnified display. AF point selection in still andMovies, touch shutter is possible in still photoshooting.Display Options (1) Basic Camera settings(2) Advance Camera settings(3) Camera settings plus histogram and dual leveldisplay(4) No info(5) Quick Control ScreenTECHNICALSPECIFICATIONSFLASHModes E-TTL II Auto Flash, Metered ManualRed-Eye ReductionX-sync 1/200sec mechanical shutter / 1/250th electronic1st curtainFlash ExposureCompensation+/- 3EV in 1/3 or 1/2 stop increments with EX seriesSpeedlite flashesFlash Exposure Bracketing Yes, with compatible External FlashFlash Exposure Lock YesSecond CurtainSynchronisation Yes via SpeedliteMulti-Function shoe/ HotShoe/PC terminal Yes/NoExternal Flash Compatibility E-TTL II with EX / EL series Speedlite, wireless multi-flashsupportExternal Flash Control via camera menu screenSHOOTINGModes Stills; Scene Intelligent Auto, Flexible priority AE,Program AE, Shutter priority AE, Aperture priority AE,Manual, Bulb and Custom (x3)Movie: Auto Exposure, TV,AV Manual and Custom (x3)Picture Styles Auto, Standard, Portrait, Landscape, Fine Detail,Neutral, Faithful, Monochrome, User Defined (x3)Colour Space sRGB and Adobe RGBImage Processing Highlight Tone Priority (2 settings)Auto Lighting Optimizer (3 settings)Long exposure noise reductionClarityHigh ISO speed noise reduction (4 settings)(stills and video)Lens optical correction- Peripheral illumination correction, Chromaticaberration correction Distortion correction(during/after still photo shooting, during video only)Diffraction correction,Digital Lens Optimizer(during/after still photo shooting only)Focus Bracketing including image compositingResize to M, S1, S2Cropping of images (JPEG/HEIF)- Aspect ratios 3:2, 4:3, 16:9, 1:1 x1.6crop- Switch between vertical and horizontal croppingorientation- Image straightening- Cropping frame can be moved using touch screenoperationRAW image processingDual Pixel RAW – Portrait Relighting, BackgroundClarity (in camera)Raw Cloud processingMultiple exposureHDR - with moving subject suppressionHEIF to Jpeg conversion (single or batch)Drive modes Single, Continuous High+, Continuous High,Continuous Low, Self timer (2s+remote, 10s+remote)Continuous Shooting Max. Approx. 12fps. with Mechanical shutter, speedmaintained for 1000+ JPEG or 110 RAW 1000 CRAWimages.Max. Approx. 40fps. with Electronic shutter7,8,speed maintained for 190 JPEG or 75 RAW, 140CRAW imagesRAW Burst 30fps with 0.3 or 0.5 seconds pre record formax approx 191 framesInterval timer Built inFILE TYPE - STILLSStill Image Type JPEG: 2 compression optionsRAW: RAW, C-RAW 14 bit (14-bit with Mechanicalshutter and Electronic 1st Curtain, 12-bit A/Dconversion with Electronic shutter, Canon originalRAW 3rd edition)HEIF: 10bit HEIF is available in HDR shooting with [HDRPQ] set to [Enable]Complies with Exif 2.31 and Design rule for CameraFile system 2.0Complies with Digital Print Order Format [DPOF]Version 1.2RAW+JPEG/HEIF simultaneousrecordingYes, any combination of RAW + JPEG or RAW + HEIFpossibleImage Size 3:2 ratio (L, RAW, C-RAW) 6000 x 4000, (M) 3984 x2656, (S1) 2976x 11984, (S2) 2400 x 16001.6x (crop) (L) 3744 x 2496, (S2) 2400 x 16004:3 ratio (L) 5328 x 4000, (M) 3552 x2664 (S1) 2656 x1992 (S2) 2112 x 160016:9 ratio (L) 6000 x 3368, (M) 3984 x 2240, (S1) 2976 x1680, (S2) 2400 x 13441:1 ratio (L) 4000 x 400, (M) 2656x 2656, (S1) 1984 x1984, (S2) 1600 x 1600Folders New folders can be manually created, named andselectedFile Numbering File Numbering(1) Consecutive numbering(2) Auto reset(3) Manual resetFile naming 3 User presetsEOS MOVIEMovie Type MP4 Video: 4K UHD, Full HD (16:9)9, Audio: LinearPCM / AACMovie Size 4K UHD (16:9) 3840 x 2160 (59.94, 50, 29.97, 25,23.98fps) inter frame (IPB) / (IPB Light)104K UHD Timelapse (16:9) 3840 x 2160 (29.97, 25fps)intra frame (All-I)Full HD (16:9) 1920 x 1080 (179.82, 150, 119.88, 100,59.94, 50, 29.97, 25, 23.98fps) inter frame (IPB) / (IPBLight)10Full HD Timelapse (16:9) 1920 x 1080 (29.97, 25fps) intraframe (All-I), Full HD HDR (16:9) 1920 x 1080 (29.97,25fps) intra frame (All-I)10Colour Sampling(Internal recording) 4K/ Full HD - YCbCr4:2:0 8-bit or YCbCr4:2:2 10bitCanon Log Yes, Canon Log 3Movie Length Max duration 6 hours (excluding High Frame Ratemovies, and power and storage limitations ).11Upto 5 seconds pre record possible.No 4GB file limit with exFAT formatted SD card.High Frame Rate Movie Full HD at 180fps, 150fps, 100fps or 119.9fps10Recorded as 1/6-speed slow motion movieSingle scene maximum recording up to approx 1hour 180/150fps 1hour 30mins 120/100fpsFrame Grab 8.3-megapixel JPEG/HEIF still image frame grab from4K UHD movie possible (HEIF only possible when HDRPQ is set)12Bitrate/Mbps MP4 H.264 Canon Log Off4K (59.94p/50.00p): IPB Approx. 230 Mbps4K (59.94p/50.00p): IPB (Light ) Approx. 120 Mbps4K (29.97p/25.00p/23.98p): IPB Approx. 120 Mbps4K (29.97p/25.00p/23.98p): IPB (Light ) Approx. 60Mbps4K Timelapse (29.97, 25fps) All-I Approx. 470MbpsFull HD (179.82p/150.00p): IPB Approx. 180 MbpsFull HD (179.82p/150.00p): IPB (Light) Approx.105MbpsFull HD (119.88p/100.00p): IPB Approx. 120 MbpsFull HD (119.88p/100.00p): IPB (Light) Approx. 70 MbpsFull HD (59.94p/50.00p): IPB Approx. 60 MbpsFull HD (59.94p/50.00p): IPB (Light) Approx. 35 MbpsFull HD (29.94p/25.00p/23.93p): IPB Approx. 30 MbpsFull HD (29.94p/25.00p): IPB (Light) Approx. 12 MbpsFull HD Timelapse (29.97, 25fps) All-I Approx. 90MbpsFull HDR Movies (29.97, 25fps) IPB Approx. 30 MbpsMP4 H.265 Canon Log / HDR PQ: On4K (59.94p/50.00p): IPB Approx. 340 Mbps4K (59.94p/50.00p): IPB (Light) Approx. 170 Mbps4K (29.97p/25.00p/23.98p): IPB Approx. 170 Mbps4K (29.97p/25.00p/23.98p): IPB (Light) Approx. 85Mbps4K Timelapse (29.97, 25fps) All-I Approx. 470MbpsFull HD (179.82p/150.00p): IPB Approx. 270 MbpsFull HD (179.82p/150.00p): IPB (Light) Approx. 150MbpsFull HD (119.88p/100.00p): IPB Approx. 180 MbpsFull HD (119.88p/100.00p): IPB (Light) Approx. 100MbpsFull HD (59.94p/50.00p): IPB Approx. 90 MbpsFull HD (59.94p/50.00p): IPB (Light) Approx. 50 MbpsFull HD (29.94p/25.00p/23.93p): IPB Approx. 45 MbpsFull HD (29.94p/25.00p): IPB (Light) Approx. 28 MbpsFull HD Timelapse (29.97, 25fps) All-I Approx. 135MbpsTECHNICALSPECIFICATIONSDual Card Recording YesMicrophone Built-in stereo microphone (48 Khz, 16-bit x 2channels), external mic or mikes like Multi-Functionshoe including XLR via Tascam CAXLR2dCHDMI Display Output to external monitor only (output of imagesand shooting information, images are recorded tothe card)HDMI Output Camera screen and External Monitor output (norecording to the card, camera screen shows imageswith shooting information)4K (UHD) 59.94p / 29.97p / 23.98p,Full HD 59.94p / 59.94i, 50.00p / 50.00i480p 59.94p576p 50pUncompressed YCbCr 4:2:2, 8-bit or 10-bit, soundoutput via HDMI is also possible6k upto 60p RAW to Atomos Ninja V+ recorded asProRes RAW or 3.7k RAW with cropFocusing Dual Pixel CMOS AF with Eye/Face Detection, Faceonly and Animal Tracking AF, Movie Servo AFManual Focus (Peaking and Focus Guide available)ISO Auto: 100-6400, H: 204800Manual: 100-25600, H: 204801OTHER FEATURESCustom Functions 22 Custom FunctionsMetadata Tag User copyright information (can be set in camera)Image rating (0-5 stars)IPTC data (registered with EOS Utility or Mobile FileTransfer app)Image transfer with caption (Caption registered withEOS Utility)LCD Panel/Illumination No/NoWeather Resistance Yes13Voice Memo NoIntelligent Orientation Sensor YesPlayback zoom 1.5x - 10x in 15 stepsDisplay Formats (1) Single image(2) Single image with information (2 levels)Basic - Shooting information (shutter speed, aperture,ISO and Image quality)Detailed - Shooting information (shutter speed,aperture, ISO, metering Image, quality and file size),Lens information, Brightness and RGB histogram,White balance, Picture Style, Color space and noisereduction, Lens optical correction, GPS information,IPTC information(3) 4 image index(4) 9 image index(5) 36 image index(6) 100 image index(7) Jump Display (1, 10 or 100 images, start of burstsequence, Date, Folder, Movies, Stills, Protectedimages, Rating,)(8) Movie edit(9) RAW processing(10) RatingSlide Show Image selection: All images, by Date, by Folder,Movies, Stills, Protected images or RatingPlayback time: 1/2/3/5/10 or 20 secondsRepeat: On/OffHistogram Brightness: YesRGB: YesHighlight Alert YesImage Erase Single image, select range, Selected images, Burstsequence Folder, CardImage Erase Protection Erase protection of Single image, Folder or Card allfound images (only during image search)Self-Timer 4 or 10 sec.Menu Categories (1) Shooting menu(2) AF Menu(3) Playback menu(4) Network(5) Setup menu(6) Custom Functions menu(7) My MenuMenu Languages 30 LanguagesEnglish, German, French, Dutch, Danish, Portuguese,Finnish, Italian, Norwegian, Swedish, Spanish, Greek,Russian, Polish, Czech, Hungarian, Vietnamese, Hindi,Romanian, Ukrainian, Turkish, Arabic, Thai, SimplifiedChinese, Traditional Chinese, Korean, Malay,Indonesia and JapaneseFirmware Update Update possible by the user (Camera, Lens, ExternalSpeedlite, BLE remote control, Lens adapter) viacard or Camera connect appINTERFACEComputer SuperSpeed USB 3.2 Gen 2 USB C connectorUVC/UAC support Windows / Mac OS compatiblewith Zoom, Skype(for Business), Teams , Meet,Webex, Wecom, Tencent MeetingWi-Fi Wireless LAN (IEEE802.11AC/ab/g/n) (5/ 2.4 GHz), withBluetooth v5.0 support Features supported - EOSUtility, Smartphone, Upload to Web14Other HDMI micro out (Type D), External Microphone In(Stereo mini jack), Headphone socket (Stereo minijack), E3-type terminal (remote control terminal),Multi-Function shoeDIRECT PRINTCanon Printers Direct PrintPictBridge Not supportedSTORAGEType 2x SD/SDHC/SDXC and UHS-IISUPPORTED OPERATINGSYSTEMPC Windows 8.1 and Windows 10, Windows 11 (tabletmode not supported)Macintosh OS X v10.12, 10.13, 10.14,10.15, OS 11.xSOFTWAREImage Processing Digital Photo Professional 4.17 or later, Digital PhotoProfessional Express mobile app ( iOS only) (RAWImage Processing not DUAL PIXEL RAW on DPPExpress moible)Other EOS Utility 3.16 or later (incl. Remote Capture),Picture Style Editor, EOS Lens Registration Tool, EOSWeb Service Registration Tool, Canon CameraConnect V3.0 app, Mobile File Transfer app andimage.canon app (iOS/Android)POWER SOURCEBatteries Rechargeable Li-ion Battery LP-E6NH (supplied)/LP-E6NBattery life With LCD Approx. 760 shots (at 23°C)With Viewfinder Approx. 450 shots (at 23°C)15Battery Indicator 7 levels + percentagePower saving Power turns off after 30 seconds, 1, 3, 5, 10 or 30minsPower Supply & BatteryChargersBattery charger LC-E6E (supplied), AC Adapter ACE6N and DC Coupler DR-E6, AC Adapter Kit ACKE6N/ACK-E6, Car Battery Charger CBC-E6, PD-E1 USBpower adapterTECHNICALSPECIFICATIONSFootnotes / Disclaimers:-1 * 8-stops based on the CIPA standard with RF 24-105mm F4 L IS USM at a focal length of105mm2 The AF area available vary depending on the lens used3 The lowest light AF is available with an f/1.2 lens, center AF point, One-Shot AF, at 23°C / 73°F,ISO 100 Except RF lenses with a Defocus Smoothing (DS) coating4 Electronic shutter speed 1/16000th not available in H+ mode5 With 50mm lens at infinity, -1m-1 dpt6 Low light AF performance will be reduced when supress low frames is used7 Max Frames per second will vary depending on the battery type, and charge, if Wi-Fi isturned on, operating temperature lens used and file size. The number of possible shots andmaximum burst vary depending on shooting conditions, aspect ratio, subject, memory cardbrand, ISO speed, Picture Style, and Custom Function). The speeds quoted are based onCanon testing with the following settings: Shutter speed 1/1000 sec. or faster, ApertureMaximum aperture, Flash Not used, Flicker reduction Not used, Battery pack Fully charged LP6NH, Temperature Room temperature (23°C / 73°F). Battery grip Not used, Wi-Fi settings OFF8 The continuous shooting speed may be reduced by the lens, shutter speed, aperture, flash,flicker reduction processing, subject conditions, and brightness (for example, when shootingin a dark place). When High speed continuous shooting (H+) is set, continuous shootingspeed will not decline.9 4K UHD and Full HD is 100%, 4K movie cropping mode is 62% of the horizonal area10 In High frame Rate Movie mode sound is not recorded11 If the cameras internal temperature becomes too high the maximum recording time will bereduced12 Frame grab is not available for RAW movies or Canon Log 3 movies13 Although the camera features weather-resistant construction, this cannot completelyprevent dust or water droplets from entering the camera. To ensure adequate weathersealing, the supplied shoe cover should be used unless a weather sealed accessory isinserted in the Multi Function shoe.14 Wi-Fi use may be restricted in certain countries or regions15 Based on the CIPA Standard and using the battery supplied with the camera, except whereindicated. In power saving modeACCESSORIESLenses All RF/ RF-S lenses (EF & EF-S via Lens adapters)Lens Adapters Mount Adapter EF-EOS RControl Ring Mount Adapter EF-EOS RDrop-In Filter Mount Adapter EF-EOS RFlash Canon Speedlite (EL-1, EL-5, EL-100, 90EX, 220EX,270EX, 270EX II, 320EX, 380EX, 420EX, 430EX, 430EX II,430EX III-RT, 470EX-AI, 550EX, 580EX, 580EX II, 600EX,600EX-RT, 600EX II-RT, Macro-Ring-Lite MR-14EX,Macro Ring Lite MR-14EX II, Macro Twin Lite MT-24EX,Macro Twin Lite MT-26EX Speedlite Transmitter ST-E2,Speedlite Transmitter ST-E3-RT,Speedlite TransmitterST-E3-RT V2, Speedlite Transmitter ST-E10)Remote Controller/Switch Remote control with E3 type socket and WirelessRemote Control BR-E1Other BG-R10 battery grip, GP-E2 GPS receiver (digitalcompass not supported), Stereo Microphone DM-E1/ DM-E100, Multi-Function Shoe Adapter AD-E1,Multi-Function Shoe Directional Stereo MicrophoneDM-E1D, Multi-Function Shoe Adapter forSmartphone Link AD-P1 for Android, TascamCA-XLR2d-C XLR microphone adapterPHYSICAL SPECIFICATIONSBody Materials Magnesium Alloy chassis, outer panels arepolycarbonate resin with glass fiberOperating Environment 2 – 40 °C, 85% or less humidityDimensions (WxHxD) 138.4 × 98.4 × 88.4 mmWeight (body only) Approx. 588 g (670 g with card and battery)

    Out of stock

    £2,779.99

  • Last stock! Olympus OM System OM-5  Mirrorless Digital Camera with 12-45mm Lens

    Olympus Olympus OM System OM-5 Mirrorless Digital Camera with 12-45mm Lens

    1 in stock

    The new OM-5 is made for people who go the extra mile for the experience, the ones who value the journey beyond the mountain top, people who want to unplug and relax, enjoy the moment.The OM-5 is not here to be flashy, steal the show, be in the way of your experience, or even try to be the sole reason for your adventure. It is rather like your favourite pair of boots that lead you onto trails unknown, that bag that always has what you need, or that friend that helps you see the world in a beautifully different way.This camera is made for those who enjoy photography as a part of their journeys, and use it to share their daily experiences with their people, as a tool to tell their storyEvery journey is a story waiting to be told; a thousand little moments hidden between a beginning and an end. This is for you and your thousand moments. Tell your story with the new OM SYSTEM OM-5. Designed to stay with you but not get in the way of your experience. Chuck it in your favourite bag, or let it dangle unnoticeably on your shoulder until inspiration strikes.IP53 Protection Class weather sealingThe OM SYSTEM OM-5 is equipped with sealing throughout, delivering IP531 protection class dustproof and splashproof performance with freezeproof protection to -10°C, the same high level of weather resistance as the OM SYSTEM OM-1 flagship model. Versatile computational photographyComputational photography features allow users to easily capture photos that generally require special equipment or image editing software. The OM SYSTEM OM-5 is packed with convenient, versatile computational photography features that provide further inspiration for creative shooting, such as High Res Shot and Live ND.High-Res ShotThis model supports Handheld High-Res Shot, which merges multiple images to create approximately 50 Megapixel high-resolution images. With this feature, users can enjoy hand-held shooting from nearly any angle while capturing high-resolution images. Merging multiple images not only improves resolution, but also minimizes noise. The popular Tripod High-Res Shot is also included on this model.Live NDAchieve slow shutter speed effects like those using ND filter up to ND16 (4 shutter speed steps). This feature delivers slow shutter speed effects even on ultra-wide-angle lenses that cannot accommodate an ND filter, and the effects can be viewed before capturing the photo using the viewfinder or on the LCD monitor when LV Simulation is activated.Pro CapturePro Capture begins recording once the shutter button is pressed halfway and records previous frames beginning with the moment when the shutter button is pressed fully, ensuring users never miss moments due to human reaction and camera operation time lag. With high-speed sequential shooting up to 30 fps (AF/AE locked), up to 14 previous frames can be captured.Focus StackingFocus Stacking captures eight shots at different focal positions and automatically generates a single image so users can incorporate background defocusing effects without excessively stopping down the aperture for control over the depth of field that matches the subject. This feature is useful for macro shooting.Live CompositeWith this feature, users can easily capture beautiful, varied shots while watching the image build on the Live View screen, even in situations where exposure control is difficult, such as when shooting a city against a starry sky.Keystone CompensationJust as if shooting with a shift lens, users can view effects in the Live View screen, while using vertical/horizontal simultaneous trapezoidal compensation and perspective enhancement.Other features include Live Bulb, Interval Shooting/Time Lapse Movie, Focus Bracketing, HDR, Color Creator, Art Filter, and Fisheye Compensation.High-quality 4K hand-held video recording and vertical videoThe powerful in-body 5-axis image stabilization on the OM SYSTEM OM-5 is also compatible with video recording. When combined with the dedicated video electronic stabilization, it enables stable, hand-held 4K recording with no time limits. The camera utilizes On-chip Phase Detection AF sensor information for video focusing control to deliver smooth focusing that matches the characteristics of videos. OM-Log is supported for a greater level of freedom over editing thanks to colour grading, which allows users to capture highlights and shadows without overexposing or underexposing shots. Vertical video is also supported on this model; videos recorded in vertical orientation on the camera are saved as vertical files, making them easy to post on social media without the need for special editing software. Users can also connect6 the high-res LS-P5 linear PCM recorder to capture high-quality audio while recording videos and the Slate Tone feature is available for easy audio data synchronization while editing videos.

    1 in stock

    £1,499.00

  • Sale -23%Last stock! Panasonic Lumix DC-S5 Full Frame Camera with 20-60mm lens Kit

    Panasonic Panasonic Lumix DC-S5 Full Frame Camera with 20-60mm lens Kit

    1 in stock

    Іntrоduсіng Раnаѕоnіс'ѕ Lumіх Ѕ5 dіgіtаl саmеrа bоdу. Тhіѕ full-frаmе hуbrіd mіrrоrlеѕѕ саmеrа іѕ dеѕіgnеd tо рrоvіdе уоu wіth ѕtunnіng vіdео аnd ѕtіllѕ реrfоrmаnсе, оffеrіng іnсrеdіblе vеrѕаtіlіtу wіth іmрrеѕѕіvе lоw-lіght реrfоrmаnсе аnd сrуѕtаl сlеаr іmаgеѕ vіа іtѕ 24.2 mеgаріхеl СМОЅ ѕеnѕоr. Тhе саmеrа ѕееѕ а nеwlу dеvеlореd аnd іmрrоvеd аutоfосuѕ thаt'ѕ сараblе оf рrесіѕе fосuѕ асquіѕіtіоn аnd trасkіng. Тhіѕ іѕ соmрlеmеntеd bу а роwеr 5-ахіѕ іmаgе ѕtаbіlіѕаtіоn аnd Duаl Nаtіvе ІЅО ѕеnѕіtіvіtу thаt ѕееѕ grеаtlу rеduсеd nоіѕе, еvеn аt thе ехtеndеd ІЅО lеvеl оf 51200. Vіdео рlауѕ а bіg раrt іn thіѕ саmеrа'ѕ mаkеuр. Іt оffеrѕ 4К 60р/50р 4:2:0 10-bіt & 4К 30р/25р 4:2:2 10-bіt іntеrnаl, аѕ wеll аѕ 4К 60р/50р 4:2:2 10-bіt НDМІ оutрut. Кеу Fеаturеѕ: 24.2 Меgаріхеl full-frаmе СМОЅ ѕеnѕоr Іmрrоvеd hіgh-ѕрееd аnd ассurаtе АF Fосuѕ асquіѕіtіоn оf јuѕt 0.08 ѕесоndѕ Іnсrеdіblе lоw lіght ѕhооtіng -6ЕV lumіnаnсе dеtесtіоn реrfоrmаnсе Аdvаnсеd dеер lеаrnіng tесh fоr АF Сіnесаmеrа wоrthу 14+ ѕtорѕ оf dуnаmіс rаngе Duаl Nаtіvе ІЅО ѕеnѕіtіvіtу rеduсеѕ nоіѕе Роwеrful 5-ахіѕ іn-bоdу іmаgе ѕtаbіlіѕаtіоn 4К 60р/50р 4:2:0 10-bіt & 4К 30р/25р 4:2:2 10-bіt іntеrnаl Duаl ЅD саrd ѕlоtѕ (оnе UНЅ-І & thе оthеr UНЅ-ІІ) Саmеrа bаttеrу саn bе rесhаrgеd vіа АС оr UЅВ 3.0" frее-аnglе tоuсh LСD ѕсrееn 3:2 ѕtаndаrd аѕресt rаtіо wіth 1,840К-dоt rеѕоlutіоn Lаrgе LVF wіth hіgh mаg. rаtіо оf аррrох. 0.74х, ОLЕD dіѕрlау whісh fеаturеѕ а 2,360К-dоt hіgh rеѕоlutіоn Ѕрlаѕh- аnd duѕt-rеѕіѕtаnt соnѕtruсtіоn Орtіmіѕеd lауоut fоr еffесtіvе hеаt dіѕреrѕіоn Еnеrgу-еffісіеnt 2,200mАh hіgh-сарасіtу bаttеrу Wі-Fі аnd Вluеtооth соmраtіbіlіtу Рrоfеѕѕіоnаl Vіdео СараbіlіtіеѕWе hаvе tо ѕtаrt wіth thе Ѕ5'ѕ vіdео сараbіlіtіеѕ. Тhе LUМІХ Ѕ5 іѕ сараblе оf 4К 60р/50р 4:2:0 10-bіt, 4К 30р/25р 4:2:2 10-bіt іntеrnаl rесоrdіng, аѕ wеll аѕ bеіng сараblе оf 4К 60р/50р 4:2:2 10-bіt НDМІ оutрut. Іn аddіtіоn, thе 4К 30р/25р 4:2:0 8-bіt іntеrnаl rесоrdіng hаѕ nо tіmе lіmіtаtіоn - Аt аll. Тhе Раnаѕоnіс Ѕ5 аlѕо саn rесоrd НDR vіdео іn 4К. Тhіѕ fеаturе іѕ dеѕіgnеd tо gіvе lіfеlіkе rерrоduсtіоn оf bоth lіght аnd dаrk аrеаѕ оf аn іmаgе і.е. wіthоut bеіng оvеr оr undеrехроѕеd. Тhе vіdео thаt іѕ rесоrdіng іѕ рrоduсеd wіth аn орtіmіѕеd gаmmа сurvе thаt'ѕ соmраtіblе wіth ІТU-R ВТ.2100. Вuіlt Fоr Lоw-LіghtТhе Ѕ5 wаѕ dеѕіgnеd fоr ѕuреrіоr lоw-lіght реrfоrmаnсе. Тhе саmеrа wаѕ dеvеlореd wіth а Duаl Nаtіvе ІЅО ѕеnѕіtіvіtу, ѕоmеthіng thаt Раnаѕоnіс fіrѕt uѕеd іn thеіr сіnе саmеrа VаrіСаm lіnе-uр. Whеrе ѕіnglе nаtіvе ІЅО іmаgе ѕеnѕоrѕ рrоduсе іmаgеѕ thаt gеnеrаllу bесоmе nоіѕіеr аѕ thе ІЅО ѕеnѕіtіvіtу іѕ іnсrеаѕеd, thе uѕе оf а Duаl Nаtіvе ІЅО wіll mіnіmіѕе nоіѕе. Тhіѕ іѕ асhіеvеd bу thе іmаgе ѕеnѕоr сhооѕіng аn орtіmаl сіrсuіt fоllоwіng thе сhоѕеn ѕеnѕіtіvіtу, bеfоrе gаіn рrосеѕѕіng. Ву uѕіng thіѕ ѕуѕtеm Раnаѕоnіс hаѕ bееn аblе tо аllоw fоr а mахіmum ІЅО ѕеnѕіtіvіtу оf 51200 - Тhе Duаl Nаtіvе ІЅОѕ аrе 640 аnd 4000. Аll оf thіѕ аllоwѕ уоu tо hаvе соmрlеtе сrеаtіvе соntrоl еvеn whеn орtіmаl lіght lеvеlѕ dіmіnіѕh, аllоwіng уоu tо саrrу lеѕѕ lіghtіng gеаr аnd gеnеrаllу ѕаvе tіmе оn ѕеt.Іmаgе ЅtаbіlіѕаtіоnТhе Ѕ5 hаѕ bееn еquірреd wіth а роwеrful іmаgе ѕtаbіlіѕаtіоn ѕуѕtеm. Раnаѕоnіс gаvе ехtrа аttеntіоn tо thіѕ аrеа оf thе саmеrа, dеvеlоріng а ѕуѕtеm thаt uѕеѕ аn аlgоrіthm thаt ассurаtеlу саlсulаtеѕ ѕhаkе іnfоrmаtіоn frоm nоt оnlу thе gуrоѕеnѕоr but thе іmаgе ѕеnѕоr аnd ассеlеrоmеtеr ѕеnѕоr, tоо. Тhе соnfіgurаtіоn оf thіѕ fоrm оf ѕtаbіlіѕаtіоn аllоwѕ fоr іnсrеdіblу рrесіѕе ѕhаkе dеtесtіоn аnd соmреnѕаtіоn, аllоwіng уоu tо uѕе 5-ѕtорѕ ѕlоwеr ѕhuttеr ѕрееdѕ! Whеn соmbіnеd, thе 5-ахіѕ іn-bоdу іmаgе ѕtаbіlіѕаtіоn аnd thе 2-ахіѕ орtісаl іmаgе ѕtаbіlіѕаtіоn оf LUМІЅ Ѕ Ѕеrіеѕ lеnѕеѕ, уоu'll ѕее thаt thе 5-ахіѕ Duаl І.Ѕ.2 соmреnѕаtеѕ fоr blur аnd іn turn, аllоwѕ уоu tо uѕе а 6.5-ѕtор ѕlоwеr ѕhuttеr ѕрееd. Whаt dоеѕ thіѕ аll mеаn? Whаt іt mеаnѕ іѕ thаt уоu'rе аblе tо еffісіеntlу ѕhооt іn соndіtіоnѕ оthеrwіѕе unаvаіlаblе tо уоu е.g. соnfіdеnt ѕhаkе-frее tеlерhоtо lеnѕ uѕе аnd/оr lоw-lіght соndіtіоnѕ аnd еvеn оnе-hаndеd ѕhооtіng. Оf соurѕе, thіѕ wоrkѕ wіth bоth рhоtо аnd vіdео wоrk аnd thаt іnсludеѕ whеn ѕhооtіng іn 4К!Раnаѕоnіс LUМІХ Ѕ 20-60mm f3.5-5.6 LеnѕТhіѕ соmрасt аnd lіghtwеіght ѕtаndаrd zооm lеnѕ dеlіvеrѕ аn ultrа-wіdе 20mm tо ѕtаndаrd 60mm fосаl lеngth, whісh іѕ fаntаѕtіс fоr bоth рhоtоgrарhу аnd vіdеоgrарhу. Тhе lеnѕ' wіdе vіеwіng аnglе іѕ іdеаl fоr іndооr ѕhооtіng wіth lіmіtеd ѕрасе; whеrеаѕ, thе 0.15m сlоѕе-uр сараbіlіtу, wіth а mах mаgnіfісаtіоn оf 0.43х, іѕ grеаt fоr tаblе-tор рhоtоgrарhу. То еnѕurе hіgh-quаlіtу vіdео rесоrdіng, thе lеnѕ іѕ еquірреd wіth а fосuѕ-brеаthіng ѕuррrеѕѕоr mесhаnіѕm.Whаt'ѕ іncluded 1 х Раnаѕоnіс Ѕ5 Dіgіtаl Саmеrа Воdу 1 х Раnаѕоnіс LUМІХ Ѕ 20-60mm f3.5-5.6 Lеnѕ 1 х Воdу Сар 1 х Ноt Ѕhое Соvеr 1 х Соvеr fоr thе Ваttеrу Grір Соnnесtоr 1 х Ѕhоuldеr Ѕtrар 1 х Ваttеrу Расk 1 х Ваttеrу Сhаrgеr 1 х АС Аdарtоr 1 х UЅВ Соnnесtіоn Саblе (А-С) For full specifications click Here

    1 in stock

    £1,749.00£1,349.00

  • Sale -14% Nikon Z7 II Mirrorless Digital Camera Body with FTZ Adapter

    Nikon Nikon Z7 II Mirrorless Digital Camera Body with FTZ Adapter

    2 in stock

    New and improved professional mirrorless camera Dual EXPEED 6 image processors Two card slots: CFexpress/XQD & UHS-II SD Much improved AF and tracking performance Eye, face and animal AF for both stills and video Significantly higher frame rates Deeper 50 RAWs/200 JPG buffer depth USB-C hot charging whilst still shooting Nikon's powerful 45.7-megapixel sensor 5-axis in-camera Vibration Reduction A wide 64-25600 ISO sensitivity range Shoots up to 10 frames per second Wide covering 493 autofocus points Hybrid phase-detect/contrast AF with AF assist Low-light AF accurate from -6 to +19 EV Full-pixel readout with broad dynamic range Output 10-bit depth directly to recorder via HDMI Captures truly stunning 4K UHD 60p video footage Improved processing, greater versatility, but familiar design, the Nikon Z7 II takes everything that was great from the original and ups its capabilities even more. Sporting a high-resolution 45.7MP FX-format BSI CMOS sensor and dual EXPEED 6 image processors, the Z7 II is clearly aimed at the detail-obsessed image-maker. 45.7MP FX-Format BSI CMOS Sensor and Dual EXPEED 6 Processors UHD 4K Video Recording 493-Point Phase-Detect AF System Vibration Reduction 3.2" 2.1m-dot Titing LCD screen Dual memory card slots BLE (Bluetooth Low Energy) SnapBridge connectivity Wi-Fi enabled 3.6m-dot OLED electronic finderA high 0.80x magnification and uses NIKKOR optics to guarantee a sharp, clear image. The finder also has a fluorine coating for easier cleaning. The top panel of the Z7 II is configured with a dot-matrix OLED. This low-energy display provides quick access to important camera settings.Configured with one CFexpress Type B/XQD memory card slot and one UHS-II SD card slot, flexible file storage is possible with the option to use repetitive, overflow, or segregated storage methods. A robust magnesium alloy chassis is both dust and weather-resistant to benefit working in harsh climates and inclement conditions.The ergonomic grip and overall form factor is shaped to benefit handling for extended periods of time and are further accentuated by an anti-slip material and a joystick for seamless settings and focus point selection.Nikon FTZ ii Mount AdapterEnabling the use of nearly any Nikon F-mount lens on Z-mount mirrorless camera bodies, the FTZ Mount Adapter is a sophisticated means for expanding the range of usable lenses. While compatible with approximately 360 distinct F-mount lenses, this adapter is especially ideal for use with over 90 E, G, and D-type lenses, where it fully maintains autofocus and auto-exposure capabilities for seamless use of the SLR lenses on the mirrorless body. The adapter, which is built from magnesium alloy and is weather-sealed, also incorporates a 1/4"-20 mount on the base to provide a more balanced means for working on a tripod with longer, heavier lenses.Lens CompatibilityFull AF/AE supported when using:AF-S type G/D/E lensesAF-P type G/E lensesAF-I type D lensesAF-S / AF-I teleconverters

    2 in stock

    £3,199.00£2,749.00

Login

Forgot your password?

Don't have an account yet?
Create account