Panasonic 14mm f2.5 LUMIX G II Lens Black - Micro Four Thirds Fit

PanasonicSKU: 5025232804481

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Sale price£219.00

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Product Description

Panasonic 14mm f2.5 LUMIX G Lens Black - Micro Four Thirds Fit

  • Compact and Lightweight Pancake Lens
  • 14mm (35mm camera equivalent: 28mm) Wide-angle view and bright F2.5 aperture
  • Three Aspherical Lenses for Superb Optical Performance
  • Contrast AF System Support
  • Based on the Micro Four Thirds System Standard
  • Circular Aperture Diaphragm and Multi-coated Lens Elements

Made with quality in mind the Panasonic 14mm f2.5 Lumix G lens delivers outstanding results in a well made casing. Ideal for the photographer looking to achieve beautiful results the lens offers quality in a smaller sized lens. The fast f/2.5 aperture ensures you can always record the moment as you see it without compromising quality.

The LUMIX G 14mm f2.5 II ASPH is a remarkable lens that boasts six lenses in five groups, including three aspherical lenses. This unique combination allows for both compactness and high performance, making it ideal for capturing stunning landscapes, snapshots, and indoor shots.

One of the standout features of this lens is the inclusion of a stepping motor, which ensures smooth and silent focusing. This makes it perfect for use in both video recording and photography.

When mounted on a digital single lens mirrorless LUMIX G camera, you can take full advantage of the high-speed, high-precision contrast AF system. This allows you to capture even the most fleeting moments with ease and precision.

Overall, the LUMIX G 14mm f2.5 II ASPH is a must-have for any photographer or videographer looking to take their craft to the next level. With its exceptional performance and compact design, it's the perfect addition to any camera kit.

For full specifications click Here

Understanding: Aperture

Aperture is the opening in a camera lens that controls how much light enters the camera. It's measured in f-stops like f/2.8 or f/8. Lower f-stop numbers mean wider openings, letting in more light and creating a shallow depth of field (blurry background). Higher f-stop numbers mean smaller openings, letting in less light and creating a larger depth of field (more of the scene in focus). Aperture also affects the quality of out-of-focus areas in the image (bokeh).

Understanding: Lens Types

Different lenses have different purposes to achieve different styles of images, some popular ones include:
Prime Lens: Fixed focal length, sharp images, great for portraits and dark settings.
Zoom Lens: Variable focal length, versatile for different shots and everyday use..
Wide-Angle Lens: Captures wide scenes like landscapes.
Telephoto Lens: Magnifies distant subjects, ideal for sports & wildlife.
Macro Lens: Perfect for close-up photography of small subjects.
Fisheye Lens: Ultra-wide perspective, creates unique images.

Understanding: Lens Mounts

Different camera brands use different lens mounts, which are like connectors that attach lenses to camera bodies. Each mount is specific to a particular brand and camera series. For example, Canon uses the EF and RF mounts, Nikon uses the F mount, Sony uses the E mount for its mirrorless cameras. These mounts dictate which lenses are compatible with which cameras. Some brands offer adapters to use lenses from other systems, but it's essential to ensure compatibility for proper functionality and autofocus performance.

Understanding: Manual and Autofocus

Manual focus and autofocus are two ways to adjust the sharpness of a camera lens. With manual focus, you turn a ring on the lens to bring the subject into focus yourself, giving you full control over what appears sharp in the image. Autofocus, on the other hand, relies on the camera's built-in technology to automatically adjust the focus for you, usually by detecting contrast or phase differences in the scene. Autofocus can be convenient, especially for fast-moving subjects or when you need to capture a quick shot, whereas manual focus allows for precise adjustments and creative control over the final image.

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