Tamron 28-75mm F2.8 Di III VXD G2 Lens for Sony FE

TamronSKU: 4960371006796

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Product Description

Tamron 28-75mm F2.8 Di III VXD G2 Lens for Sony FE

Overview: Unlock your creative potential with the Tamron 28-75mm F/2.8 Di III VXD G2 lens tailored for Sony FE mount cameras. Boasting exceptional image quality and stunning background blur (bokeh), this lens is designed specifically for mirrorless systems, ensuring optimal performance in every shot.

Key Features:

  • Aperture Range: f/2.8 to f/22
  • Optical Elements: One XLD Element, One LD Element, Three Aspherical Elements
  • Coatings: BBAR and Fluorine
  • Autofocus: RXD Stepping AF Motor
  • Construction: Moisture-Resistant, Rounded 9-Blade Diaphragm
Lifestyle / Product shot of the Tamron 28-75mm

Optical Excellence

Crafted with precision, this lens features a sophisticated optical system comprising 15 elements in 12 groups. This includes advanced elements like XLD, LD, and GM elements strategically arranged to minimize aberrations and maintain compactness. With BBAR coating ensuring superb anti-reflection performance, expect outstanding clarity and contrast throughout the zoom range.

Compact and Lightweight

Designed for versatility, the A036 is remarkably lightweight at just 550g and compact, measuring only 117.8mm. Whether capturing spontaneous moments or embarking on an outdoor adventure, its portable design complements the agility of full-frame mirrorless cameras.

Close up food photo taken on the Tamron 28-75mm

Close-Up Creativity

Explore new perspectives with a minimum object distance (MOD) of 0.19m at the wide-angle end, allowing for dynamic close-up shots with enhanced perspective. At the telephoto end, achieve beautifully blurred backgrounds akin to macro photography, thanks to the 0.39m MOD.

Silent and Swift Autofocus

The RXD stepping AF motor ensures swift and silent autofocus performance, ideal for both stills and video. Maintain sharp focus on moving subjects effortlessly, while the Moisture-Resistant Construction and Fluorine Coating provide added durability, protecting against environmental elements.

Lifestyle photo of a surfer in the water. Taken on the Tamron 28-75mm

Second-Generation Innovation

The A063, successor to the acclaimed A036, raises the bar with enhanced resolving power and image quality. Its redesigned optical system maintains the lens's compactness while delivering sharpness across the frame, making it a preferred choice for discerning photographers seeking creativity without compromise.

Photo of a model taken on the Tamron 28-75mm

Technical Specifications:

  • Focal Length: 28-75mm
  • Aperture: f/2.8
  • Minimum Object Distance: 0.18m (wide-angle), 0.38m (telephoto)
  • Maximum Magnification Ratio: 1:2.7 (Wide angle), 1:4.1 (Telephoto)
  • Filter Size: 67mm
  • Weight: 540g (Sony Alpha CSC E-Mount)
  • Item Number: A063

Additional Features:

  • Fluorine Coating: Resists scratches, fingerprints, and water droplets
  • Internal Focusing (IF) System: Ensures lens barrel remains fixed during focusing
  • Extra-Low Dispersion (XLD) Glass: Minimizes chromatic aberrations for sharper images
  • Moisture-Resistant Construction: Protects against adverse weather conditions
  • Zoom Lock (ZL) Mechanism: Prevents unwanted extension during transport
  • VXD Autofocus: Fast, precise focusing for stills and video, with near-silent operation
Model A063
Focal Length 28-75mm
Maximum Aperture F2.8
Angle of View (diagonal) 75゜23′- 32゜11′ (for full-frame mirrorless format)
Optical Construction 17 elements in 15 groups
Minimum Object Distance 0.18m /7.1 in (WIDE), 0.38m /15 in (TELE)
Maximum Magnification Ratio 1:2.7 (WIDE)/ 1:4.1 (TELE)
Filter Size φ67mm
Maximum Diameter φ75.8mm
Length 117.6mm (4.6 in)
Weight 540g (19 oz)
Aperture Blades 9 (circular diaphragm)
Minimum Aperture F22
Standard Accessories Flower-shaped hood, Lens caps
Mount Sony E mount

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Understanding: Aperture

Aperture is the opening in a camera lens that controls how much light enters the camera. It's measured in f-stops like f/2.8 or f/8. Lower f-stop numbers mean wider openings, letting in more light and creating a shallow depth of field (blurry background). Higher f-stop numbers mean smaller openings, letting in less light and creating a larger depth of field (more of the scene in focus). Aperture also affects the quality of out-of-focus areas in the image (bokeh).

Understanding: Lens Types

Different lenses have different purposes to achieve different styles of images, some popular ones include:
Prime Lens: Fixed focal length, sharp images, great for portraits and dark settings.
Zoom Lens: Variable focal length, versatile for different shots and everyday use..
Wide-Angle Lens: Captures wide scenes like landscapes.
Telephoto Lens: Magnifies distant subjects, ideal for sports & wildlife.
Macro Lens: Perfect for close-up photography of small subjects.
Fisheye Lens: Ultra-wide perspective, creates unique images.

Understanding: Lens Mounts

Different camera brands use different lens mounts, which are like connectors that attach lenses to camera bodies. Each mount is specific to a particular brand and camera series. For example, Canon uses the EF and RF mounts, Nikon uses the F mount, Sony uses the E mount for its mirrorless cameras. These mounts dictate which lenses are compatible with which cameras. Some brands offer adapters to use lenses from other systems, but it's essential to ensure compatibility for proper functionality and autofocus performance.

Understanding: Manual and Autofocus

Manual focus and autofocus are two ways to adjust the sharpness of a camera lens. With manual focus, you turn a ring on the lens to bring the subject into focus yourself, giving you full control over what appears sharp in the image. Autofocus, on the other hand, relies on the camera's built-in technology to automatically adjust the focus for you, usually by detecting contrast or phase differences in the scene. Autofocus can be convenient, especially for fast-moving subjects or when you need to capture a quick shot, whereas manual focus allows for precise adjustments and creative control over the final image.

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