Product Image of Sony 35mm F1.4 Sony E Mount - Full Frame Distagon T* Lens

Sony 35mm F1.4 Sony E Mount - Full Frame Distagon T* Lens

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Sony 35mm F1.4 Sony E Mount - Full Frame Distagon T* Lens

Name: Sony 35mm F1.4 Sony E Mount - Full Frame Distagon T* Lens
Brand: Sony
SKU: 4548736001961
Price: 969.23 GBP
Availability: InStock

SonySKU: 4548736001961

Price:

£969.23

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**Sony 35mm F1.4 Sony E Mount - Full Frame Distagon T* Lens**

E-Mount Lens/Full-Frame Format
Aperture Range: f/1.4 to 16
One AA & Three Aspherical Elements
Zeiss T* Anti-Reflective Coating
Direct Drive Super Sonic Wave AF Motor
AF/MF Switch; Internal Focus
Physical Aperture Ring; De-Click Switch
Dust- & Moisture-Resistant Construction
Rounded 9-Blade Diaphragm

High quality
The Sony SEL FE 35mm F1.4 full-frame Zeiss Distagon lens is an excellent choice for both snapshots and landscapes, as well as for night scenes, and handheld shooting in low light. Give portraits and wedding photos a smooth bokeh effect in the background with the nine-bladed circular aperture and a shallow depth of field at wide apertures.

There is a whole spectrum of photographic effects that are only possible with a large F1.4 aperture. The minimum focusing distance of 30 cm makes it ideal for shooting flowers, and similar topics. The lens has a water and dust resistant design that ensures reliable performance for professional use in extreme conditions.

Sharp and clear
Three aspherical elements, including an AA-precision element (advanced aspherical) from Sony, together form an ultra-modern optical path which allows compensating aberration effectively and excellent sharpness from corner to corner. This sharpness is maintained, even at maximum aperture, so that the optical performance is consistent across all exposure settings.

DDSSM delivers quiet autofocusing speed and precision
A new system, the DDSSM (Direct Drive SSM), is used for precise positioning of the heavy focus group that is required for the full-frame format. This makes accurate focusing possible, even in the smallest depth of the lens. The DDSSM-drive system is also extremely quiet and is ideal for recording video with continuous re-focusing when shooting scenes.

Optimized for both videos and photos
This lens is designed for videos, but also for photography. An aperture ring with adjustable clicks can be enabled for tactile feedback when taking pictures or can be disabled for a smooth, quiet operation when recording videos. The lens also has a minimal impact from focus changes, an essential quality for recording videos.

Colour and contrast
Zeiss lenses are known for their excellent colour reproduction and contrast. In addition, the Zeiss T * coating plays an important role, since it suppresses the reflections in an effective way to decrease the overall photo quality. The brilliance and reflection take off and emerge better colours and contrast for images with a deep, three-dimensional feeling.

For full specifications click Here

Understanding: Aperture

Aperture is the opening in a camera lens that controls how much light enters the camera. It's measured in f-stops like f/2.8 or f/8. Lower f-stop numbers mean wider openings, letting in more light and creating a shallow depth of field (blurry background). Higher f-stop numbers mean smaller openings, letting in less light and creating a larger depth of field (more of the scene in focus). Aperture also affects the quality of out-of-focus areas in the image (bokeh).

Understanding: Lens Types

Different lenses have different purposes to achieve different styles of images, some popular ones include:
Prime Lens: Fixed focal length, sharp images, great for portraits and dark settings.
Zoom Lens: Variable focal length, versatile for different shots and everyday use..
Wide-Angle Lens: Captures wide scenes like landscapes.
Telephoto Lens: Magnifies distant subjects, ideal for sports & wildlife.
Macro Lens: Perfect for close-up photography of small subjects.
Fisheye Lens: Ultra-wide perspective, creates unique images.

Understanding: Lens Mounts

Different camera brands use different lens mounts, which are like connectors that attach lenses to camera bodies. Each mount is specific to a particular brand and camera series. For example, Canon uses the EF and RF mounts, Nikon uses the F mount, Sony uses the E mount for its mirrorless cameras. These mounts dictate which lenses are compatible with which cameras. Some brands offer adapters to use lenses from other systems, but it's essential to ensure compatibility for proper functionality and autofocus performance.

Understanding: Manual and Autofocus

Manual focus and autofocus are two ways to adjust the sharpness of a camera lens. With manual focus, you turn a ring on the lens to bring the subject into focus yourself, giving you full control over what appears sharp in the image. Autofocus, on the other hand, relies on the camera's built-in technology to automatically adjust the focus for you, usually by detecting contrast or phase differences in the scene. Autofocus can be convenient, especially for fast-moving subjects or when you need to capture a quick shot, whereas manual focus allows for precise adjustments and creative control over the final image.