Pentax 15-30mm F2.8 D HD FA ED SDM WR Lens With Case

PentaxSKU: 27075296466

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Sale price£1,385.00 Regular price£1,629.00

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Product Description

Pentax 15-30mm F2.8 D HD FA ED SDM WR Lens With Case

  • Ultra-wide-angle zoom
  • Large, bright F2.8 aperture
  • Suitable for landscapes, portraits, nightscapes, interior
  • HD coating reduces chromatic aberration
  • SDM (Supersonic Direct-drive Motor) fast, quiet AF
  • Weather-resistant construction
  • Nine blades to produce a smooth, beautiful bok

The Pentax FA 15-30mm f2.8 HD ED SDM WR lens is an ultra-wide-angle zoom designed specifically for K-mount DSLRs with full-frame sensors. Thanks to its exaggerated perspective typical of an ultra-wide-angle lens and high-resolution imaging power, it captures dynamic, sweeping views of subjects, especially in landscape photography. Its large f2.8 maximum aperture also comes in handy for photographing nightscapes and starry skies. The built-in SDM (Supersonic Direct-drive Motor) provides quiet, high-speed autofocus operation.

Exceptional imaging power

When mounted on the PENTAX K-1 35mm full-frame digital SLR camera body, this zoom lens provides an ultra-wide-angle focal-length coverage from 15mm to 30mm. Its exaggerated perspective helps the photographer produce spectacular images in landscape photography. Since it provides a 30mm focal length at the telephoto end, it can also be used for such casual applications as snapshots.

State-of-the-art optical design

This zoom lens incorporates three ED (Extra-low Dispersion) glass optical elements and three aspherical optical elements in its 18-element, 13-group optics, to deliver high-resolution images rich in contrast even at the edges of the image field, while effectively minimizing chromatic aberration, distortion and coma.

Large-aperture zoom lens, with a maximum aperture of F2.8

Since this zoom lens provides a maximum aperture of F2.8 over its entire zoom range, it is versatile enough to be used for many different subjects and scenes, ranging from sweeping landscapes to nightscapes and starry skies. Despite its ultra-wide-angle perspective, it can capture the subject with an excellent bokeh (defocus) effect on the background. Even in macro photography from its minimum focusing distance of 28 centimetres, it can capture subjects with a well-defined sense of depth.

Built-in SDM (Supersonic Direct-drive Motor)

The incorporation of a new-generation SDM (Supersonic Direct-drive Motor) assures that this zoom lens provides quiet, high-speed autofocus operation, letting the photographer react swiftly to all types of subjects.

Weather-resistant construction

Special seals applied throughout the lens body provide this zoom lens with dependable weather-resistant construction, effectively preventing the intrusion of water into the lens interior. By pairing it with a weather-resistant PENTAX digital SLR camera body, the photographer has a durable, dependable digital imaging system that performs superbly under demanding shooting conditions - even in the rain or mist, or at locations prone to water splashes or spray.

HD Coating to improve image description

The lens is treated with high-grade, multi-layer HD Coating. Compared with conventional multi-layer coatings, this PENTAX-original coating assures higher light transmittance and less reflection to deliver bright, high-contrast images free of flare and ghost images, even under demanding lighting conditions such as backlight.

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Lens Mount PENTAX KAF3 mount
Model No. 21280
Focal Length 15-30mm (in 35mm format) 23-46mm (w/ PENTAX APS-C D-SLR)
Notes HD coating SP coating Weather-Resistant Construction SDM (Supersonic Direct-Drive Motor) Quick-shift Focus System
Angle of View 111° – 72° (w/ PENTAX 35mm SLR) 86° – 50° (w/PENTAX APS-C D-SLR)
Lens Construction(group/elements) 18 elements in 13 groups
Min. Aperture (f) f/22
Min. Focusing Distance 0.28m
Max. Magnification 0.23X
Filter Size N/A
Diameter & Length (mm) 98.5mm x 143.5mm (3.88 x 5.65 inches)
Weight (g) 1040g (2lbs 4oz)
Diaphragm control Fully Automatic
Number of aperture blades 9 (Rounded Aperture: W 15mm: F2.8 – 4 T 30mm: F2.8-5.6)

Understanding: Aperture

Aperture is the opening in a camera lens that controls how much light enters the camera. It's measured in f-stops like f/2.8 or f/8. Lower f-stop numbers mean wider openings, letting in more light and creating a shallow depth of field (blurry background). Higher f-stop numbers mean smaller openings, letting in less light and creating a larger depth of field (more of the scene in focus). Aperture also affects the quality of out-of-focus areas in the image (bokeh).

Understanding: Lens Types

Different lenses have different purposes to achieve different styles of images, some popular ones include:
Prime Lens: Fixed focal length, sharp images, great for portraits and dark settings.
Zoom Lens: Variable focal length, versatile for different shots and everyday use..
Wide-Angle Lens: Captures wide scenes like landscapes.
Telephoto Lens: Magnifies distant subjects, ideal for sports & wildlife.
Macro Lens: Perfect for close-up photography of small subjects.
Fisheye Lens: Ultra-wide perspective, creates unique images.

Understanding: Lens Mounts

Different camera brands use different lens mounts, which are like connectors that attach lenses to camera bodies. Each mount is specific to a particular brand and camera series. For example, Canon uses the EF and RF mounts, Nikon uses the F mount, Sony uses the E mount for its mirrorless cameras. These mounts dictate which lenses are compatible with which cameras. Some brands offer adapters to use lenses from other systems, but it's essential to ensure compatibility for proper functionality and autofocus performance.

Understanding: Manual and Autofocus

Manual focus and autofocus are two ways to adjust the sharpness of a camera lens. With manual focus, you turn a ring on the lens to bring the subject into focus yourself, giving you full control over what appears sharp in the image. Autofocus, on the other hand, relies on the camera's built-in technology to automatically adjust the focus for you, usually by detecting contrast or phase differences in the scene. Autofocus can be convenient, especially for fast-moving subjects or when you need to capture a quick shot, whereas manual focus allows for precise adjustments and creative control over the final image.

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