|
|
Body material |
Magnesium alloy body |
Lens mount |
Micro Four Thirds |
IMAGE SENSOR |
Type |
4/3'' Stacked BSI Live MOS sensor |
Effective pixels |
20.4 Megapixels |
Filter array |
Primary colour filter (RGB) |
Aspect ratio & area |
4:3 / 17.3 x 13.0mm |
Full resolution |
22.9 Megapixels |
ENGINE |
Type |
TruePic X |
FILTER |
Dust reduction filter |
Supersonic Wave Filter |
VIEWFINDER |
Type |
Electronical Viewfinder |
Pixel number |
5760K dots |
Diopter adjustment |
Equipped -4.0 - +2.0 diopters / built-in type |
Angle of view |
Approx. 100% |
Magnification |
Max. 1.65x with a 50mm lens set to infinity at -1 dioptre (depending on selected viewfinder style) |
Eye point |
21mm at ‑1 dioptre from eyepiece lens |
Style |
3 styles selectable |
Brightness adjustment |
Adaptive Brightness Technology / Manual settings: +/‑ 7 levels |
Correction of colour temperature |
+/‑ 7 levels |
S-OVF |
Expands the Live View dynamic range |
*Available in the EVF when in P, A, S, M and B modes. Art filter, WB and exposure are not reflected in EVF. |
LIVE VIEW |
Field of view |
Approx. 100% |
Magnification levels |
3 / 5 / 7 / 10 / 14x |
Dynamic range expansion |
When in HDR1 or HDR2 |
IMAGE STABILISER |
Type |
Sensor shift |
Modes |
Five-dimensional, vertical or horizontal activation, automatic |
Effective Compensation Range |
Up to 8 EV steps* (Sync IS) Up to 7 EV steps* Based on CIPA measurement conditions *When using the M.Zuiko Digital ED 150-400mm F4.5 TC1.25x IS PRO. Focal length: 150mm (35mm equivalent: 300mm), halfway release image stabilisation Off, Frame rate: High |
Live View stabilisation |
Available |
FOCUSING SYSTEM |
Method |
TTL phase difference detection system, contrast detection system |
Focus areas |
1053 points / cross‑type phase detection AF |
1053 points / contrast AF |
All target, Single target (1 point), Small target (9 points), Cross target (39 points), Middle target (63 points), Large target (165 points) , Custom target* (AF area and its increment steps selectable)*Number of saved custom target settings: 4 |
AF working range |
-8 - 19EV (ISO approx.100, with a f/1.2 lens) |
AF lock |
Available; Locked by first position of shutter release button in single AF mode, AE/AF lock button (customised) |
Separate AF-On button |
Available |
Modes |
Manual focus Preset MF** Single AF* Continuous AF* AF* TrackingStackingBracketing * incl. manual override ** Distance setting values are rough estimates and only AF lenses can be used. |
AF illuminator |
Equipped |
Manual focus |
Available; With enlarged focusing area, focus peaking and focus indicator |
Face Detection extension |
Eye Detect AF: Off Left side priority Near side priority Right side priority |
Predictive AF |
Available |
AF tracking |
Available; Available in continuous AF mode |
Focus peaking |
Colour selection |
White, black, red, yellow |
Intensity |
High / Normal / Low |
Back light effect |
On / Off |
Focus Bracketing Mode |
Number of images |
Number of images |
3 - 999 shots |
Step size |
10 levels |
Compatible with |
All Micro Four Thirds AF lenses |
Focus Stacking Mode |
Technology |
3-15 images are taken at different focus points and automatically composited together into a single image |
Compatible with |
M.Zuiko Digital ED 60mm F2.8 Macro, M.Zuiko Digital ED 30mm F3.5 Macro, M.Zuiko Digital ED 7‑14mm F2.8 PRO, M.Zuiko Digital ED 8‑25mm F4 PRO, M.Zuiko Digital ED 8mm F1.8 Fisheye PRO, M.Zuiko Digital ED 12‑40mm F2.8 PRO, M.Zuiko Digital ED 12‑40mm F2.8 PRO II, M.Zuiko Digital ED 12‑45mm F4 PRO, M.Zuiko Digital ED 12‑100mm F4 IS PRO, M.Zuiko Digital ED 40‑150mm F2.8 PRO, M.Zuiko Digital ED 40‑150mm F4.0 PRO, M.Zuiko Digital ED 100‑400mm F5.0‑6.3 IS, M.Zuiko Digital ED 150‑400mm F4.5 TC1.25x IS PRO, M.Zuiko Digital ED 300mm F4 PRO |
M.Zuiko Digital 1.4x Teleconverter MC-14, M.Zuiko Digital 2x Teleconverter MC-20 |
Angle of view becomes slightly smaller |
AF targeting pad |
Available (activate/deactivate with double tap on rear monitor) |
Intelligent Subject Detection AF |
Aircrafts Bullet trains Birds Cats Dogs Formula cars Helicopters Motorcycles Ralley cars Standard trains Steam locomotives |
Focus limit |
Available |
EXPOSURE SYSTEM |
Modes |
Programme automatic Aperture priority Shutter priority Manual BulbTime Movie HDR Custom shooting Custom 1 Custom 2 Custom 3 Live Composite |
Exposure compensation |
+/- 5 EV (1, 1/2, 1/3 steps) |
Note: Monitor and EVF displays only up to ±3 EV. |
Exposure bracketing |
2 / 3 / 5 frames (+/‑ 1/3, 2/3, 1 EV steps) |
7 frames (+/‑ 1/3, 1/2, 2/3 EV steps) |
ISO bracketing |
3 frames (1/3, 1/2, 1 EV steps) |
AE lock |
Available |
Shadow Adjustment Technology |
Flicker Scan: Available for M, S and silent mode (can be confirmed in Live View) |
HDR bracketing |
3 / 5 frames (+/- 2 / 3 EV steps) |
7 frames (+/- 2 EV steps) |
Anti-Flicker Shooting function |
Available |
MULTI-EXPOSURE |
Max. number of frames |
2 frames (shooting) |
3 frames (editing) |
Auto gain control |
Available |
Frame assistance |
Live View |
LIGHT METERING |
Method |
TTL open aperture light metering |
Zones |
324 zones Multi‑pattern Sensing System |
Detection range |
-2 - 20 EV (f2.8, ISO 100) |
Modes |
ESP light metering Spot metering Centre weighted metering Highlight Shadow |
Histogram in shooting mode |
Available |
ART FILTER |
Modes |
Pop Art Soft Focus Pale & Light Colour Light Tone Grainy Film Pin Hole Diorama Cross Process Dramatic Tone Gentle Sepia Key LineWater colour Vintage Partial Colour* Bleach Bypass Instant Film |
Variation / Effect |
Available |
Art Filter bracketing |
Art Filters selectable |
* 18 colours selectable |
SENSITIVITY |
Auto |
ISO LOW* - 102400 (upper default ISO 25600) |
Manual |
ISO LOW* - 102400 in 1/3 or 1 EV ISO steps |
SHUTTER |
Shutter type |
Computerised focal-plane shutter |
Durability |
400000 shots |
Modes |
Single frame Sequential shooting Self timer Bracketing |
SHUTTER SPEEDS |
Shutter speed range |
1/8000 - 60s (in 1/3, 1/2, 1 EV steps) |
Bulb mode |
Up to 30 minutes (selectable longest time in the menu, default: 8 minutes) |
High res shot |
Shutter type |
Electronic shutter |
Shutter speed |
1/8000 - 60s |
Start delay |
0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30s |
Resolution |
JPEG: 10368x7776 / 8160 x 6120 / 5760 x 4320 RAW: 10368 x 7776 Equivalent to 80M / 50M / 25M pixel sensor (8 shots combined into a single JPEG using sensor shift) Available in P/A/S/M mode |
Handheld High res shot |
Shutter type |
Electronic shutter |
Shutter speed |
1/8000 - 60s |
Resolution |
JPEG: 8160 x 6120 / 5760 x 4320 RAW: 8160 x 6120 |
Equivalent to 50M / 25M pixel sensor (8 shots combined into a single JPEG using sensor shift) |
Available in P/A/S/M mode |
Flash can not be used |
Anti-shock mode |
Shutter type |
Electronic first curtain shutter |
Shutter speed |
1/320* - 60s |
Start delay |
0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30s * For speeds over 1/320 sec., mechanical shutter will automatically be selected. |
Silent mode |
Shutter type |
Electronic shutter |
Shutter speed |
1/32000 - 60s |
Start delay |
0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30s |
Flicker Scan |
Stills |
1/7634 - 1/50s |
Movies |
1/250 ‑ 1/30s * * Frame rates greater 30fps are limited to their reciprocal value |
WHITE BALANCE |
Manual White balance (One-Touch) |
Available |
White balance bracketing |
3 frames / +/- 2, 4, 6 mired steps |
One-touch white balance |
4 custom settings can be registered |
Custom WB |
1 setting can be registered at Kelvin temperature (2000K - 14000K) |
Preset values |
Tungsten Flourescent 1 Sunlight Flash Overcast Shade Underwater |
Auto Flash adjustment |
Off / Auto WB / Flash |
Keep warm colour |
On / Off |
SEQUENCE SHOOTING |
Speed |
Approx. 10fps (selectable 1‑10fps) |
Anti-shock mode |
Speed |
Approx. 10fps (selectable 1‑10fps) |
Silent mode |
Speed |
Approx. 20fps (selectable 5, 10, 15, 20fps with blackout) |
Speed SH1* |
Approx. 120fps (selectable 60, 100, 120fps without blackout) |
Speed SH2* ** |
Approx. 50fps (selectable 25, 50fps without blackout) |
Pro Capture mode |
Speed* |
Approx. 20fps (selectable 5, 10, 15, 20fps) |
Speed SH1* |
Approx. 120fps (selectable 60, 100, 120fps) |
Speed SH2* ** |
Approx. 50fps (selectable 25, 50fps) *Compatible lenses are limited. *Slower shutter speeds and flash cannot be used |
Max. number of frames |
All values are approximate |
Conditions |
Memory card: Toshiba SDXU-D032G with standard card setting in slot 1 When using the M.Zuiko Digital ED 12-40mm F2.8 PRO II Low ISO processing: Priority is given to sequential shooting |
10fps |
RAW: 139 / JPG (LF): 169 |
20fps |
RAW: 108 / JPG (LF): 116 |
50fps |
RAW: 96 / JPG (LF): 97 |
120fps |
RAW: 92 / JPG (LF): 92 |
Compatible lenses to SH2 (50fps) |
M.Zuiko Digital ED 12‑40mm F2.8 PRO, M.Zuiko Digital ED 12‑40mm F2.8 PRO II, M.Zuiko Digital ED 12‑100mm F4.0 IS PRO, M.Zuiko Digital ED 40‑150mm F2.8 PRO, M.Zuiko Digital ED 150‑400mm F4.5 TC 1.25x IS PRO, M.Zuiko Digital ED 300mm F4.0 IS PRO |
IMAGE PROCESSING |
Colour space |
sRGB / AdobeRGB |
Sharpness + Contrast |
5 levels |
Contrast |
5 levels |
Saturation |
5 levels |
Black & White filter |
Yellow, Orange, Red, Green |
Black & White toning |
Sepia, Blue, Purple or Green in Black & White mode |
Gradation |
4 levels (auto, high key, normal, low key) |
Art Filter bracketing |
Available |
Tele converter effect |
2x |
Fisheye compensation |
Available when M.Zuiko Digital ED 8mm Fisheye PRO is attached Angle of view adjustable in 3 levels Compensation automatically ON when using Underwater Modes, available (can be confirmed in Live View) |
Highlight & Shadow control |
- |
EXTERNAL FLASH CONTROL |
X-sync speed |
1/250s / 1/8000s (Super FP Mode) |
Type |
TTL AUTO, AUTO, MANUAL, FP TTL AUTO, FP MANUAL |
Compatible external flash |
FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
Modes |
Auto Red-eye reduction Slow synchronisation 2nd curtain and slow synchronisation Fill-in for exclusive flash Manual |
Intensity |
+/‑ 3 EV (1/3, 1/2, 1 EV steps) |
|
Note: Some functions are only available if they are supported by the external flash. |
WIRELESS FLASH CONTROL |
Number of channels |
4 channels |
Compatible external flash |
FL-LM3, FL-600R, FL-900R, STF‑8, FL-700WR |
Control method |
Triggered and controlled (Olympus Wireless RC Flash system) |
Group setting |
4 groups |
4 groups |
Available when used together with cameras compatible with the Olympus wireless RC flash system. |
Compatible commander |
FC-WR, FL-700WR For more details see specifications of commander units. |
Compatible receiver |
FL-700WR, FR-WR + wireless RC system flash |
Radio control |
3 groups |
Radio wireless control |
Available when attaching optional flash commander. |
Number of channels |
4 channels |
Modes |
Auto FP TTL Auto Manual TTL Auto FP Manual |
MONITOR |
|
Monitor type |
Vari-angle LCD - Touch Panel |
Monitor size |
7.6cm / 3.0'' (3:2) |
Resolution |
1620K dots |
Brightness adjustment |
+/- 7 levels |
Colour balance |
+/- 7 levels |
Touch Control functions |
AF area enlargement AF area selection Art Filter Enlargement Enlargement playback Frame forward/backward Live Guide Shooting mode Shutter release Super Control Panel Wi-Fi connection |
LEVEL GAUGE |
Detection |
2-axis |
Display |
Rear display and viewfinder |
SUPER CONTROL PANEL |
Displayed information |
Battery indicator Record mode Shutter speed Aperture value Exposure compensation indicator ISOAE bracketing AF frame Focus mode AEL notification Face detection Number of storable frames Metering mode Exposure mode Exposure level view Flash compensation value Colour space Gradation Colour saturation compensation value Sharpness compensation value Contrast compensation value White balance White balance compensation value Noise reduction Flash mode Drive mode Internal temperature warning Histogram |
RECORDING FORMATS |
RAW |
12bit |
RAW & JPEG |
Applied parallel recording |
JPEG |
Applied |
Aspect ratio |
4:3 / 3:2 / 16:9 / 6:6 / 3:4 |
IMAGE SIZE |
RAW |
5184 x 3888 |
|
5184 x 3888 Fine (compression: 1/4) |
STILL IMAGE RECORDING |
EXIF |
2.31 |
DCF |
Applied |
RAW |
Applied |
Dual SD card settings |
Standard, Auto Switch, Dual Independent, Dual Same |
Standard, Auto Switch, Dual Independent, Dual Same |
When two cards are inserted, card to be saved onto or to be viewed can be designated. |
MOVIE RECORDING SYSTEM |
Recording format |
MOV(MPEG-4AVC/H.264)/ MOV (HEVC/H.265) |
Picture mode |
Flat, OM-Log400, HLG (View assist compatible) |
Time code |
Rec run / Free run |
Drop frame / Non‑drop frame |
Image Stabilisation Mode |
Applied Sensor shift (5‑axis) |
M‑IS1 (Image sensor shift and electronic image stabilizer with multi motion IS) |
M‑IS2 (Image sensor shift with multi motion IS) |
MOV(MPEG-4AVC/H.264) |
4096x2160 (C4K) |
30p, 25p, 24p / LongGOP (approx. 102 Mbps) |
60p, 50p / LongGOP (approx. 202 Mbps) |
3840x2160 (4K) |
30p, 25p, 24p / LongGOP (approx. 102 Mbps) |
60p, 50p / LongGOP (approx. 202 Mbps) |
1920x1080 (FHD) |
30p, 25p, 24p / ALL‑I (approx. 202 Mbps) |
/ LongGOP (approx. 27 Mbps) |
60p, 50p / LongGOP (approx. 52 Mbps) |
MOV (HEVC/H.265) |
4096x2160 (C4K) |
30p, 25p, 24p / LongGOP (approx. 77 Mbps) |
60p, 50p / LongGOP (approx. 152 Mbps) |
3840x2160 (4K) |
30p, 25p, 24p / LongGOP (approx. 77 Mbps) |
60p, 50p / LongGOP (approx. 152 Mbps) |
1920x1080 (FHD) |
30p, 25p, 24p / ALL‑I (approx. 82 Mbps) |
/ LongGOP (approx. 22 Mbps) |
60p, 50p / ALL‑I (approx. 162 Mbps) |
/ LongGOP (approx. 42 Mbps) |
Maximum Recording Time |
Unlimited |
Exposure Modes |
Aperture priority Manual Programme automatic Shutter priority |
Aperture priorityManualProgramme automaticShutter priority |
Class 10 or higher SD card is recommended for movie shooting |
|
UHS‑II or UHS‑I U3 card is recommended for ALL‑I shooting |
MOVIE SPECIALTIES |
High-Speed Recording |
1920x1080 (MOV) / 240fps |
Time lapse |
4k, 1080p, 720p / 5, 10, 15, 30fps |
Max. number of frames: 9999 |
Fast motion |
Available |
Slow motion |
Available |
Art Filter |
Cross Process Diorama Dramatic Tone Instant Film Water colour Gentle Sepia Grainy Film Key Line Light Tone Pale & Light Colour Pin Hole Pop Art Soft Focus Vintage Partial Colour* Bleach Bypass |
Frame rate may drop when using certain art filter |
Flicker Scan |
Available in M mode (can be confirmed in Live View) |
HDMI Live View |
Monitor / Record / RAW |
Monitor mode |
Video signal and info display is processed |
In monitor mode, the image cannot be enlarged on the camera when a movie is being recorded. |
Record mode |
Only video signal is processed |
When recording simultaneously in the camera in 4K/C4K/FHD HS, 4:2:0 is upsampled to 4:2:2. |
In RAW mode, output video quality is 4K/C4K 12bit RAW data, frame rate follows movie setting, and sound will be recorded. |
ProRes RAW 4:4:4 12bit is supported |
1920x1080 / 120fps |
1920x1080 / 100fps |
SOUND RECORDING SYSTEM |
Internal microphone |
Stereo |
Recording format |
High quality sound recording (Stereo linear PCM/24‑bit, Sampling frequency 96kHz) |
Stereo PCM/16bit, 48kHz, Wave Format Base |
Image footage |
30s |
Speaker |
Equipped |
Microphone functions |
Wind Noise Reduction Recording Volume Volume limiter |
VIEW IMAGES |
Modes |
Single Index Calendar Zoom Movie |
Auto rotation |
Available |
Histogram in playback mode |
Available |
Shooting information |
Off / On |
Highlight/Shadow point warning |
Available |
ERASE / PROTECT / COPY FUNCTION |
Erase modes |
Single, All, Selected |
Image protect mode |
Single frame, Selected frames, All Frames, Release protect (Single/All selected) |
IMAGE EDITING |
Editing functions |
RAW data edit Red-eye reduction Sepia Black & White Resize Correction of saturation Correction of brightness Correction of colour balance Shadow Adjustment Trimming Aspect ratio |
MENU |
Menu languages in camera |
English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Slovak, Thai |
CUSTOMISATION OPTIONS |
Fn Button |
Equipped |
My Mode |
4 settings storable (Can be set to mode dial.) |
Factory reset |
Full / Basic |
Programmable button |
Equipped |
INTERFACE |
Media |
SD Memory Card (SDHC, SDXC, UHS‑I, UHS‑II compatible) Class 10 or higher SD card is recommended for movie shooting UHS‑II or UHS‑I U3 card is recommended for 4K, C4K, ALL‑I shooting. |
HDMI™ |
Applied Micro connector (Type D) * * "HDMI", the HDMI logo and "High-Definition Multimedia Interface" are trademarks or registered trademarks of HDMI Licensing LLC. |
USB 3 |
Type C |
Wireless connectivity |
Wi-FiBluetooth® |
Communication method |
Bluetooth® Low Energy Ver.4.2 |
SAR |
0.52W/kg |
SAR quantifies the maximum level of exposure of the user to electromagnetic waves, when using the device close to the head. |
SAR shall not exceed 2W/kg in accordance with regulations of France. |
Wi‑Fi is a registered trademark of the Wi‑Fi Alliance. |
The Bluetooth® word mark and logos are registered trademarks owned by the Bluetooth SIG, Inc. and any use of such marks by OLYMPUS CORPORATION is under license. |
Tethered control |
Available USB cable (camera operation by both PC or camera controls) |
Wi-Fi (transfer of recorded images to PC via access point, 5GHz and 2.4GHz available) |
Microphone jack |
3.5 ø mm mini-jack |
Earphone jack |
3.5 ø mm mini-jack |
Synchro socket |
Equipped |
WI-FI FUNCTIONS |
Easy Connection |
QR code setting |
Wireless Shooting |
Live ViewPower off Rec View Self timer Touch AF & Shutter P/A/S/M exposure modes Bulb mode Zoom Movie recording Live Composite Short movie |
POWER SUPPLY |
Battery |
BLX-1 Lithium-Ion Battery |
Sleep mode |
1, 3, 5min. and off selectable. |
Internal Charging |
USB |
USB charging |
Performance varies depending on different USB devices |
USB bus power |
USB PD bus power can be used (PD compliant camera: Rev 3.0 Ver 1.0a) |
Battery life |
Image shooting |
520 shots (using BLX-1 under CIPA testing conditions) 1100 shots (using quick sleep mode, under Olympus testing conditions based on CIPA test standards) |
Movie recording |
90min (standard JEITA conditions) 160min (when zoom and other operational functions are not used) * Note: Values are approximate. |
ENVIRONMENT |
Temperature |
-10 - 40°C Operating temperature / - 20 - 60°C storage temperature |
Humidity |
30 - 90% operation humidity / 10 - 90% storage humidity |