Sony FE 200-600mm f5.6-6.3 G OSS Telephoto Lens

SonySKU: 4548736099739

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Sale price£1,559.00 Regular price£1,699.00

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Product Description

Sony FE 200-600mm f5.6-6.3 G OSS Telephoto Lens

  • E-Mount Lens/Full-Frame Format
  • Aperture Range: f/5.6 to f/36
  • Five ED Elements, One Aspherical Element
  • Nano AR Coating and Fluorine Coating
  • Direct Drive Super Sonic Wave AF Motor
  • Optical SteadyShot Image Stabilization
  • Dust and Moisture-Resistant Construction
  • Removable, Rotating Tripod Collar
  • Rounded 11-Blade Diaphragm


Long-Reaching, Stabilized Zoom
Designed for full-frame E-mount cameras, this super-telephoto can also be used on APS-C models to achieve an equivalent 300-900mm focal length range.
The maximum aperture range of f/5.6-6.3 helps minimize size and weight while providing excellent performance in a variety of applications.
Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds.

OSS has three dedicated modes, including panning and viewfinder stabilization priority settings, and can also be combined with a select camera's sensor-shift type image stabilization for more effective control of camera blur.
Internal zoom design limits the overall length of the lens while zooming for more intuitive and comfortable handling.
Compatible with optional 1.4x and 2x FE teleconverters for further increasing the lens's reach.

Five extra-low dispersion elements are featured in the lens design and help to control chromatic aberrations and reduce colour fringing for increased clarity and colour fidelity.

One aspherical element is placed at the rear of the optical design and reduces distortion and spherical aberrations in order to produce a high degree of sharpness and accurate rendering.

A Nano AR Coating has been applied to minimize surface reflections, flare, and ghosting for increased contrast and colour rendering in strong lighting conditions.
A rounded 11-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Fast and Precise Autofocus
Direct Drive Super Sonic wave Motor (DDSSM) AF system provides quick, quiet, and precise autofocus performance that suits both stills and video applications.
Linear Response manual focus control offers more natural handling and an AF/MF switch is located on the lens barrel for tactile control over this setting.

Three customizable focus hold buttons are present on the lens barrel for intuitive tactile control and rapid access to select settings.
A minimum focusing distance of 7.9', along with a maximum magnification of 0.2x, benefits portraiture and head shots.
Focus range limiter and focus hold controls offer more intuitive handling and faster performance when photographing moving subjects.

Professional, Durable Design
Dust and weather-sealed construction benefits using the lens in inclement shooting conditions.
The front lens element features a fluorine coating to protect against smudges and dust from adhering to the glass surface.
Removable rotating tripod mount permits quick switching from horizontal to vertical shooting orientations.

For full specifications click Here

Format 35mm full frame
Maximum Aperture (F) 5.6-6.3
Image Stabilization (SteadyShot) Optical SteadyShot
Hood Type Round shape, bayonet type
Mount Sony E-mount
Teleconverter Compatibility (X2.0) SEL20TC
Teleconverter Compatibility (X1.4) SEL14TC
Zoom System Manual
Aperture Blades 11
Angle Of View (35mm) 12°30'-4°10'
Angle Of View (APS-C) 8°-2°40'
Circular Aperture Yes
Focal-Length (Mm) 200-600
35mm Equivalent Focal-Length (APS-C) 300-900
Minimum Aperture (F) 32-36
Lens Groups / Elements 17-24
Minimum Focus Distance 2.4 m (7.88 ft)
Maximum Magnification Ratio (X) 0.2
Filter Diameter (Mm) 95
Dimensions (D X L) 111.5 x 318 mm (4 1/2 x 12 5/8 in.)
Weight 2115 g (74.7 oz.)

Understanding: Aperture

Aperture is the opening in a camera lens that controls how much light enters the camera. It's measured in f-stops like f/2.8 or f/8. Lower f-stop numbers mean wider openings, letting in more light and creating a shallow depth of field (blurry background). Higher f-stop numbers mean smaller openings, letting in less light and creating a larger depth of field (more of the scene in focus). Aperture also affects the quality of out-of-focus areas in the image (bokeh).

Understanding: Lens Types

Different lenses have different purposes to achieve different styles of images, some popular ones include:
Prime Lens: Fixed focal length, sharp images, great for portraits and dark settings.
Zoom Lens: Variable focal length, versatile for different shots and everyday use..
Wide-Angle Lens: Captures wide scenes like landscapes.
Telephoto Lens: Magnifies distant subjects, ideal for sports & wildlife.
Macro Lens: Perfect for close-up photography of small subjects.
Fisheye Lens: Ultra-wide perspective, creates unique images.

Understanding: Lens Mounts

Different camera brands use different lens mounts, which are like connectors that attach lenses to camera bodies. Each mount is specific to a particular brand and camera series. For example, Canon uses the EF and RF mounts, Nikon uses the F mount, Sony uses the E mount for its mirrorless cameras. These mounts dictate which lenses are compatible with which cameras. Some brands offer adapters to use lenses from other systems, but it's essential to ensure compatibility for proper functionality and autofocus performance.

Understanding: Manual and Autofocus

Manual focus and autofocus are two ways to adjust the sharpness of a camera lens. With manual focus, you turn a ring on the lens to bring the subject into focus yourself, giving you full control over what appears sharp in the image. Autofocus, on the other hand, relies on the camera's built-in technology to automatically adjust the focus for you, usually by detecting contrast or phase differences in the scene. Autofocus can be convenient, especially for fast-moving subjects or when you need to capture a quick shot, whereas manual focus allows for precise adjustments and creative control over the final image.

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