Fujifilm 35MM F2 R WR Black Lens

FujifilmSKU: 4547410310405

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Sale price£389.00

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Product Description

Fujifilm 35MM F2 R WR Black Lens

Sharp image quality
Lens construction of 9 elements in 6 groups delivers sharp, high quality images, even at the widest aperture of F2.0.

Compact and discrete
Two aspherical lenses are used to ensure a small and compact exterior. At just 45.9mm in length and with a diameter of 60mm, the slim and stylish design allows comfortable operation and draws minimum attention to the photographer, making it the perfect lens for portrait, street or reportage photography.

Fastest autofocus speed of 0.08 sec
An inner focusing system, which moves the small and lightweight lens elements, is combined with a stepping motor to produce quiet, accurate and fast autofocus - a must for all snap shooters that need to capture a spontaneous moment.

All metal exterior, weather and dust-resistant and -10°C low-temperature operation
The all-metal construction of the lens exterior ensures it is durable enough for a wide variety of shooting situations. The fine texture of the metal parts further enhances the shooting experience and ensure it can be operated easily and accurately with wet or gloved hands. The lens features a weather- and dust-resistant structure with eight seals on the lens barrel keeping the lens protected from rain, dust and splashes of water when shooting outdoors. It can also work in temperatures as low as -10°c.

Two types of lens hood
Lens hoods block unnecessary light from entering the lens to maximise optical performance. There are two types of lens hood available for the XF35mmF2 R WR. A lightweight and compact circular lens hood is included with it. A classical and stylish metal hood LH-XF35-2 is available for purchase as an optional accessory. Both lens hoods allow the front lens cap to be used while attached.

Understanding: Aperture

Aperture is the opening in a camera lens that controls how much light enters the camera. It's measured in f-stops like f/2.8 or f/8. Lower f-stop numbers mean wider openings, letting in more light and creating a shallow depth of field (blurry background). Higher f-stop numbers mean smaller openings, letting in less light and creating a larger depth of field (more of the scene in focus). Aperture also affects the quality of out-of-focus areas in the image (bokeh).

Understanding: Lens Types

Different lenses have different purposes to achieve different styles of images, some popular ones include:
Prime Lens: Fixed focal length, sharp images, great for portraits and dark settings.
Zoom Lens: Variable focal length, versatile for different shots and everyday use..
Wide-Angle Lens: Captures wide scenes like landscapes.
Telephoto Lens: Magnifies distant subjects, ideal for sports & wildlife.
Macro Lens: Perfect for close-up photography of small subjects.
Fisheye Lens: Ultra-wide perspective, creates unique images.

Understanding: Lens Mounts

Different camera brands use different lens mounts, which are like connectors that attach lenses to camera bodies. Each mount is specific to a particular brand and camera series. For example, Canon uses the EF and RF mounts, Nikon uses the F mount, Sony uses the E mount for its mirrorless cameras. These mounts dictate which lenses are compatible with which cameras. Some brands offer adapters to use lenses from other systems, but it's essential to ensure compatibility for proper functionality and autofocus performance.

Understanding: Manual and Autofocus

Manual focus and autofocus are two ways to adjust the sharpness of a camera lens. With manual focus, you turn a ring on the lens to bring the subject into focus yourself, giving you full control over what appears sharp in the image. Autofocus, on the other hand, relies on the camera's built-in technology to automatically adjust the focus for you, usually by detecting contrast or phase differences in the scene. Autofocus can be convenient, especially for fast-moving subjects or when you need to capture a quick shot, whereas manual focus allows for precise adjustments and creative control over the final image.

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