Nikon 500mm f5.6 E PF ED VR AF-S Super-Telephoto Lens

NikonSKU: 018208200825

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Product Description

Nikon 500mm f5.6 E PF ED VR AF-S Super-Telephoto Lens

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  • Орtісаl реrfоrmаnсе thаt іѕ іn nо wау ѕасrіfісеd whеn thе ТС-14Е ІІІ АF-Ѕ tеlесоnvеrtеr іѕ uѕеd
  • Маtеrіаlѕ uѕеd іn thе nеw РF lеnѕ еlеmеnt еffесtіvеlу соntrоl РF (dіffrасtіоn) flаrе
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  • АF ѕрееd іnсrеаѕеd bу mаkіng lеnѕ еlеmеntѕ іn thе fосuѕіng grоuр lіghtеr

Contrary to popular belief, a super-telephoto does not have to be a massive lens, proven here with the Nikon AF-S NIKKOR 500mm f5.6 E PF ED VR. Taking exceptionally long reach and giving it a hand-holdable form factor, this 500mm prime utilizes a unique Phase Fresnel element to greatly reduce the size and weight compared to previous versions of the focal length. This PF element, along with three extra-low dispersion elements, also helps to virtually eliminate colour fringing and chromatic aberrations in order to achieve a high degree of clarity, sharpness, and colour fidelity. Complementing this advanced optical design, individual elements also feature both Nano Crystal and Super Integrated Coatings to suppress flare and ghosting, as well as a protective fluorine coating to guard the optical system from dust and moisture.

Benefitting the optical design, this telephoto features a Silent Wave Motor AF system that produces fast, near-silent focusing performance to suit both stills shooting and movie recording, and which can instantly be manually overridden by simply turning the focus ring. Further contributing to photographing in fast-paced situations and difficult lighting, VR (Vibration Reduction) image stabilization compensates for the effects of camera shake for sharper handheld shooting. Additionally, an electromagnetic aperture mechanism is integrated into the lens design to provide greater exposure control stability which is especially beneficial when working with faster continuous shooting rates.

Super telephoto designed for use with FX-format Nikon F-mount cameras, this lens is also compatible with DX models where it will provide a 750mm equivalent focal length.

One Phase Fresnel element and three extra-low dispersion lens elements work to greatly reduce chromatic aberrations and colour fringing; improve overall image sharpness, clarity, and colour fidelity; and help to minimize the overall weight of the lens.

A Nano Crystal Coat, along with a Super Integrated Coating, has been applied to lens elements to minimize surface and internal reflections for a marked reduction in lens flare and ghosting.

Vibration Reduction image stabilization helps to reduce the appearance of camera shake by four stops, benefiting this lens's use in low-light conditions. Additionally, a designated Sport Mode is well-suited to working in fast-paced conditions and a Tripod Mode helps to suppress subtle ground vibrations when working atop a support system.

Silent Wave Motor affords quick, quiet, and precise autofocus performance along with full-time manual focus override. An internal focusing design is also used, where only the internal lens groups are moved during focusing, to maintain the overall length of the lens during use and to promote faster-focusing speeds.

This mechanism limits the compatibility of this lens to the following cameras: D5, D4, D3 series, Df, D850, D810, D810A, D800/E, D750, D700, D610, D600, D500, D300/S, D7500, D7200, D7100, D7000, D5600, D5500, D5300, D5200, D5100, D5000, D3400, D3300, D3200, D3100, Nikon Z7/Z6 with FTZ, Nikon 1 J1, J2, J3, J4 with FT-1, Nikon 1 V1, V2, V3 with FT-1, and Nikon 1 S1, S2 with FT-1.

Compatible with optional AF-S Teleconverter TC-14, TC-17, and TC-20 teleconverters.

Focal length 500 mm
Maximum aperture f/5.6
Minimum aperture f/32
Lens construction 19 elements in 11 groups (including 3 ED lens elements, 1 PF (phase Fresnel) lens element, lens elements with Nano-Crystal coatings, and a fluorine-coated front lens element)
Angle of view Nikon FX-format D-SLR cameras: 5°, Nikon DX-format D-SLR cameras: 3° 10'
Minimum focus distance 3.0 m (9.8 ft) from focal plane
Vibration reduction Yes
No. of diaphragm blades 9 (rounded diaphragm opening)
Filter attachment size 95 mm (P = 1.0 mm)
Diameter x length (extension from lens mount) Approx. 106 mm maximum diameter x 237 mm (distance from camera lens mount flange)
Weight Approx. 1460 g (3 lb 3.5 oz)
Supplied accessories LC-95 95 mm Snap-on Front Lens Cap, LF-4 Rear Lens Cap, HB-84 Bayonet Hood, CL-M5 Lens Case

 

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Understanding: Aperture

Aperture is the opening in a camera lens that controls how much light enters the camera. It's measured in f-stops like f/2.8 or f/8. Lower f-stop numbers mean wider openings, letting in more light and creating a shallow depth of field (blurry background). Higher f-stop numbers mean smaller openings, letting in less light and creating a larger depth of field (more of the scene in focus). Aperture also affects the quality of out-of-focus areas in the image (bokeh).

Understanding: Lens Types

Different lenses have different purposes to achieve different styles of images, some popular ones include:
Prime Lens: Fixed focal length, sharp images, great for portraits and dark settings.
Zoom Lens: Variable focal length, versatile for different shots and everyday use..
Wide-Angle Lens: Captures wide scenes like landscapes.
Telephoto Lens: Magnifies distant subjects, ideal for sports & wildlife.
Macro Lens: Perfect for close-up photography of small subjects.
Fisheye Lens: Ultra-wide perspective, creates unique images.

Understanding: Lens Mounts

Different camera brands use different lens mounts, which are like connectors that attach lenses to camera bodies. Each mount is specific to a particular brand and camera series. For example, Canon uses the EF and RF mounts, Nikon uses the F mount, Sony uses the E mount for its mirrorless cameras. These mounts dictate which lenses are compatible with which cameras. Some brands offer adapters to use lenses from other systems, but it's essential to ensure compatibility for proper functionality and autofocus performance.

Understanding: Manual and Autofocus

Manual focus and autofocus are two ways to adjust the sharpness of a camera lens. With manual focus, you turn a ring on the lens to bring the subject into focus yourself, giving you full control over what appears sharp in the image. Autofocus, on the other hand, relies on the camera's built-in technology to automatically adjust the focus for you, usually by detecting contrast or phase differences in the scene. Autofocus can be convenient, especially for fast-moving subjects or when you need to capture a quick shot, whereas manual focus allows for precise adjustments and creative control over the final image.

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