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Sony FE 24-70mm F2.8 G II Master Lens

Name: Sony FE 24-70mm F2.8 G II Master Lens
Brand: Sony
SKU: 4548736134102
Price: 1999.0 GBP
Availability: InStock

SonySKU: 4548736134102

Price:

£1,999.00 £2,099.00

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Sony FE 24-70mm F2.8 G II Master Lens

Full-Frame | f/2.8 to f/22
Fast Standard Zoom
22% Lighter, 18% Smaller than Previous
Four XD Linear AF Motors, Floating Focus
Aperture De-Click and Lock Switches
Zoom Smoothness Switch
XA and Super ED Elements
Nano AR Coating II and Fluorine Coating
Dust and Moisture-Resistant Construction
Rounded 11-Blade Diaphragm

Incredibly Sharp:
Two ED (Extra Low Dispersion), two Super ED, two XA (Extreme Aspherical) and three aspherical elements ensure outstanding resolution in this constant F2.8 aperture G Master standard zoom lens, delivering high corner-to-corner resolution and beautiful bokeh. This is an excellent Sony full-frame lens for stills photography, content creation and videography.

Beautifully Smooth Backgrounds:
A circular 11-blade aperture on this Sony G Master 24-70mm lens creates beautiful circular background bokeh defocus effects with a constant F2.8 aperture.

Fast and Precise Autofocus
Four XD (Extreme Dynamic) Linear Motors with their complex construction deliver faster, more accurate focusing for filmmaking and photography. You won't miss a shot with this standard zoom camera lens.

Bright in All Weathers
A constant F2.8 maximum aperture throughout the zoom range keeps the brightness even when the focal length changes. The front element on this Sony G Master lens features a fluorine coating that repels water, oil and other contaminants, while making it easy to wipe off any contaminants or fingerprints.

Professional Ergonomics
A dust- and moisture-resistant design, along with versatile controls, makes this Sony G Master lens ideal to use in the most difficult scenarios—both indoors and outdoors. Focus breathing feature compatible.

For full specifications click Here


Format	35mm full frame
Maximum Aperture (F)	2.8
Image Stabilization (SteadyShot)	- (body-integrated)
Hood Type	Petal shape, bayonet type
Mount	Sony E-mount
Teleconverter Compatibility (X2.0)	-
Teleconverter Compatibility (X1.4)	-
Zoom System	Manual
Aperture Blades	11
Angle Of View (35mm)	84°-34°
Angle Of View (APS-C)	61°-23°
Circular Aperture	Yes
Focal-Length (Mm)	24-70
35mm Equivalent Focal-Length (APS-C)	36-105
Minimum Aperture (F)	22
Lens Groups / Elements	15-20
Minimum Focus Distance	0.21(W)-0.3(T) m(0.69(W)-0.99(T) ft)
Maximum Magnification Ratio (X)	0.32 x
Filter Diameter (Mm)	82
Dimensions (D X L)	87.8 x 119.9 mm(3-1/2 x 4-3/4 in.)
Weight	695 g (24.6 oz.)

Understanding: Aperture

Aperture is the opening in a camera lens that controls how much light enters the camera. It's measured in f-stops like f/2.8 or f/8. Lower f-stop numbers mean wider openings, letting in more light and creating a shallow depth of field (blurry background). Higher f-stop numbers mean smaller openings, letting in less light and creating a larger depth of field (more of the scene in focus). Aperture also affects the quality of out-of-focus areas in the image (bokeh).

Understanding: Lens Types

Different lenses have different purposes to achieve different styles of images, some popular ones include:
Prime Lens: Fixed focal length, sharp images, great for portraits and dark settings.
Zoom Lens: Variable focal length, versatile for different shots and everyday use..
Wide-Angle Lens: Captures wide scenes like landscapes.
Telephoto Lens: Magnifies distant subjects, ideal for sports & wildlife.
Macro Lens: Perfect for close-up photography of small subjects.
Fisheye Lens: Ultra-wide perspective, creates unique images.

Understanding: Lens Mounts

Different camera brands use different lens mounts, which are like connectors that attach lenses to camera bodies. Each mount is specific to a particular brand and camera series. For example, Canon uses the EF and RF mounts, Nikon uses the F mount, Sony uses the E mount for its mirrorless cameras. These mounts dictate which lenses are compatible with which cameras. Some brands offer adapters to use lenses from other systems, but it's essential to ensure compatibility for proper functionality and autofocus performance.

Understanding: Manual and Autofocus

Manual focus and autofocus are two ways to adjust the sharpness of a camera lens. With manual focus, you turn a ring on the lens to bring the subject into focus yourself, giving you full control over what appears sharp in the image. Autofocus, on the other hand, relies on the camera's built-in technology to automatically adjust the focus for you, usually by detecting contrast or phase differences in the scene. Autofocus can be convenient, especially for fast-moving subjects or when you need to capture a quick shot, whereas manual focus allows for precise adjustments and creative control over the final image.