Tamron 150-500mm f5-6.7 Di III VXD Lens - Fujifilm X

TamronSKU: 4960371006833

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Sale price£1,399.00

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Product Description

Tamron 150-500mm f5-6.7 Di III VXD Lens for FUJIFILM X

  • X-Mount Lens/APS-C Format
  • 225-750mm Equivalent on APS-C Cameras
  • Aperture Range: f5-6.7 to f22-32
  • Low Dispersion and Aspherical Elements
  • VC Image Stabilization with 3 Modes
  • BBAR-G2 and Fluorine Coatings
  • VXD eXtreme-Torque Drive Linear AF Motor
  • 82mm Front Filter Size
  • Moisture-Resistant Construction
  • Rounded 7-Blade Diaphragm

The dynamic Tamron 150-500mm f5-6.7 Di III VXD for FUJIFILM X-mount mirrorless cameras is a compact and versatile super-telephoto zoom lens well suited to capture a wide array of subjects ranging from landscapes and birds to sports and wildlife photography. When used on APS-C cameras it will provide an equivalent focal length range of 225-750mm.

The optical construction features 25 elements in 16 groups and utilizes special lens elements and hybrid aspherical lens elements to control chromatic aberrations. Each element features a BBAR-G2 coating to reduce flare and ghosting for high contrast and colour accuracy. The VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism delivers extreme high-speed and high-precision movement and ensures exceptionally responsive performance and is compatible with Sony Hybrid AF and Eye AF features in enabled cameras. The minimum object distance of 23.6" at 150mm end of the zoom range provides dynamic close-up imaging and add to the lens' remarkable overall usability.

The VC image stabilization facilitates shooting handheld at the 500mm ultra-telephoto position, and the Arca-type-compatible rotating tripod mount has integrated strap attachment loops for safety and support when shooting in the field. Designed and built with moisture-resistant construction for use in inclement conditions, plus a fluorine coating on the front lens element to protect against dust, dirt, and smudging.

Versatile ultra-telephoto zoom for FUJIFILM X-mount mirrorless cameras. When used on APS-C cameras it will provide an equivalent focal length range of 225-750mm.
VC image stabilization facilitates shooting handheld at the 500mm ultra-telephoto position, with three modes: standard, panning, and framing priority.
XLD (eXtra Low Dispersion), LD (Low Dispersion), and GM (Glass-Molded Aspherical) elements greatly reduce colour fringing, chromatic aberrations, and image distortion throughout the zoom range for improved clarity and colour accuracy.
BBAR-G2 (Broad-Band Anti-Reflection) Coating has been applied to lens elements to suppress internal reflections, flare, and ghosting to achieve greater contrast and colour fidelity.
Rotating Arca-type tripod mount with incorporated strap attachment loops.
Switches redesigned for improved operability, plus Flex Zoom Lock mechanism to hold zoom position.
Included lens hood is protected with flexible, shock-absorbing front rim to prevent cracks and damage.
Zoom ring small 75° arc of rotation enables swift adjustment to the desired focal length with minimal movement.
VXD Voice-coil eXtreme-torque Drive linear motor delivers impressively quiet, quick, and smooth focusing performance for both still and video applications.
Designed and built with moisture-resistant construction for use in inclement conditions, plus a fluorine coating on the front lens element to protect against dust, dirt, and smearing.
Rounded seven-blade diaphragm contributes to a pleasing bokeh quality.


For full specifications click Here
Focal Length 150-500 mm
Light intensity F 5-6.7
Minimum Object Distance 0.6m (WIDE), 1.8m (TELE)
Maximum Magnification Ratio 0.6m (WIDE), 1.8m (TELE)
Filter Size 82 mm
Weight 1710g
Item number A057
Groups-Elements 16-25
Angle of View 16° 25'-4° 57'
Diaphragm Blades 7
Aperture (min.) F 22-32
Largest diameter 93 mm
Length 209.6 mm

Understanding: Aperture

Aperture is the opening in a camera lens that controls how much light enters the camera. It's measured in f-stops like f/2.8 or f/8. Lower f-stop numbers mean wider openings, letting in more light and creating a shallow depth of field (blurry background). Higher f-stop numbers mean smaller openings, letting in less light and creating a larger depth of field (more of the scene in focus). Aperture also affects the quality of out-of-focus areas in the image (bokeh).

Understanding: Lens Types

Different lenses have different purposes to achieve different styles of images, some popular ones include:
Prime Lens: Fixed focal length, sharp images, great for portraits and dark settings.
Zoom Lens: Variable focal length, versatile for different shots and everyday use..
Wide-Angle Lens: Captures wide scenes like landscapes.
Telephoto Lens: Magnifies distant subjects, ideal for sports & wildlife.
Macro Lens: Perfect for close-up photography of small subjects.
Fisheye Lens: Ultra-wide perspective, creates unique images.

Understanding: Lens Mounts

Different camera brands use different lens mounts, which are like connectors that attach lenses to camera bodies. Each mount is specific to a particular brand and camera series. For example, Canon uses the EF and RF mounts, Nikon uses the F mount, Sony uses the E mount for its mirrorless cameras. These mounts dictate which lenses are compatible with which cameras. Some brands offer adapters to use lenses from other systems, but it's essential to ensure compatibility for proper functionality and autofocus performance.

Understanding: Manual and Autofocus

Manual focus and autofocus are two ways to adjust the sharpness of a camera lens. With manual focus, you turn a ring on the lens to bring the subject into focus yourself, giving you full control over what appears sharp in the image. Autofocus, on the other hand, relies on the camera's built-in technology to automatically adjust the focus for you, usually by detecting contrast or phase differences in the scene. Autofocus can be convenient, especially for fast-moving subjects or when you need to capture a quick shot, whereas manual focus allows for precise adjustments and creative control over the final image.

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