Microphones & Audio

59 products

  • Rode Wireless GO II 2-Person Compact Digital Wireless Microphone System/Recorder (2.4 GHz, Black)

    Rode Rode Wireless GO II 2-Person Compact Digital Wireless Microphone System/Recorder (2.4 GHz, Black)

    10 in stock

    Rode Wireless GO II 2-Person Compact Digital Wireless Microphone System/Recorder (2.4 GHz, Black)   Dual-channel wireless microphone system Series IV 2.4GHz digital transmission, 128-bit encryption 3.5mm TRS analogue output and USB-C Supports onboard wireless recording iOS compatible digital audio output Built-in rechargeable lithium-ion battery Battery offers up to 7 hours battery life Ability to switch between stereo or dual-mono recording 200m transmission range (line of sight)   The Wireless GO II Dual-Channel Wireless Microphone System from Rode Microphones comprises a dual-channel receiver with 3.5mm TRS output and two clip-on transmitters (each one with an internal microphone), and USB and TRS cables, furry windshields, and a carry pouch for easy storage. This compact wireless microphone system operates in the 2.4GHz frequency range. The Dual Channel Wireless Microphone System lets you capture two sound sources simultaneously, which is suitable for a wide range of filmmaking scenarios, from recording interviews to two-person vlogs. It can also be used as a single channel wireless microphone for recording just one sound source. The Transmitter (TX) and Receiver (RX) units come with a USB Type-C port that can be utilized for either charging or connecting them to a computer for future firmware updates. When connected to a computer, the receiver can also be used as an interface between the computer and an audio recorder. Wireless GO II is the perfect microphone system for a wide range of content creation applications.   Series IV 2.4GHz Digital Transmission The system uses Rode’s Series IV 2.4GHz digital transmission with 128-bit encryption, which delivers an extended range of up to 200m (line of sight). For added convenience, it is optimized for operating in areas with a high level of RF activity, including dense urban environments, shopping malls, universities, and offices. The internal antenna ensures an extremely stable connection, and onboard recording provides a backup of all audio so you don’t have to worry about dropouts while recording.   Seamless Connectivity Designed to deliver professional sound, the Wireless GO II is incredibly simple to use. The two transmitters come auto paired to the receiver, allowing for a seamless setup process every time. This system uses a 3.5mm analogue TRS output for plugging into cameras, plus a digital audio output via USB-C for plugging into smartphones, tablets, and even computers. This universal compatibility with any device expands the Wireless GO II’s versatility.   On-Board Recording The Rode Wireless GO II Dual-Channel Wireless Microphone System supports onboard recording. It can record over 24 hours of audio directly to each transmitter (without an SD card). This ensures a backup recording is available for post-production when there is any transmission dropout or other audio issues. On-board recording can be activated through Rode Central app. In addition to onboard recording, the system also supports activation of the safety channel (which records a second track at -20dB in case the main channel distorts) and fine gain control that expands the three-stage pad to a 10-stage pad.   In-Built Omnidirectional Condenser Capsule Each transmitter has a high-quality omnidirectional condenser microphone built into for complete wireless recording, plus a 3.5mm TRS input for plugging in a lavalier microphone, such as the Rode Lavalier GO. This pack comes with three furry windshields that incorporate an innovative twist-to-lock design for recording in windy conditions, ensuring crystal-clear, professional sound in any situation.   Switch Between Mono and Stereo Modes The Wireless GO II has the ability to switch between mono and stereo modes letting you record each transmitter separately. You can also combine the two modes for ultimate flexibility in post-production. The units feature a mute button and use built-in rechargeable lithium-ion batteries that last up to 7 hours.   Cables This Wireless GO II bundle ships with a flat TRS memory cable for plugging into cameras and three USB-C to USB-A cables for connecting to computers for charging and recording (additional cables or adaptors are required for connecting to mobile devices and computers with USB-C inputs). There is also a handy carry pouch for keeping the kit tidy and secure.   Ultra-Compact The Wireless GO II offers the same pocket-sized form factor as the original. The receiver weighs just 32g and each transmitter weighs just 31g, taking up virtually no space in your camera kit bag, backpack, handbag, or briefcase. The transmitters and receiver units are easy to mount onto a DSLR or mirrorless camera, mobile camera set-up, boom pole, or cold shoe accessory.  

    10 in stock

    £239.00

  • Last stock! Tascam XLR Microphone Adapter Analogue Interface Kit

    Tascam Tascam XLR Microphone Adapter Analogue Interface Kit

    1 in stock

    Two XLR/TRS input terminals to use the optimum microphone according to the set and environment High-performance A/D converter transmits digital audio directly and without deterioration to the camera via the accessory shoe (compatible manufacturers: Canon, Fujifilm)Power can be supplied from the camera body via the corresponding accessory shoe (compatible manufacturers: Canon, Fujifilm)High-performance Tascam HDDA mic preamplifier for high sound quality, low noise and wide dynamic range (switchable mic/line level, switchable 48V phantom power supply)Additional 3.5-mm stereo mini jack input for a lavalier mic or a microphone requiring plug-in power Compatible with virtually all cameras that have an analogue input by using the included items (battery box, cold shoe mount adapter, detachable microphone holder with shock mount mechanism and analogue audio cable)Cold shoe mount on top for extra adapters or accessories The analogue audio output that supports two modes:Camera mode: Allows to transmit audio to the microphone input of the cameraHeadphone mode: Allows direct monitoring with headphones Replaceable shoe connection adapterCA-AK1-C and CA-AK1-F available for use with Canon or Fujifilm camerasOne CA-XLR2d can be used with both Canon and Fujifilm cameras by replacing the shoe connection adapterSwitchable input level attenuation: 0 dB / 20 dB / 46 dBSwitchable low-cut filter: Off / 80 Hz / 220 HzSwitchable limiterAuto-level functionOverload indicator for each inputInput level, auto/manual setting and limiter of inputs 1 and 2 can be stereo-linkedTransparent protective cover to prevent unintentional changes of settingsConvenient cable holder A Flexible Concept for Recording Professional Audio With Virtually Any CameraThe CA-XLR2d is a two-channel microphone adapter and preamplifier that allows external microphones to be used to record high-quality professional stereo sound with a mirrorless or other camera. The audio signal is transferred directly to the camera – in digital or analogue form – and recorded along with the video signal, eliminating the need for subsequent synchronisation and reducing post-production time.Choose the Most Suitable Microphone for Your Film RecordingChoose the appropriate microphone or input that matches your application. From a single shotgun mic for interviews or dialogue, to dual dynamic or condenser mics for stereo imaging, or the entire audio mix fed from the main mixer using a line-level connection – with the CA-XLR2d you are well prepared for whatever shooting and filming is ahead.High-Performance A/D Converter for Pristine, Natural SoundThanks to Tascam’s long-standing expertise in audio technology and premium A/D converters, the CA-XLR2d stands for clean, noise-free, professional sound. By sending a digital audio signal directly to the camera via a compatible accessory shoe, there is no second conversion step which could add noise or distortion. And it frees you from the work of subsequently synchronising picture and sound in post-production.The CA-XLR2d is powered by a compatible camera via its hot shoe which means you don’t need an additional power supply and your setup remains compact and clean (compatible manufacturers: Canon, Fujifilm).Use The Microphones And Other Equipment You Need for Your SessionThe CA-XLR2d is so flexible that you can use it with the microphones and gear you need for your particular film session. The top-mount cold shoe, for example, is resistant to vibrations, noise-friendly and can hold your favourite mic or a wireless receiver or transmitter. Two XLR/TRS input terminals and one 3.5-mm stereo mini input are available for virtually any dynamic or condenser handheld, shotgun, lavalier or another microphone.Built-In Processing With User-Friendly Control for Highest Recording QualityThe included audio processing features such as auto-level, low-cut filter and limiter can be accessed using convenient switches. The CA-XLR2d can also link two input channels, which allows you to control the input gain as well as the LEVEL and LIMITER settings simultaneously for the left and right channels when recording in stereo.Premium sound quality is achieved by professional-grade electronics, 16-bit/24-bit resolution and sampling frequencies of 48 kHz or 96 kHz. Achieve High Sound Quality With Your Current CameraDon’t worry if your camera’s hot shoe cannot handle a digital audio signal nor power the Tascam mic adapter. The CA-XLR2d-AN analogue kit can be used with virtually any camera that has an analogue audio input. Attach the included battery box (two AA batteries) and connect the analogue output of the CA-XLR2d to the microphone input of the camera with the included stereo audio cable. This allows you to benefit from the high-quality microphone preamplifiers and audio processing functions and significantly improve the sound of your film recordings.

    1 in stock

    £479.00

  • TASCAM XLR Microphone Adapter - Canon Kit

    Tascam TASCAM XLR Microphone Adapter - Canon Kit

    Out of stock

    Two XLR/TRS input terminals to use the optimum microphone according to the set and environmentHigh-performance A/D converter transmits digital audio directly and without deterioration to the camera via the accessory shoe (compatible manufacturers: Canon, Fujifilm)Power can be supplied from the camera body via the corresponding accessory shoe (compatible manufacturers: Canon, Fujifilm)High-performance Tascam HDDA mic preamplifier for high sound quality, low noise and wide dynamic range (switchable mic/line level, switchable 48V phantom power supply)Additional 3.5-mm stereo mini jack input for a lavalier mic or a microphone requiring plug-in powerCompatible with virtually all cameras that have an analogue input by using the included items (battery box, cold shoe mount adapter, detachable microphone holder with shock mount mechanism and analogue audio cable)Cold shoe mount on top for extra adapters or accessoriesAnalogue audio output that supports two modes:Camera mode: Allows to transmit audio to the microphone input of the cameraHeadphone mode: Allows direct monitoring with headphonesReplaceable shoe connection adapterCA-AK1-C and CA-AK1-F available for use with Canon or Fujifilm camerasOne CA-XLR2d can be used with both Canon and Fujifilm cameras by replacing the shoe connection adapterSwitchable input level attenuation: 0 dB / 20 dB / 46 dBSwitchable low-cut filter: Off / 80 Hz / 220 HzSwitchable limiterAuto-level functionOverload indicator for each inputInput level, auto/manual setting and limiter of inputs 1 and 2 can be stereo-linkedTransparent protective cover to prevent unintentional changes of settingsConvenient cable holderA Flexible Concept for Recording Professional Audio With Virtually Any CameraThe CA-XLR2d is a two-channel microphone adapter and preamplifier that allows external microphones to be used to record high-quality professional stereo sound with a mirrorless or other camera. The audio signal is transferred directly to the camera – in digital or analogue form – and recorded along with the video signal, eliminating the need for subsequent synchronisation and reducing post-production time.Choose the Most Suitable Microphone for Your Film RecordingChoose the appropriate microphone or input that matches your application. From a single shotgun-style mic for interviews or dialogue, to dual dynamic or condenser mics for stereo imaging, or the entire audio mix fed from the main mixer using a line-level connection – with the CA-XLR2d you are well prepared for whatever shooting and filming is ahead.High-Performance A/D Converter for Pristine, Natural SoundThanks to Tascam’s long-standing expertise in audio technology and premium A/D converters, the CA-XLR2d stands for clean, noise-free, professional sound. By sending a digital audio signal directly to the camera via a compatible accessory shoe, there is no second conversion step which could add noise or distortion. And it frees you from the work of subsequently synchronising picture and sound in post-production.The CA-XLR2d is powered by a compatible camera via its hot shoe which means you don’t need an additional power supply and your setup remains compact and clean (compatible manufacturers: Canon, Fujifilm).Use The Microphones And Other Equipment You Need for Your SessionThe CA-XLR2d is so flexible that you can use it with the microphones and gear you need for your particular film session. The top-mount cold shoe, for example, is resistant to vibrations, noise-friendly and can hold your favourite mic or a wireless receiver or transmitter. Two XLR/TRS input terminals and one 3.5-mm stereo mini input are available for virtually any dynamic or condenser handheld, shot-gun, lavalier or other microphone.Built-In Processing With User-Friendly Control for Highest Recording QualityThe included audio processing features such as auto-level, low-cut filter and limiter can be accessed using convenient switches. The CA-XLR2d can also link two input channels, which allows you to control the input gain as well as the LEVEL and LIMITER settings simultaneously for the left and right channels when recording in stereo.Premium sound quality is achieved by professional-grade electronics, 16-bit/24-bit resolution and sampling frequencies of 48 kHz or 96 kHz. Achieve High Sound Quality With Your Current CameraDon’t worry if your camera’s hot shoe cannot handle a digital audio signal nor power the Tascam mic adapter. The CA-XLR2d-AN analogue kit can be used with virtually any camera that has an analogue audio input. Attach the included battery box (two AA batteries) and connect the analogue output of the CA-XLR2d to the microphone input of the camera with the included stereo audio cable. This allows you to benefit from the high-quality microphone preamplifiers and audio processing functions and significantly improve the sound of your film recordings.

    Out of stock

    £535.00

  • TASCAM XLR Microphone Adaptor - FujiFilm Kit

    Tascam TASCAM XLR Microphone Adaptor - FujiFilm Kit

    Out of stock

    Two XLR/TRS input terminals to use the optimum microphone according to the set and environment High-performance A/D converter transmits digital audio directly and without deterioration to the camera via the accessory shoe (compatible manufacturers: Canon, Fujifilm) Power can be supplied from the camera body via the corresponding accessory shoe (compatible manufacturers: Canon, Fujifilm) High-performance Tascam HDDA mic preamplifier for high sound quality, low noise and wide dynamic range (switchable mic/line level, switchable 48V phantom power supply) Additional 3.5-mm stereo mini jack input for a lavalier mic or a microphone requiring plug-in power Compatible with virtually all cameras that have an analogue input by using the included items (battery box, cold shoe mount adapter, detachable microphone holder with shock mount mechanism and analogue audio cable)Cold shoe mount on top for extra adapters or accessories. Analogue audio output that supports two modes:Camera mode: Allows to transmit audio to the microphone input of the cameraHeadphone mode: Allows direct monitoring with headphonesReplaceable shoe connection adapterCA-AK1-C and CA-AK1-F available for use with Canon or Fujifilm camerasOne CA-XLR2d can be used with both Canon and Fujifilm cameras by replacing the shoe connection adapterSwitchable input level attenuation: 0 dB / 20 dB / 46 dBSwitchable low-cut filter: Off / 80 Hz / 220 HzSwitchable limiterAuto-level functionOverload indicator for each inputInput level, auto/manual setting and limiter of inputs 1 and 2 can be stereo-linkedTransparent protective cover to prevent unintentional changes of settings Convenient cable holderA Flexible Concept for Recording Professional Audio With Virtually Any CameraThe CA-XLR2d is a two-channel microphone adapter and preamplifier that allows external microphones to be used to record high-quality professional stereo sound with a mirrorless or other camera. The audio signal is transferred directly to the camera – in digital or analogue form – and recorded along with the video signal, eliminating the need for subsequent synchronisation and reducing post-production time. Choose the Most Suitable Microphone for Your Film RecordingChoose the appropriate microphone or input that matches your application. From a single shotgun mic for interviews or dialogue to dual dynamic or condenser mics for stereo imaging, or the entire audio mix fed from the main mixer using a line-level connection – with the CA-XLR2d you are well prepared for whatever shooting and filming is ahead.High-Performance A/D Converter for Pristine, Natural SoundThanks to Tascam’s long-standing expertise in audio technology and premium A/D converters, the CA-XLR2d stands for clean, noise-free, professional sound. By sending a digital audio signal directly to the camera via a compatible accessory shoe, there is no second conversion step which could add noise or distortion. And it frees you from the work of subsequently synchronising picture and sound in post-production.The CA-XLR2d is powered by a compatible camera via its hot shoe which means you don’t need an additional power supply and your setup remains compact and clean (compatible manufacturers: Canon, Fujifilm).Use The Microphones And Other Equipment You Need for Your SessionThe CA-XLR2d is so flexible that you can use it with the microphones and gear you need for your particular film session. The top-mount cold shoe, for example, is resistant to vibrations, noise-friendly and can hold your favourite mic or a wireless receiver or transmitter. Two XLR/TRS input terminals and one 3.5-mm stereo mini input are available for virtually any dynamic or condenser handheld, shotgun, lavalier or another microphone.Built-In Processing With User-Friendly Control for Highest Recording QualityThe included audio processing features such as auto-level, low-cut filter and limiter can be accessed using convenient switches. The CA-XLR2d can also link two input channels, which allows you to control the input gain as well as the LEVEL and LIMITER settings simultaneously for the left and right channels when recording in stereo.Premium sound quality is achieved by professional-grade electronics, 16-bit/24-bit resolution and sampling frequencies of 48 kHz or 96 kHz. Achieve High Sound Quality With Your Current CameraDon’t worry if your camera’s hot shoe cannot handle a digital audio signal nor power the Tascam mic adapter. The CA-XLR2d-AN analogue kit can be used with virtually any camera that has an analogue audio input. Attach the included battery box (two AA batteries) and connect the analogue output of the CA-XLR2d to the microphone input of the camera with the included stereo audio cable. This allows you to benefit from the high-quality microphone preamplifiers and audio processing functions and significantly improve the sound of your film recordings.

    Out of stock

    £535.00

  • Tascam DR-10SG – Audio recorder with shotgun microphone for DSLR cameras

    Tascam Tascam DR-10SG – Audio recorder with shotgun microphone for DSLR cameras

    2 in stock

    Custom-designed, high-performance shotgun microphoneAn all-new shotgun capsule was designed by Tascam for the DR-10SG. The super-cardioid pickup pattern captures sound in the direction it is pointing while rejecting ambient noise and reverberation. The design of this microphone is purpose-built to pick up your subject's voice from your camera, without noise from traffic, surf, echo, and other distractions.Four EQ presets to match the subject and settingThe DR-10SG's built-in equalizer tailors the recording to sound best in your environment. It includes the following four presets:NATURAL: Flat response for a natural-sounding recording.STANDARD: Standard EQ for a video camera shotgun mic, adding clarity.INTERVIEW: EQ optimized for voice recordings in interviews, conversations and similar scenes.FIELD: Ideal EQ for recording sound effects and other background sounds.High-quality audio, simple to useThe DR-10SG provides digital recording with the convenience of a camera accessory. Detailed electrical design includes rejection of power supply and camera noise in a compact design. Controlled listening tests during the design stage led to consistent improvements in the design, from the best shotgun capsule design to the need for high-performance capacitors in the power supply.The DR-10SG is a mini recorder that weighs only 100 grams. It has an integrated shotgun microphone than can be placed on any camera with a hot-shoe and will help beginners, in particular, to add sound to their DSLR video recordings. The recorder creates mono recordings in WAV/BWF format with a sampling rate of 44.1 kHz or 48 kHz at a resolution of 16 or 24 bits or space-saving MP3-format recordings and offers automatic or manual level adjustment, a limiter, low-pass filter and EQ presets for different scenarios. It is also capable of dual recordings, with the second recording at a reduced level to protect against overloads and hence distortion.A slate signal function and the ability to forward the sound signal to the camera simplify synchronisation during post-editing of the video material. The DR-10SG has a USB port for data exchange and is powered by a single AAA battery. A noise isolation arm and a windshield for the microphone are included.

    2 in stock

    £199.00

  • Last stock! Used Sony ELM-Z200 Electret Condenser Microphone (Case SH37330)

    Sony Used Sony ELM-Z200 Electret Condenser Microphone (Case SH37330)

    1 in stock

    Used Sony ELM-Z200 Electret Condenser Microphone (Case SH37330) Hotshoe mounted or tripod mounted microphone with wind guard Excellent condition unit  Supplied with case and lead Sold with 3 MONTHS GUARANTEE Price includes £3 UK shipping

    1 in stock

    £17.99

  • Last stock! MyMyk SportsMyk SPM-FG Microphone

    MyMYK MyMyk SportsMyk SPM-FG Microphone

    1 in stock

    SportsMyk is a fully adjustable, mini-boom microphone that can be securely attached to sports caps, safety helmet straps, goggle straps, clothing and sun glasses. SportsMyk allows you to capture and share your own sports commentary on the go.SportsMyk is fitted with a gold 3.5mm (1/8") TRS microphone plug compatible with most DSLR, Action and Video Cameras.Now Includes the MyMyk - Go Pro Compatible USB to 3.5mm TRS mic adaptor cable, to interface with all Go Pro cameras with a USB mic input.SportsMyk - Go Pro Ready out of the packet. Microphone Capsule: Back Electret CondenserPick up Pattern: OmnidirectionalFrequency Response: 20Hz – 20KhzSensitivity: 45dB ±3dB(0dB=1v/pa at 1KHz)Output Impedance: 1KΩ±30%Power requirement: 1.5-10V DCProduct Weight: 26gProduct Colour: Black with MyMyk logoAccessories: Foam windscreenConnector: 3.5 mm TRS wired dual MonoFlexible 105mm BoomMount – Dual Independent grip systemCable length 1.15 m3.5mm TRS Stereo plug wired dual mono

    1 in stock

    £44.99

  • Last stock! Canon DM-E100 Stereo Microphone CLEARANCE1520

    Canon Canon DM-E100 Stereo Microphone CLEARANCE1520

    1 in stock

    Customer return. Item brand new. Muff and Instructions are missing. Canon DM-E100 Stereo Microphone The Stereo Microphone DM-E100 delivers crystal clear stereo sound for videography. Noise is successfully reduced thanks to the electret condenser design which features 120-degrees unidirectional stereo sound down to -40dB sensitivity. The microphone is lightweight and extremely user-friendly. Simply plug the microphone into a compatible Canon camera and it is good to go. Stereo Microphone DM-E100 Key Features: Electret condenser design with 120-degrees unidirectional stereo sound down to -40dB sensitivity 3.5mm audio jack connection provides power to the microphone directly from the camera The microphone features a compact and lightweight (64g) design for convenient transport The incorporated secure hot shoe mount with foot lock ring fixes the microphone to the camera Compatible Canon cameras include EOS 200D, 250D, 800D, 77D, 80D, 90D, M50, M6 Mark II, and PowerShot G7 X Mark III Users benefit from a sound frequency range of 100Hz to 10kHz Comes with a windshield  Canon DM-E100 Stereo Microphone The Stereo Microphone DM-E100 delivers crystal clear stereo sound for videography. Noise is successfully reduced thanks to the electret condenser design which features 120-degrees unidirectional stereo sound down to -40dB sensitivity. The microphone is lightweight and extremely user-friendly. Simply plug the microphone into a compatible Canon camera and it is good to go. Stereo Microphone DM-E100 Key Features: Electret condenser design with 120-degrees unidirectional stereo sound down to -40dB sensitivity 3.5mm audio jack connection provides power to the microphone directly from the camera The microphone features a compact and lightweight (64g) design for convenient transport The incorporated secure hot shoe mount with foot lock ring fixes the microphone to the camera Compatible Canon cameras include EOS 200D, 250D, 800D, 77D, 80D, 90D, M50, M6 Mark II, and PowerShot G7 X Mark III Users benefit from a sound frequency range of 100Hz to 10kHz Comes with a windshield  Canon DM-E100 Stereo Microphone The Stereo Microphone DM-E100 delivers crystal clear stereo sound for videography. Noise is successfully reduced thanks to the electret condenser design which features 120-degrees unidirectional stereo sound down to -40dB sensitivity. The microphone is lightweight and extremely user-friendly. Simply plug the microphone into a compatible Canon camera and it is good to go. Stereo Microphone DM-E100 Key Features: Electret condenser design with 120-degrees unidirectional stereo sound down to -40dB sensitivity 3.5mm audio jack connection provides power to the microphone directly from the camera The microphone features a compact and lightweight (64g) design for convenient transport The incorporated secure hot shoe mount with foot lock ring fixes the microphone to the camera Compatible Canon cameras include EOS 200D, 250D, 800D, 77D, 80D, 90D, M50, M6 Mark II, and PowerShot G7 X Mark III Users benefit from a sound frequency range of 100Hz to 10kHz Comes with a windshield. 

    1 in stock

    £89.00

  • Tascam Portacapture X8 High-Resolution Multi-Track Handheld Recorder

    Tascam Tascam Portacapture X8 High-Resolution Multi-Track Handheld Recorder

    Out of stock

    Uncompromised audio quality with sampling rates up to 192 kHz and 32-bit floating point resolution – ideal for later lossless post-editing with DAW software Intuitive launcher system with pre-set configurations for a variety of recording scenes such as basic multi-track recording, podcasts, music, voice (interviews, vlogs), field recordings, or ASMR 3.5-inch colour touchscreen for easy operation and perfect readability Two detachable large-diaphragm (14.6 mm) condenser microphones (can be set for A-B or X-Y configuration) Built-in USB audio interface with eight inputs and two outputs New-generation high-resolution PCM audio recorder3.5-inch colour touchscreen Multi-track recording of up to eight tracks Recording in either WAV (BWF) or MP3 formatBuilt-in mixer with audio processingMS decoder, reverb effect Two detachable large-diaphragm condenser microphones Right after start-up, the large colour touch screen of the Portacapture X8 shows the Launcher which lets you easily select the best audio settings that match your application. Taking advantage of these presets, you have more time to focus on the actual recording without having to struggle with complicated settings. Should you, however, prefer to set everything yourself, the MANUAL app offers you all the possibilities to do so – including a Recording Guide that leads you through the required settings screens, if you like.The Portacapture X8 provides a preset level setting to achieve a wide dynamic range utilizing premium dual A/D converters and recording technology with 32-bit floating point resolution. The result is content with uncompromised audio quality even with low-level recordings. When editing the audio data later, you can increase the level without deteriorating the signal-to-noise ratio (S/N). Also, the internal normalize function can automatically align the level of the stereo mix file after recording.The Portacapture X8 streams up to eight tracks (six inputs plus stereo mix) through USB. By supporting the USB Type-C Power Delivery standard, the unit can simultaneously supply any external microphone with phantom power via the USB bus. For video or audio conferencing, use the Portacapture X8 as your USB stereo microphone and even record the audio simultaneously.With four professional, locking XLR/TRS combo inputs for mic- and line-level signals, the Portacapture X8 is prepared for most of your daily recording challenges. An additional mini-jack input and output each enable you to hook up your camera or other audio devices. When creating video footage, for example, you can record a guiding track with slate tones on your camera to simplify synchronisation during post-editing of the video material. The level of the camera output is adjustable and can thus be adapted to virtually any camera model.The Portacapture X8 weighs less than 500 grams including batteries and can be mounted directly on a DSLR or camera or combined with AV rigs thanks to its rear cold shoe adapter. You can also attach it to mic stands or wireless receivers.

    Out of stock

    £488.00

  • Saramonic Blink 500 B2 Lavalier Microphone - Digital Dual Channel Wireless

    Saramonic Saramonic Blink 500 B2 Lavalier Microphone - Digital Dual Channel Wireless

    4 in stock

    If you want an extremely small, feather-weight wireless microphone system that delivers broadcast-quality sound to use with cameras and mobile devices, with the ability to handle two wireless transmitters so you can put mics on two separate people, nothing is capable of doing this except for the Saramonic Blink 500 B2. It comes with two clip-on wireless transmitters that have built-in mics, two professional lavalier microphones, and a dual-channel receiver that mounts to the shoe of your camera. You can put mics on two separate people, and it will work perfectly with the included ultracompact dual receiver. Tiny body, huge sound.The Blink 500 B2 is impossibly compact and lightweight, yet it delivers crystal-clear professional sound quality. The versatile transmitters feature excellent sounding built-in microphones that capture voices perfectly. Small enough to clip to a shirt or slide into a pocket and versatile enough to set on a table or podium, or even used handheld. They also operate as traditional bodypack transmitters with the included SR-M1 professional omnidirectional clip-on lavalier microphones, providing even more professional and inconspicuous miking solutions. So advanced it's effortless.Some wireless microphone systems are complicated to operate and require detailed knowledge of their menus and settings, but the Blink 500 B2 is so technically advanced that it couldn't be easier to use. You just turn it on, and it works. But behind the scenes, the Blink 500 is doing a lot to ensure excellent performance. It operates on the interference-free 2.4GHz spectrum and automatically hops channels to avoid static noise and audio dropouts. Pairing the transmitters with the receiver is simple, and all of the complicated aspects of using wireless microphones happen seamlessly in the background, letting you concentrate on storytelling and getting a great shot. Perfect levels and power.One of the tricky aspects of capturing sound for video is controlling the audio levels. Some people speak very loudly, while others speak very softly. That's why Blink 500 transmitters have easy-to-use gain buttons to raise or lower the levels at the touch of a button, and intelligent LED displays that show you where they're set. The internal Lithium batteries get 5 hours of life from a charge with the included charging cables, and the USB-C ports can be used to power or recharge the units in the field with portable USB battery packs. The 10-milliwatt power of the transmitters gives you an impressive range of 98 feet (30 meters) with obstacles and 164 feet (50 meters) in open spaces. Loves cameras & mobile devices equally.Both TRS and TRRS output cables are included so the system will work perfectly with DSLR, mirrorless, and other kinds of cameras, as well as smartphones and tablets that have headphone jacks. The output of the receiver provides a strong, noise-free level, so when you plug it in you can adjust the input level of your camera to its lowest setting to avoid hearing the noisy preamp of your camera. An ideal wireless system.Portable, compact wireless microphone systems are completely essential tools for anyone who shoots video, and the fact that the Blink 500 is one of the smallest and most lightweight systems you can get-yet it still delivers professional quality sound-makes it ideal for filmmakers, journalists, vloggers, YouTube creators, corporate video producers, or any content creator that needs an incredibly easy-to-use 2-person wireless system that won't slow them down. It's small enough to tuck away into any camera bag, backpack or even your pocket, so you can effortlessly bring it with you everywhere you go. Plus, the Blink 500 series is an evolving system of products that will soon be expanding, giving users even more options and versatility.

    4 in stock

    £179.00

  • Saramonic Blink 500 Pro B2 2-Person Camera-Mount Wireless Lavalier Microphone System

    Saramonic Saramonic Blink 500 Pro B2 2-Person Camera-Mount Wireless Lavalier Microphone System

    2 in stock

    Merging the ultracompact and extraordinarily easy-to-use nature of the standard Blink 500 with high-end luxuries such as crisp OLED screens, mono/stereo output modes, 60% longer battery life, and double the operating range, the black Saramonic Blink 500 Pro B1 true wireless microphone system gives budget-conscious content creators, run-and-gun videographers, and mobile journalists a pro-level, all-inclusive solution for recording one subject to your camera, camcorder, smartphone, or tablet. The Blink 500 Pro B1 digital system provides out-of-the-box operability for anyone; thanks to quick one-click pairing and internal 8-hour batteries, your focus can stay on your content instead of time-consuming configuration. Power the transmitter and receiver with their internal batteries or through USB for extra-long shoots Equally straightforward, small, and versatile, the Blink 500 Pro B1 gives you everything necessary for recording present and clear speech in any location. You get a clip-on transmitter with a built-in microphone and a clip-on omni lavalier mic, a dual-channel receiver with an integrated clip and shoe mount, multiple charging and audio cables, foam and furry windscreens, and a special charging case. 60% longer battery lifeDouble the operating rangeDual-slot charging case for simultaneous fast-charging of the receiver and transmitterCrisp, informative OLED screensSeparate 3.5mm main and headphone receiver outputsSelectable mono or stereo receiver output mode3.5mm transmitter input accepts mic- or line-level signalTactile transmitter mute functionIncreased signal-to-noise ratioElevated sensitivity for the transmitter's built-in microphoneFurry windscreen for the transmitter, ideal for outdoor use Connect, Power, and GoWith the receiver and transmitter easily paired in one click, the Blink 500 Pro system is comfortably easy to use for anyone, anywhere. Videographers, vloggers, YouTubers, and mobile journalists will benefit from the Blink 500 Pro's power-and-go operating style. Advanced technology invisibly handles complicated tasks such as switching channels to avoid dropouts, leaving you with a streamlined and simple system that requires no tedious manual configuration. Quality SoundBlink 500 Pro systems utilize 24-bit / 44.1 kHz resolution—the same audio standard used worldwide by sound engineers—to give you quality sound at a budget-friendly price. Since your subjects may speak at very different volumes, Saramonic outfitted the Blink 500 Pro TX with dedicated gain buttons to allow quick and effortless adjustment of the signal level. Utilize the tactile mute function to cut the signal in a hurry without having to adjust the volume. Perfect for 1- or 2-Person ShootsSince the Blink 500 Pro RX is a dual-channel receiver, it can simultaneously handle two Blink 500 Pro TX wireless transmitters (second transmitter available separately). If you need to expand beyond that, you can use up to 18 Blink 500 Pro systems at once to accommodate up to 36 wireless microphones. Built-In Microphone for True Wireless OperationThe Blink 500 Pro TX features a built-in miniature condenser microphone with an omni pickup pattern that captures clear and natural voice tonality. The transmitter's 3.5mm input can accept mic- or line-line signal, making it fully capable of accommodating a variety of external sources such as a lavalier microphone or an audio feed from a mixer or receiver. Lavalier Microphone IncludedFor maximum visual discretion, use the Blink 500 Pro TX as a traditional bodypack transmitter with the supplied lavalier microphone. Just clip the omni lav mic to a collar or lapel, then plug it into the transmitter's 3.5mm input; the transmitter automatically switches to the external microphone so you don't have to bother selecting the input source. OLED ScreensEach Blink 500 Pro transmitter and receiver is outfitted with a high-contrast 128 x 64 pixel OLED screen, ensuring consistent visibility of import settings indoors and outside. Lightweight, ultracompact housingsReceiver's built-in clip with shoe mount allows easy attachment to your camera, belt, or clothingInternal 8-hour lithium-ion batteries keep you going on extra-long shoots or multiple run-and-gun gigs in a dayMicro-USB connectivity on the receiver and transmitter for battery recharging and long-term powering USB Type-C port on charging case for simple power connection Use up to two transmitters with each receiverOperate up to 18 systems simultaneously in the same environmentIncludes gold-plated 3.5mm TRS cable for connection to a camera or camcorderIncludes gold-plated 3.5mm TRS to TRRS cable for connection to a smartphone or tablet equipped with a headphone jackConnect to Fuji cameras outfitted with 2.5mm mic input jacks via the Saramonic SR-25C35 adapter cable (available separately)

    2 in stock

    £199.00

  • Saramonic Blink 500 TX 2.4G 2-ch Wireless Clip-On Transmitter with Built-in Microphone & Lavalier for DSLR & Mirrorless

    Saramonic Saramonic Blink 500 TX 2.4G 2-ch Wireless Clip-On Transmitter with Built-in Microphone & Lavalier for DSLR & Mirrorless

    4 in stock

    The Saramonic Blink 500 TX is a remarkably compact and lightweight clip-on wireless microphone transmitter with built-in microphone & lavalier that delivers broadcast quality sound and is designed to work with the Blink 500 RX, RXDi, and RXUC portable dual-receivers. The Saramonic Blink 500 TX has an excellent sounding built-in microphone and the entire device is small and light enough to clip directly to shirt collars, clothing or slide into a pocket. It is also versatile enough to set on a table or podium, or even used handheld. The built-in microphone is capable of capturing voices clearly and naturally, but if you want an even cleaner visual look, it also operates as a traditional bodypack transmitter with the included SR-M1 professional omnidirectional clip-on lavalier microphone, providing an even more professional and visually discreet miking solution. The item includes 1 clip-on wireless transmitter with a built-in microphone and a built-in clip, 1 SR-M1 omnidirectional clip-on lavalier microphone and windscreen. Transmission Type: 2.4GHz Digital FrequencyModulation: GFSKOperating Range: Up to 164′ (50m)RF Output Power: 10mWPolar Pattern: OmnidirectionalFrequency Response: 50Hz-18KHzMaximum SPL: Built-in Microphone:120dB SPLLavalier Microphone: -30dB Power Requirements: Built-in Li-ion Battery or USB-C DC 5VBuilt-in Battery Life: Approx. 6 hoursAntenna: PIFA AntennaAudio Inputs: 3.5mm TRS Lavalier Microphone Inputor Built-in MicrophoneWeight: Approx. 34g (1.2oz)Dimensions: 63×43×16.5mmOperating Temperature: 0°C to 50°CStorage Temperature: –20°C to +55°C1 x Blink 500 TX Transmitter with Built-In Microphone and Clip1 x SR-M1 Omnidirectional Lavalier Microphone1 x Alligator-Style Lavalier Microphone Clip1 x Foam Lavalier Windscreen1 x 1’ (30.5 cm) Gold-Plated USB-C to USB-A Charging Cables1 x Paring Pin1 x Warranty Card1 x User Manual

    4 in stock

    £65.00

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