Pentax 85mm f1.4 HD DFA* ED SDM AW Lens

PentaxSKU: 27075301238

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Sale price£1,529.00 Regular price£1,799.00

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Product Description

Pentax 85mm f1.4 HD DFA* ED SDM AW Lens

  • Exceptional image quality
  • Large-aperture of F1.4
  • Dustproof and weather-resistant construction
  • Newly designed, large SDM ring
  • Nine-blade, round-shaped diaphragm

High build quality

The Pentax 85mm f1.4 HD FA* ED SDM AW Lens is a large-aperture, medium-telephoto lens and is the second fixed-focus lens of the new-generation Star lens series. It follows the Pentax 50mm f1.4 Pentax-D HD FA SDM AW Lens and has been designed for use with the Pentax K-Mount DSLRs and boasts the highest imaging performance of all the Pentax lenses.

Exceptional image quality

Pentax has designed this lens to produce extra-clear, high-contrast images with edge-to-edge sharpness whilst keeping various aberrations to a minimum and greatly enhancing resolving power.

The lens provides exceptionally high imaging performance and a beautiful bokeh effect thanks to its impressive F1.4 maximum aperture which is useful for portraiture with a beautifully defocused background, handheld shooting of indoor scenes and landscape photography.

State-of-the-art optical technology

This lens incorporates three Super ED (Extra-low Dispersion) glass optical elements to effectively minimize chromatic aberration, and a glass-moulded aspherical optical element to effectively compensate for spherical and chromatic aberrations and field curvature to deliver extra-clear, high-contrast images with edge-to-edge sharpness, even when the aperture is wide open. It also reduces distortion to nearly zero at a focusing distance of four meters to deliver well-defined, distortion-free images over the entire focusing range, from the minimum focusing distance to infinity. This lens is also treated with high-grade, multi-layer HD* Coating, which reduces average reflectance in the visible ray spectrum to less than 50% of conventional multi-layer coatings, effectively reducing flare and ghost images to a minimum even in demanding lighting conditions such as backlighting.

Newly designed, large SDM ring

In order to deliver the highest image quality possible over the entire focusing range — from the minimum focusing distance to infinity — this lens features a newly designed, large SDM ring to efficiently drive the focusing mechanism, which consists of a higher number of optical elements than ordinary lenses, and is required to shift heavy rear-optical-element groups in unison. Generating a torque approximately 1.3 times that of the unit installed in the HD PENTAX-D FA 50mm f1.4 SDM AW, this new SDM assures flawless, high-speed autofocus operation.

Dustproof, weather-resistant construction

Developed as an AW (All Weather) model, this lens features a dependable dustproof, weather-resistant construction with eight special seals to prevent the intrusion of water into the lens barrel. When paired with a dustproof, weather-resistant PENTAX digital SLR camera body, it assures a durable, reliable digital imaging system that performs superbly in demanding shooting settings — even in rain or mist, or at locations prone to water splashes or spray.

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Focal length (Equivalent to 35mm format) 85mm
Equivalent to 130mm in 35mm format (when attached to PENTAX APS-C size DSLR cameras)
Maximum Aperture F1.4
Minimum Aperture F16
Lens construction 12 elements in 10 groups
Angle of View (Diagonal) 28.5°
(when attached to PENTAX 35mm full-frame SLR cameras)
19°
(when attached to PENTAX APS-C size DSLR cameras)
Mount KAF4
Minimum Focusing Distance 0.85m (2.8ft.)
Maximum Magnification 0.12x
Filter Diameter 82mm
Diaphragm Control Electromagnetic diaphragm
Fully automatic
Number of Diaphragm Blades 9
Rounded diaphragm (85mm:F1.4-F2.8)
Aperture Ring N/A
Tripod Mount N/A
Lens Hood PH-RBG82 (included)
Lens Cap O-LC82 (included)
Lens Case S130-160 (included)
Maximum Diameter x Length approx. 95mm x 123.5mm (approx. 3.7in. x 4.9in.)
Weight approx. 1255g / with hood approx. 1355g
(approx. 44.3oz./ with hood approx.47.8oz.)
Temperature -10°C – 40°C (14°F – 104°F)
Humidity 85% or less (no condensation)
Included Accessories Lens Hood PH-RBG82, Lens Cap O-LC82,
Lens Mount Cap K, Lens Case S130-160
Others HD Coating
SP (Super Protect) Coating
AW (All Weather Resistant)
Quick-shift Focus System (QFS/M)
SDM (Ultrasonic Motor)

Understanding: Aperture

Aperture is the opening in a camera lens that controls how much light enters the camera. It's measured in f-stops like f/2.8 or f/8. Lower f-stop numbers mean wider openings, letting in more light and creating a shallow depth of field (blurry background). Higher f-stop numbers mean smaller openings, letting in less light and creating a larger depth of field (more of the scene in focus). Aperture also affects the quality of out-of-focus areas in the image (bokeh).

Understanding: Lens Types

Different lenses have different purposes to achieve different styles of images, some popular ones include:
Prime Lens: Fixed focal length, sharp images, great for portraits and dark settings.
Zoom Lens: Variable focal length, versatile for different shots and everyday use..
Wide-Angle Lens: Captures wide scenes like landscapes.
Telephoto Lens: Magnifies distant subjects, ideal for sports & wildlife.
Macro Lens: Perfect for close-up photography of small subjects.
Fisheye Lens: Ultra-wide perspective, creates unique images.

Understanding: Lens Mounts

Different camera brands use different lens mounts, which are like connectors that attach lenses to camera bodies. Each mount is specific to a particular brand and camera series. For example, Canon uses the EF and RF mounts, Nikon uses the F mount, Sony uses the E mount for its mirrorless cameras. These mounts dictate which lenses are compatible with which cameras. Some brands offer adapters to use lenses from other systems, but it's essential to ensure compatibility for proper functionality and autofocus performance.

Understanding: Manual and Autofocus

Manual focus and autofocus are two ways to adjust the sharpness of a camera lens. With manual focus, you turn a ring on the lens to bring the subject into focus yourself, giving you full control over what appears sharp in the image. Autofocus, on the other hand, relies on the camera's built-in technology to automatically adjust the focus for you, usually by detecting contrast or phase differences in the scene. Autofocus can be convenient, especially for fast-moving subjects or when you need to capture a quick shot, whereas manual focus allows for precise adjustments and creative control over the final image.

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