Canon RF 100mm F2.8L Macro IS USM Lens

CanonSKU: 4549292168075

Price:
Sale price£1,369.00

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Canon Promotion - Lens Reward & Student Cashback

Promotional Graphic for the 2 Canon Offers - Lens Reward & Student Cashback

Canon Lens Reward Promotion & Student Cashback

Buy any of the eligible Canon EOS R System cameras to qualify for cashback on a huge selection of Canon RF Lenses. Please visit http://www.canon.co.uk/lens-reward for more information on this promotion. Offer valid from the 1st September 2023 until the 31st August 2024. Students can also claim cashback on selected Canon cameras, lenses and printers with our Student Cashback offer. This offer is valid from the 1st September 2023 until the 31st May 2024.

Product Description

Canon RF 100mm F2.8L Macro IS USM Lens

The RF 100mm F2.8L MACRO IS USM is the world’s first AF macro lens with an incredible 1.4x close-up magnification, delivering stunning images. A Spherical Aberration Control ring lets you vary the Bokeh with a soft-focus effect, making this an exquisite portrait lens too.

Spherical Aberration Control Ring
The RF 100mm F2.8L MACRO IS USM features a Spherical Aberration (SA) Control mechanism to specify the look of out of focus bokeh areas, both in front and behind the subject and produces a soft-focus effect on the subject itself. An additional control ring on the lens is used to govern an electronic cam that actuates the focusing and floating lens groups independently by using two Nano USMs to change their location from infinity to close-up and change spherical aberration. This alters the bokeh for the desired effect.

Hybrid Image Stabilizer
The RF 100mm F2.8L MACRO IS USM has an optical Hybrid Image Stabilizer offering up to 5-stops compensation (CIPA standard) or up to 8-stops with coordinated Image Stabilisation with a camera that has an In-Body Image Stabilisation (IBIS) system (CIPA standard and tested with the EOS R5). Due to the high magnifications found in macro photography vibrations are greatly exaggerated. Canon’s Hybrid IS tackles this by providing up to 2-stops of IS at 1x magnification (under Canon’s test conditions). The combination of this and high-speed RF communication means that this lens surpasses the best technology in the EF range. With compatible Canon cameras that feature in-body stabilisation, higher levels of compensation are possible.

Dual Nano USM focusing motor
Using two Nano USM AF motors helps drive the lightweight optical elements with speed, precision and control, in near silence – ideal for video and stills. For high speed focusing, a more compact lens design and closer focusing, a floating lens group system was used which required two focus motors. One Nano USM is used for the conventional focusing group and the other for the floating focus group allowing them to be driven independently for the SA control as well as focus breathing suppression.

Features and benefits

  • 1.4x Macro magnification - Revealing detail other macro lenses cannot
  • Spherical Aberration Control - For the ultimate control over Bokeh and soft focus
  • F2.8 - For great performance in all situations
  • Dual Nano USM - For smooth, fast and near silent focusing
  • Up to 5-stops optical Hybrid Image Stabilizer - Exceptional stability in low light levels
  • Lens Control Ring - Change settings while still viewing the subject

For full specifications click Here

Optical Features / Specifications
Image Size Full Frame
35mm Film Equivalent Focal Length (mm) 100
Angle of View (Horzntl, Vertl, Diagnl) 20°, 14°, 24°
Lens Construction (Elements/Groups) 17 / 13
Number of Diaphragm Blades 9
Minimum Aperture 32
Closest Focusing Distance (m) 0.26
Maximum Magnification (x) 1.4
Distance Information Yes
Image Stabilizer OIS 5-stops (2-stops at 1.0x magnification, under Canon test standards)
Image Stabilizer IBIS x OIS 8-stops
AF Actuator Dual Nano USM
Accessories
Lens Cap E-67 II
Lens Hood ET-73C
Lens Case/Pouch LP1222
Rear End Cap Lens Dust Cap RF
Magnification with Extension Tube EF12 II Not Compatible
Magnification with Extension Tube EF25 II Not Compatible
Extender Compatibility Not Compatible
Other Accessories Macrolite Adapter 67 (optional),
Tripod mount ring E (B) with adapter (optional)
Physical Specifications
Dust/Moisture Resistance Yes
Filter Diameter (mm) 67
Max. Diameter x Length (mm) 81.5 x 148
Weight (g) 685

 

Understanding: Aperture

Aperture is the opening in a camera lens that controls how much light enters the camera. It's measured in f-stops like f/2.8 or f/8. Lower f-stop numbers mean wider openings, letting in more light and creating a shallow depth of field (blurry background). Higher f-stop numbers mean smaller openings, letting in less light and creating a larger depth of field (more of the scene in focus). Aperture also affects the quality of out-of-focus areas in the image (bokeh).

Understanding: Lens Types

Different lenses have different purposes to achieve different styles of images, some popular ones include:
Prime Lens: Fixed focal length, sharp images, great for portraits and dark settings.
Zoom Lens: Variable focal length, versatile for different shots and everyday use..
Wide-Angle Lens: Captures wide scenes like landscapes.
Telephoto Lens: Magnifies distant subjects, ideal for sports & wildlife.
Macro Lens: Perfect for close-up photography of small subjects.
Fisheye Lens: Ultra-wide perspective, creates unique images.

Understanding: Lens Mounts

Different camera brands use different lens mounts, which are like connectors that attach lenses to camera bodies. Each mount is specific to a particular brand and camera series. For example, Canon uses the EF and RF mounts, Nikon uses the F mount, Sony uses the E mount for its mirrorless cameras. These mounts dictate which lenses are compatible with which cameras. Some brands offer adapters to use lenses from other systems, but it's essential to ensure compatibility for proper functionality and autofocus performance.

Understanding: Manual and Autofocus

Manual focus and autofocus are two ways to adjust the sharpness of a camera lens. With manual focus, you turn a ring on the lens to bring the subject into focus yourself, giving you full control over what appears sharp in the image. Autofocus, on the other hand, relies on the camera's built-in technology to automatically adjust the focus for you, usually by detecting contrast or phase differences in the scene. Autofocus can be convenient, especially for fast-moving subjects or when you need to capture a quick shot, whereas manual focus allows for precise adjustments and creative control over the final image.

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