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    Description

    The full-frame EOS R6 Mark II raises the bar with its unique blend of class-leading performance, breath-taking speed, stability and professional filmmaking features. Master your craft and never compromise – whatever you like to shoot, and however you like to shoot it.

    Intense sharpness from Dual Pixel CMOS AF II
    Our deep-learning AI delivers even more powerful autofocus. The EOS R6 Mark II recognises and tracks more subjects with even greater speed, reliability and precision.

    The freedom to shoot handheld
    Shoot long exposures with biting sharpness, thanks to an 8-stop2 Image Stabilizer. Video footage is super steady too, perfect for on-the-go filmmaking and documentaries.

    Race ahead of the competition
    Setting new speed records, the EOS R6 Mark II can shoot continuously at up to 40fps6 electronically, and up to 12fps mechanically5. Capture the action before you press the button with Pre-shooting in RAW burst mode.

    Hone your filmmaking
    Use the full width of the EOS R6 Mark II’s sensor to capture superb oversampled 4K 60p video or 6K RAW10. Focus-breathing correction and Detect-only AF make professional results easier than ever.

    Extreme performance in extreme conditions
    Capture the ambience of the moment whatever the conditions. Shoot up to ISO 102,400 sensitivity and focus in as little light as -6.5EV.

    • Dual Pixel CMOS AF II: Intelligent subject detection and tracking, including Auto mode that detects the subject.
    • 40fps electronic shutter: Capture microscopic moments in time at up to 40fps, with AE and AF tracking.
    • 12fps mechanical shutter
    • 30fps Pre-shooting burst mode with 0.5 sec Pre-shooting
    • Optical IS x In Body IS: Combining lens-based optical IS with in-body IS for up to 8 stops of stabilisation.
    • 24.2 megapixel sensor: An ideal balance of resolution, speed and low-light performance.
    • Full width oversampled 4K 60p
    • 6K RAW Capture using an external Atomos Ninja V+ recorder, via the camera’s clean HDMI output.
    • Full HD at 180p: Capture fast action in smooth slow motion.
    • H.264/H.265: 8-bit H.264 or next-generation 10-bit H.265 codecs.
    • HDR: HDR PQ and HDR Movie.
    • Focus breathing correction: Pull focus like a pro, without distracting optical effects.
    • -6.5 EV AF performance: That’s less than the light from a half moon.
    • Max ISO 102,400 (extendable to 204,800)
    • 3.69M dot EVF: a high-resolution EVF that refreshes at 120fps.
    • Dual UHS-II SD card slots
    • Built in Wi-Fi and Bluetooth
    • RAW processing in the cloud


    New Technology Explained:

    Advanced Dual Pixel CMOS AF II, with eye detection

    The EOS R6 Mark II uses Canon’s state-of-the-art Dual Pixel CMOS AF II technology to focus and track subjects, keeping them sharp as they move through a scene. Using deep-learning artificial intelligence, we’ve programmed the camera to recognise people, vehicles (cars, motorbikes, trains and aircraft) and animals (dogs, cats, birds and horses). The type of subject to be detected can be chosen in the EOS R6 Mark II’s menu, or set to Auto if you shoot in a range of scenarios.

    When detecting people or animals, the EOS R6 Mark II first looks for a subject’s eyes, and it’s now possible to specify which eye (left or right) should be given priority. If the eyes can’t be seen, the camera focuses on the face instead, and if the subject turns away for a moment, the head is tracked. If the head isn’t visible, the EOS R6 Mark II will track their body.

    RAW burst mode

    The EOS R6 Mark II also features a pre-shooting option as part of RAW burst mode, that captures the action 0.5 sec before the shutter-release button is pressed – a great advantage when shooting unpredictable subjects, from tennis players to toddlers.

    RAW burst mode shoots continuously at 30fps for up to 191 frames (just over 6 sec using a high-speed card) and records all of the frames in a single RAW file, called a roll. This is recorded as a special CR3 file; all with AF tracking. Individual images can be extracted from this roll using Canon’s Digital Photo Professional software, or in camera, and saved as individual JPEG, HEIF or RAW files.


    ‘Detect only’ option for Movie Servo AF

    A technology shared with Canon’s Cinema EOS family, a new Movie Servo AF option – ‘Detect only’ – has been added to the EOS R6 Mark II, and is similar to the ‘Face only’ feature found in our Cinema EOS C70 camera. When this is activated, if the subject specific in the Subject to detect menu moves out of the focus area, the camera will remain at its current point of focus without refocusing on other subjects. For example, if ‘People’ is specified in the menu, focus will not change if a subject walks out of shot. Traditionally, a camera would then refocus on the background, which is often not what’s wanted, especially if the subject may be about to move back into the frame again.

    Focus-breathing correction

    The EOS R6 Mark II can use digital processing to compensate for the effects of focus breathing – the small, but noticeable changes in viewing angle or magnification that happen as some lenses undergo significant changes in focus. Lenses currently supported, after firmware updates, are:

    ● RF 14-35mm F4 L IS USM
    ● RF 15-35mm F2.8 L IS USM
    ● RF 24-70mm F2.8 L IS USM
    ● RF 24-105mm F4 L IS USM
    ● RF 70-200mm F2.8 L IS USM
    ● RF 70-200mm F4 L IS USM

    The RF24mm F1.8 Macro IS STM supports this feature from the beginning and does not require a firmware update.

    Full-frame 24.2-megapixel sensor

    The EOS R6 Mark II features a full-frame 24.2 megapixel CMOS sensor, designed by Canon. Working in tandem with a powerful DIGIC X processor, it powers many of the camera’s groundbreaking features and provides an ideal balance of resolution, low-light and speed.

    The new sensor is fast, powering 40fps6 continuous shooting. Compared to the EOS R6, this new sensor reduces ‘rolling shutter’ distortion, allowing the camera’s electronic shutter to be used to freeze fast-moving objects. This speed also enables oversampled 4K 60p video using the full width of the sensor, and helps power the EOS R6 Mark II’s extraordinarily quick focusing.

    A digital teleconverter provides an instant in-camera 1.6x crop, taking you closer to the action at the press of a button and with your eye still at the viewfinder.

    In-camera focus bracketing

    When you need more depth of field than is available, the EOS R6 Mark II can deploy focus bracketing and depth compositing to help achieve perfect focus throughout the frame.

    After specifying the focus range and number of shots, a single press of the shutter-release button tells the camera to begin shooting, varying focus from near to far as it does so. When this sequence of images is blended together, the result is perfect depth of field for the scene.

    This image sequence can now be merged in-camera, creating a perfect ready-to-go result. The feature can also be used as an on-location preview of what can be achieved later in post-production, giving you the confidence that you have what you need.

    Depth compositing is great for shooting close-up or macro work when depth of field is limited. It also allows photographers to reduce time spent post-processing images from multiple frames and lets them achieve a result quickly, in-camera.

    4K 60p full-width oversampled & 6K RAW

    The EOS R6 Mark II can shoot 4K 60p UHD using the full width of the EOS R6 Mark II’s sensor, with simultaneous Dual Pixel CMOS AF II focusing. Footage is created by oversampling the sensor’s 6K output, resulting in superb image quality.

    Improved circuit designs are highly heat efficient, allowing longer recording times of up to 610 hours, depending on ambient temperature, memory card space and battery life.

    For filmmakers wanting even higher performance, the EOS R6 Mark II outputs 6K RAW via its HDMI output, which can be recorded on an Atomos Ninja V+ recorder in ProRes RAW. This provides more detail, as well as the ability to adjust parameters such as white balance in post-production. Full HD proxy footage can be captured internally to a memory card.

    Movie pre-recording

    When this function is activated, video is continuously streamed through the camera in standby. Such pre-captured footage can be captured from the 3 or 5 secs before the video record button is pressed – very handy when shooting unpredictable subjects or an unmissable one-off moment.

    UVC support for webcam and live streaming

    The EOS R6 Mark II can be used as a webcam on PC and Mac computers running video-call apps such as Skype, Zoom and Teams, without having to install additional software. This plug-and-play capability is powered by industry-standard USB Video Class (UVC) and USB Audio Class (UAC) drivers that are built into Windows and MacOS operating systems.

    Used in this way, the EOS R6 Mark II provides improved image quality compared with standard computer webcams, letting you look your best when you need to make a great impression online.

    False-colour indication
    A technology shared with Canon’s Cinema EOS family, the EOS R6 Mark II features false colour warnings that give an easy-to-see indication of current exposure levels. Six colours, each representing a different luminance level, are overlaid on viewfinder and viewscreen images.
    Recording emphasis and Aspect marker

    When the EOS R6 Mark II’s Recording emphasis feature is turned on, a blinking red frame is visible at the edges of the frame when the camera is recording video. In addition, the EOS R6 Mark II includes an Aspect marker option, which acts as a guide to how footage will look when it’s been processed for different aspect ratios, such as 2.35:1 Cinema Scope, vertical 9:16, 5:4, and even Instagram friendly 1:1. This is very useful when shooting footage for social-media platforms, which often require different frame shapes.

    More exposure modes when shooting video

    When capturing video footage, EOS R6 Mark II users can now shoot in aperture-priority (Av) and shutter-priority (Tv) exposure modes, as well as manual (M), Program (P) and 3 custom setting modes giving more convenience and creative control.

    Multifunction shoe

    The multifunction shoe, first seen on the EOS R3, is also included on the EOS R6 Mark II, allowing a range of new accessories to be used with the camera. These include the DM-E1D digital microphone and Tascam XLR adapter, for recording high-quality sound, and a smartphone adapter – as well as new Speedlite flashes.


    Advanced overheat management

    The EOS R6 Mark II is able to capture video for longer by managing the camera’s response to rises in temperature. Advanced warning of overheating informs videographers well before shooting needs to be paused.

    Low-resolution standby mode helps reduce the likelihood of overheating when the camera is on standby between takes. Display frame rate and image quality are temporarily reduced, conserving power and extending recording time.

    What's in the box?

    EOS R6 Mark II Body
    Camera Cover R-F-5
    Shoe cover ER-SC2
    Strap ER-EOS R6 Mark II
    Battery Charger LC-E6E
    Battery Pack LP-E6NH
    Battery Pack Cover
    AC Cable (EU/SK)
    User Manual Kit (EU)

    TECHNICAL
    SPECIFICATIONS


    IMAGE SENSOR
    Type 35.9 x 23.9 mm CMOS
    Effective Pixels Approx. 24.2megapixels
    Total Pixels Approx. 25.6 megapixels
    Aspect Ratio 3:2
    Low-Pass Filter Built-in/Fixed
    Sensor Cleaning EOS integrated cleaning system
    Colour Filter Type Primary Colour
    Sensor Shift IS Yes, up to 8-Stops advantage depending
    on the lens used1
    IMAGE PROCESSOR
    Type DIGIC X
    LENS
    Lens Mount RF (EF and EF-S lenses can be attached using: Mount
    Adapter EF-EOS R, Control Ring Mount Adapter
    EF-EOS R, Drop-In Filter Mount Adapter EF-EOS R)
    EF-M lenses are not compatible
    Focal Length Equivalent to 1.0x the focal length of the lens with
    RF and EF lenses 1.6x with EF-S/ RF-S
    Image Stabilisation
    FOCUSING
    Type Dual Pixel CMOS AF II
    AF System/Points 100% horizontal and 100% vertical with Face +
    Tracking and Auto Selection modes 100% horizontal
    and 90% vertical with manual selection and large
    zone modes2
    AF working range EV -6.5 – 21 (at 23°C & ISO100)3
    AF Modes One Shot, Servo AF, AI Focus AF
    AF Point Selection Automatic selection: 1053 Available AF areas when
    automatically selected,
    Manual selection: 1-point AF (AF frame size can be
    changed) 4897AF positions available stills
    ( 4067 Movies)
    Manual selection: AF point Expansion 4 points
    (up, down, left, right)
    Manual selection: AF point Expansion surrounding
    Manual selection: Flexible Zone AF 1-3
    (all AF points divided into minimum 9 to 999
    maximum focusing zones)
    AF Tracking Humans, Animals (Dogs, Cats, Birds and horses) or
    Vehicles (Racing cars or Motor bikes, Aircraft and
    Trains)
    AF Lock Locked when shutter button is pressed halfway or AF
    ON is pressed in One Shot AF mode. Using
    customised button set to AF stop in AI servo
    AF Assist Beam Emitted by built in LED or optional dedicated
    Speedlite (flash)
    Manual Focus Selected on lens
    EXPOSURE CONTROL
    Metering modes Real-time with image sensor, 384-zone metering.
    (1) Evaluative metering (linked to All AF points)
    (2) Partial metering (approx. 5.9% of viewfinder at
    centre)
    (3) Spot metering: Centre spot metering (approx. 3%
    viewfinder at centre)- AF point-linked spot metering
    not provided
    (4) Centre weighted average metering
    Metering Brightness Range EV -3 – 20 (at 23°C, ISO100, with evaluative metering)
    AE Lock Auto: AE lock takes effect when focus is achieved
    Manual: By AE lock button in P, Av, Fv, Tv and M
    modes
    Exposure Compensation +/-3 EV in 1/3 or 1/2 stop increments
    (can be combined with AEB)
    AEB +/-3 EV in 1/3 or 1/2 stop increments
    Anti-flicker shooting Yes. Flicker detected at a frequency of 100 Hz or 120
    Hz. Maximum continuous shooting speed may
    decrease available with both electronic and
    mechanical shutter
    High Frequency anti flicker shooting for M and TV
    modes
    ISO Sensitivity Auto 100-102400 (in 1/3-stop or 1 stop increments)
    ISO can be expanded to L:50, H:204,801
    SHUTTER
    Type Electronically-controlled focal-plane shutter and
    Electronic shutter function on sensor
    Speed Mechanical: 30-1/8000 sec (1/2 or 1/3 stop
    increments), Bulb
    Electronic: 30-1/16000 (1/2 or 1/3 stop increments up
    to 1/8000 then 1 stop to 1/16000) (Total shutter speed
    range. Available range varies by shooting mode)4
    Shutter Release Soft touch electromagnetic release
    WHITE BALANCE
    Type Auto white balance with the imaging sensor
    Settings AWB (Ambience priority/White priority), Daylight,
    Shade, Cloudy, Tungsten light, White Fluorescent
    light, Flash, Custom, Colour Temperature Setting
    White balance compensation:
    1. Blue/Amber +/-10
    2. Magenta/Green +/-11
    Custom White Balance Yes, 1 setting can be registered - From image or Live
    View
    WB Bracketing +/-3 levels in single level increments 3, 2, 5 or 7
    bracketed images per shutter release
    Selectable Blue/Amber bias or Magenta/Green bias
    VIEWFINDER
    Type 0.5-inch OLED colour EVF
    Dot count 3.69 Million dots
    Coverage
    (Vertical/Horizontal) Approx. 100%
    Magnification Approx. 0.76x5
    Eyepoint Approx. 23mm (from eyepiece lens centre)
    Dioptre Correction -4 to +2 m-1 (dioptre)
    Display performance Power saving: 59.94 fps Smooth 119.98 fps , supress
    low frame rate 60 -119.8fps6
    Viewfinder Information Shutter speed, Aperture, ISO speed, AF point
    information, Exposure level indicator, Number of
    remaining exposures, Exposure compensation,
    Battery level, Electronic shutter, HDR shooting,
    Highlight tone priority, Multiple-exposure shooting,
    Self-timer shooting mode, Maximum burst, AF
    method, Subject to Track setting, Exposure
    simulation, Drive mode, AEB, Metering mode, FEB,
    Anti-flicker shooting, Still/video cropping, Shooting
    mode, Aspect ratio, Scene icons Auto Lighting
    Optimizer, AE lock Picture Style, Flash-ready, White
    balance, FE lock, Image Quality, High-speed sync,
    Bluetooth function, Wi-Fi on/off, Histogram, Electronic
    level, Focus distance scale in manual focus, SA
    control ring setting, IS system. Audio Level – Manual
    (video), recording time remaining (video),
    headphone level (video), Video recording resolution
    frame rate and compression (video) Rec indicator
    (video), Overheat indicator (video)
    Depth of field preview Yes, via customised button or with "Exposure +DOP"
    ( up to F8)
    Eyepiece Shutter N/A
    LCD MONITOR
    Type 7.5cm (3.0") Clear View LCD II,
    approx. 1.62 million dots
    Coverage Approx. 100%
    Viewing Angle horizontally/
    vertically
    Approx. 170° vertically and horizontally
    Coating Anti-smudge.
    Brightness Adjustment Manual: Adjustable to one of seven levels Colour
    Tone Adjustment: 4 settings
    Touch-screen operations Capacitive method with menu functions, Quick
    Control settings, playback operations, and
    magnified display. AF point selection in still and
    Movies, touch shutter is possible in still photo
    shooting.
    Display Options (1) Basic Camera settings
    (2) Advance Camera settings
    (3) Camera settings plus histogram and dual level
    display
    (4) No info
    (5) Quick Control Screen
    TECHNICAL
    SPECIFICATIONS
    FLASH
    Modes E-TTL II Auto Flash, Metered Manual
    Red-Eye Reduction
    X-sync 1/200sec mechanical shutter / 1/250th electronic
    1st curtain
    Flash Exposure
    Compensation
    +/- 3EV in 1/3 or 1/2 stop increments with EX series
    Speedlite flashes
    Flash Exposure Bracketing Yes, with compatible External Flash
    Flash Exposure Lock Yes
    Second Curtain
    Synchronisation Yes via Speedlite
    Multi-Function shoe/ Hot
    Shoe/PC terminal Yes/No
    External Flash Compatibility E-TTL II with EX / EL series Speedlite, wireless multi-flash
    support
    External Flash Control via camera menu screen
    SHOOTING
    Modes Stills; Scene Intelligent Auto, Flexible priority AE,
    Program AE, Shutter priority AE, Aperture priority AE,
    Manual, Bulb and Custom (x3)
    Movie: Auto Exposure, TV,
    AV Manual and Custom (x3)
    Picture Styles Auto, Standard, Portrait, Landscape, Fine Detail,
    Neutral, Faithful, Monochrome, User Defined (x3)
    Colour Space sRGB and Adobe RGB
    Image Processing Highlight Tone Priority (2 settings)
    Auto Lighting Optimizer (3 settings)
    Long exposure noise reduction
    Clarity
    High ISO speed noise reduction (4 settings)
    (stills and video)
    Lens optical correction
    - Peripheral illumination correction, Chromatic
    aberration correction Distortion correction
    (during/after still photo shooting, during video only)
    Diffraction correction,
    Digital Lens Optimizer
    (during/after still photo shooting only)
    Focus Bracketing including image compositing
    Resize to M, S1, S2
    Cropping of images (JPEG/HEIF)
    - Aspect ratios 3:2, 4:3, 16:9, 1:1 x1.6crop
    - Switch between vertical and horizontal cropping
    orientation
    - Image straightening
    - Cropping frame can be moved using touch screen
    operation
    RAW image processing
    Dual Pixel RAW – Portrait Relighting, Background
    Clarity (in camera)
    Raw Cloud processing
    Multiple exposure
    HDR - with moving subject suppression
    HEIF to Jpeg conversion (single or batch)
    Drive modes Single, Continuous High+, Continuous High,
    Continuous Low, Self timer (2s+remote, 10s+remote)
    Continuous Shooting Max. Approx. 12fps. with Mechanical shutter, speed
    maintained for 1000+ JPEG or 110 RAW 1000 CRAW
    images.Max. Approx. 40fps. with Electronic shutter7
    ,
    8
    ,
    speed maintained for 190 JPEG or 75 RAW, 140
    CRAW images
    RAW Burst 30fps with 0.3 or 0.5 seconds pre record for
    max approx 191 frames
    Interval timer Built in
    FILE TYPE - STILLS
    Still Image Type JPEG: 2 compression options
    RAW: RAW, C-RAW 14 bit (14-bit with Mechanical
    shutter and Electronic 1st Curtain, 12-bit A/D
    conversion with Electronic shutter, Canon original
    RAW 3rd edition)
    HEIF: 10bit HEIF is available in HDR shooting with [HDR
    PQ] set to [Enable]
    Complies with Exif 2.31 and Design rule for Camera
    File system 2.0
    Complies with Digital Print Order Format [DPOF]
    Version 1.2
    RAW+JPEG/HEIF simultaneous
    recording
    Yes, any combination of RAW + JPEG or RAW + HEIF
    possible
    Image Size 3:2 ratio (L, RAW, C-RAW) 6000 x 4000, (M) 3984 x
    2656, (S1) 2976x 11984, (S2) 2400 x 1600
    1.6x (crop) (L) 3744 x 2496, (S2) 2400 x 1600
    4:3 ratio (L) 5328 x 4000, (M) 3552 x2664 (S1) 2656 x
    1992 (S2) 2112 x 1600
    16:9 ratio (L) 6000 x 3368, (M) 3984 x 2240, (S1) 2976 x
    1680, (S2) 2400 x 1344
    1:1 ratio (L) 4000 x 400, (M) 2656x 2656, (S1) 1984 x
    1984, (S2) 1600 x 1600
    Folders New folders can be manually created, named and
    selected
    File Numbering File Numbering
    (1) Consecutive numbering
    (2) Auto reset
    (3) Manual reset
    File naming 3 User presets
    EOS MOVIE
    Movie Type MP4 Video: 4K UHD, Full HD (16:9)9
    , Audio: Linear
    PCM / AAC
    Movie Size 4K UHD (16:9) 3840 x 2160 (59.94, 50, 29.97, 25,
    23.98fps) inter frame (IPB) / (IPB Light)10
    4K UHD Timelapse (16:9) 3840 x 2160 (29.97, 25fps)
    intra frame (All-I)
    Full HD (16:9) 1920 x 1080 (179.82, 150, 119.88, 100,
    59.94, 50, 29.97, 25, 23.98fps) inter frame (IPB) / (IPB
    Light)10
    Full HD Timelapse (16:9) 1920 x 1080 (29.97, 25fps) intra
    frame (All-I), Full HD HDR (16:9) 1920 x 1080 (29.97,
    25fps) intra frame (All-I)10
    Colour Sampling
    (Internal recording) 4K/ Full HD - YCbCr4:2:0 8-bit or YCbCr4:2:2 10bit
    Canon Log Yes, Canon Log 3
    Movie Length Max duration 6 hours (excluding High Frame Rate
    movies, and power and storage limitations ).11
    Upto 5 seconds pre record possible.
    No 4GB file limit with exFAT formatted SD card.
    High Frame Rate Movie Full HD at 180fps, 150fps, 100fps or 119.9fps10
    Recorded as 1/6-speed slow motion movie
    Single scene maximum recording up to approx 1
    hour 180/150fps 1hour 30mins 120/100fps
    Frame Grab 8.3-megapixel JPEG/HEIF still image frame grab from
    4K UHD movie possible (HEIF only possible when HDR
    PQ is set)12
    Bitrate/Mbps MP4 H.264 Canon Log Off
    4K (59.94p/50.00p): IPB Approx. 230 Mbps
    4K (59.94p/50.00p): IPB (Light ) Approx. 120 Mbps
    4K (29.97p/25.00p/23.98p): IPB Approx. 120 Mbps
    4K (29.97p/25.00p/23.98p): IPB (Light ) Approx. 60
    Mbps
    4K Timelapse (29.97, 25fps) All-I Approx. 470Mbps
    Full HD (179.82p/150.00p): IPB Approx. 180 Mbps
    Full HD (179.82p/150.00p): IPB (Light) Approx.
    105Mbps
    Full HD (119.88p/100.00p): IPB Approx. 120 Mbps
    Full HD (119.88p/100.00p): IPB (Light) Approx. 70 Mbps
    Full HD (59.94p/50.00p): IPB Approx. 60 Mbps
    Full HD (59.94p/50.00p): IPB (Light) Approx. 35 Mbps
    Full HD (29.94p/25.00p/23.93p): IPB Approx. 30 Mbps
    Full HD (29.94p/25.00p): IPB (Light) Approx. 12 Mbps
    Full HD Timelapse (29.97, 25fps) All-I Approx. 90Mbps
    Full HDR Movies (29.97, 25fps) IPB Approx. 30 Mbps
    MP4 H.265 Canon Log / HDR PQ: On
    4K (59.94p/50.00p): IPB Approx. 340 Mbps
    4K (59.94p/50.00p): IPB (Light) Approx. 170 Mbps
    4K (29.97p/25.00p/23.98p): IPB Approx. 170 Mbps
    4K (29.97p/25.00p/23.98p): IPB (Light) Approx. 85
    Mbps
    4K Timelapse (29.97, 25fps) All-I Approx. 470Mbps
    Full HD (179.82p/150.00p): IPB Approx. 270 Mbps
    Full HD (179.82p/150.00p): IPB (Light) Approx. 150
    Mbps
    Full HD (119.88p/100.00p): IPB Approx. 180 Mbps
    Full HD (119.88p/100.00p): IPB (Light) Approx. 100
    Mbps
    Full HD (59.94p/50.00p): IPB Approx. 90 Mbps
    Full HD (59.94p/50.00p): IPB (Light) Approx. 50 Mbps
    Full HD (29.94p/25.00p/23.93p): IPB Approx. 45 Mbps
    Full HD (29.94p/25.00p): IPB (Light) Approx. 28 Mbps
    Full HD Timelapse (29.97, 25fps) All-I Approx. 135Mbps
    TECHNICAL
    SPECIFICATIONS
    Dual Card Recording Yes
    Microphone Built-in stereo microphone (48 Khz, 16-bit x 2
    channels), external mic or mikes like Multi-Function
    shoe including XLR via Tascam CAXLR2dC
    HDMI Display Output to external monitor only (output of images
    and shooting information, images are recorded to
    the card)
    HDMI Output Camera screen and External Monitor output (no
    recording to the card, camera screen shows images
    with shooting information)
    4K (UHD) 59.94p / 29.97p / 23.98p,
    Full HD 59.94p / 59.94i, 50.00p / 50.00i
    480p 59.94p
    576p 50p
    Uncompressed YCbCr 4:2:2, 8-bit or 10-bit, sound
    output via HDMI is also possible
    6k upto 60p RAW to Atomos Ninja V+ recorded as
    ProRes RAW or 3.7k RAW with crop
    Focusing Dual Pixel CMOS AF with Eye/Face Detection, Face
    only and Animal Tracking AF, Movie Servo AF
    Manual Focus (Peaking and Focus Guide available)
    ISO Auto: 100-6400, H: 204800
    Manual: 100-25600, H: 204801
    OTHER FEATURES
    Custom Functions 22 Custom Functions
    Metadata Tag User copyright information (can be set in camera)
    Image rating (0-5 stars)
    IPTC data (registered with EOS Utility or Mobile File
    Transfer app)
    Image transfer with caption (Caption registered with
    EOS Utility)
    LCD Panel/Illumination No/No
    Weather Resistance Yes13
    Voice Memo No
    Intelligent Orientation Sensor Yes
    Playback zoom 1.5x - 10x in 15 steps
    Display Formats (1) Single image
    (2) Single image with information (2 levels)
    Basic - Shooting information (shutter speed, aperture,
    ISO and Image quality)
    Detailed - Shooting information (shutter speed,
    aperture, ISO, metering Image, quality and file size),
    Lens information, Brightness and RGB histogram,
    White balance, Picture Style, Color space and noise
    reduction, Lens optical correction, GPS information,
    IPTC information
    (3) 4 image index
    (4) 9 image index
    (5) 36 image index
    (6) 100 image index
    (7) Jump Display (1, 10 or 100 images, start of burst
    sequence, Date, Folder, Movies, Stills, Protected
    images, Rating,)
    (8) Movie edit
    (9) RAW processing
    (10) Rating
    Slide Show Image selection: All images, by Date, by Folder,
    Movies, Stills, Protected images or Rating
    Playback time: 1/2/3/5/10 or 20 seconds
    Repeat: On/Off
    Histogram Brightness: Yes
    RGB: Yes
    Highlight Alert Yes
    Image Erase Single image, select range, Selected images, Burst
    sequence Folder, Card
    Image Erase Protection Erase protection of Single image, Folder or Card all
    found images (only during image search)
    Self-Timer 4 or 10 sec.
    Menu Categories (1) Shooting menu
    (2) AF Menu
    (3) Playback menu
    (4) Network
    (5) Setup menu
    (6) Custom Functions menu
    (7) My Menu
    Menu Languages 30 Languages
    English, German, French, Dutch, Danish, Portuguese,
    Finnish, Italian, Norwegian, Swedish, Spanish, Greek,
    Russian, Polish, Czech, Hungarian, Vietnamese, Hindi,
    Romanian, Ukrainian, Turkish, Arabic, Thai, Simplified
    Chinese, Traditional Chinese, Korean, Malay,
    Indonesia and Japanese
    Firmware Update Update possible by the user (Camera, Lens, External
    Speedlite, BLE remote control, Lens adapter) via
    card or Camera connect app
    INTERFACE
    Computer SuperSpeed USB 3.2 Gen 2 USB C connector
    UVC/UAC support Windows / Mac OS compatible
    with Zoom, Skype(for Business), Teams , Meet,
    Webex, Wecom, Tencent Meeting
    Wi-Fi Wireless LAN (IEEE802.11AC/ab/g/n) (5/ 2.4 GHz), with
    Bluetooth v5.0 support Features supported - EOS
    Utility, Smartphone, Upload to Web14
    Other HDMI micro out (Type D), External Microphone In
    (Stereo mini jack), Headphone socket (Stereo mini
    jack), E3-type terminal (remote control terminal),
    Multi-Function shoe
    DIRECT PRINT
    Canon Printers Direct Print
    PictBridge Not supported
    STORAGE
    Type 2x SD/SDHC/SDXC and UHS-II
    SUPPORTED OPERATING
    SYSTEM
    PC Windows 8.1 and Windows 10, Windows 11 (tablet
    mode not supported)
    Macintosh OS X v10.12, 10.13, 10.14,10.15, OS 11.x
    SOFTWARE
    Image Processing Digital Photo Professional 4.17 or later, Digital Photo
    Professional Express mobile app ( iOS only) (RAW
    Image Processing not DUAL PIXEL RAW on DPP
    Express moible)
    Other EOS Utility 3.16 or later (incl. Remote Capture),
    Picture Style Editor, EOS Lens Registration Tool, EOS
    Web Service Registration Tool, Canon Camera
    Connect V3.0 app, Mobile File Transfer app and
    image.canon app (iOS/Android)
    POWER SOURCE
    Batteries Rechargeable Li-ion Battery LP-E6NH (supplied)/
    LP-E6N
    Battery life With LCD Approx. 760 shots (at 23°C)
    With Viewfinder Approx. 450 shots (at 23°C)15
    Battery Indicator 7 levels + percentage
    Power saving Power turns off after 30 seconds, 1, 3, 5, 10 or 30mins
    Power Supply & Battery
    Chargers
    Battery charger LC-E6E (supplied), AC Adapter ACE6N and DC Coupler DR-E6, AC Adapter Kit ACKE6N/ACK-E6, Car Battery Charger CBC-E6, PD-E1 USB
    power adapter
    TECHNICAL
    SPECIFICATIONS
    Footnotes / Disclaimers:-
    1 * 8-stops based on the CIPA standard with RF 24-105mm F4 L IS USM at a focal length of
    105mm
    2 The AF area available vary depending on the lens used
    3 The lowest light AF is available with an f/1.2 lens, center AF point, One-Shot AF, at 23°C / 73°F,
    ISO 100 Except RF lenses with a Defocus Smoothing (DS) coating
    4 Electronic shutter speed 1/16000th not available in H+ mode
    5 With 50mm lens at infinity, -1m-1 dpt
    6 Low light AF performance will be reduced when supress low frames is used
    7 Max Frames per second will vary depending on the battery type, and charge, if Wi-Fi is
    turned on, operating temperature lens used and file size. The number of possible shots and
    maximum burst vary depending on shooting conditions, aspect ratio, subject, memory card
    brand, ISO speed, Picture Style, and Custom Function). The speeds quoted are based on
    Canon testing with the following settings: Shutter speed 1/1000 sec. or faster, Aperture
    Maximum aperture, Flash Not used, Flicker reduction Not used, Battery pack Fully charged LP6NH, Temperature Room temperature (23°C / 73°F). Battery grip Not used, Wi-Fi settings OFF
    8 The continuous shooting speed may be reduced by the lens, shutter speed, aperture, flash,
    flicker reduction processing, subject conditions, and brightness (for example, when shooting
    in a dark place). When High speed continuous shooting (H+) is set, continuous shooting
    speed will not decline.
    9 4K UHD and Full HD is 100%, 4K movie cropping mode is 62% of the horizonal area
    10 In High frame Rate Movie mode sound is not recorded
    11 If the cameras internal temperature becomes too high the maximum recording time will be
    reduced
    12 Frame grab is not available for RAW movies or Canon Log 3 movies
    13 Although the camera features weather-resistant construction, this cannot completely
    prevent dust or water droplets from entering the camera. To ensure adequate weather
    sealing, the supplied shoe cover should be used unless a weather sealed accessory is
    inserted in the Multi Function shoe.
    14 Wi-Fi use may be restricted in certain countries or regions
    15 Based on the CIPA Standard and using the battery supplied with the camera, except where
    indicated. In power saving mode
    ACCESSORIES
    Lenses All RF/ RF-S lenses (EF & EF-S via Lens adapters)
    Lens Adapters Mount Adapter EF-EOS R
    Control Ring Mount Adapter EF-EOS R
    Drop-In Filter Mount Adapter EF-EOS R
    Flash Canon Speedlite (EL-1, EL-5, EL-100, 90EX, 220EX,
    270EX, 270EX II, 320EX, 380EX, 420EX, 430EX, 430EX II,
    430EX III-RT, 470EX-AI, 550EX, 580EX, 580EX II, 600EX,
    600EX-RT, 600EX II-RT, Macro-Ring-Lite MR-14EX,
    Macro Ring Lite MR-14EX II, Macro Twin Lite MT-24EX,
    Macro Twin Lite MT-26EX Speedlite Transmitter ST-E2,
    Speedlite Transmitter ST-E3-RT,Speedlite Transmitter
    ST-E3-RT V2, Speedlite Transmitter ST-E10)
    Remote Controller/Switch Remote control with E3 type socket and Wireless
    Remote Control BR-E1
    Other BG-R10 battery grip, GP-E2 GPS receiver (digital
    compass not supported), Stereo Microphone DM-E1
    / DM-E100, Multi-Function Shoe Adapter AD-E1,
    Multi-Function Shoe Directional Stereo Microphone
    DM-E1D, Multi-Function Shoe Adapter for
    Smartphone Link AD-P1 for Android, Tascam
    CA-XLR2d-C XLR microphone adapter
    PHYSICAL SPECIFICATIONS
    Body Materials Magnesium Alloy chassis, outer panels are
    polycarbonate resin with glass fiber
    Operating Environment 2 – 40 °C, 85% or less humidity
    Dimensions (WxHxD) 138.4 × 98.4 × 88.4 mm
    Weight (body only) Approx. 588 g (670 g with card and battery)

    Canon EOS R6 Mark II Body Only

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    Condition: New

    SKU: 8714574672250
    Barcode: 08714574672250

    MPN: 5666C028AA

    Warranty: 2 Year Warranty

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    Description

    The full-frame EOS R6 Mark II raises the bar with its unique blend of class-leading performance, breath-taking speed, stability and professional filmmaking features. Master your craft and never compromise – whatever you like to shoot, and however you like to shoot it.

    Intense sharpness from Dual Pixel CMOS AF II
    Our deep-learning AI delivers even more powerful autofocus. The EOS R6 Mark II recognises and tracks more subjects with even greater speed, reliability and precision.

    The freedom to shoot handheld
    Shoot long exposures with biting sharpness, thanks to an 8-stop2 Image Stabilizer. Video footage is super steady too, perfect for on-the-go filmmaking and documentaries.

    Race ahead of the competition
    Setting new speed records, the EOS R6 Mark II can shoot continuously at up to 40fps6 electronically, and up to 12fps mechanically5. Capture the action before you press the button with Pre-shooting in RAW burst mode.

    Hone your filmmaking
    Use the full width of the EOS R6 Mark II’s sensor to capture superb oversampled 4K 60p video or 6K RAW10. Focus-breathing correction and Detect-only AF make professional results easier than ever.

    Extreme performance in extreme conditions
    Capture the ambience of the moment whatever the conditions. Shoot up to ISO 102,400 sensitivity and focus in as little light as -6.5EV.

    • Dual Pixel CMOS AF II: Intelligent subject detection and tracking, including Auto mode that detects the subject.
    • 40fps electronic shutter: Capture microscopic moments in time at up to 40fps, with AE and AF tracking.
    • 12fps mechanical shutter
    • 30fps Pre-shooting burst mode with 0.5 sec Pre-shooting
    • Optical IS x In Body IS: Combining lens-based optical IS with in-body IS for up to 8 stops of stabilisation.
    • 24.2 megapixel sensor: An ideal balance of resolution, speed and low-light performance.
    • Full width oversampled 4K 60p
    • 6K RAW Capture using an external Atomos Ninja V+ recorder, via the camera’s clean HDMI output.
    • Full HD at 180p: Capture fast action in smooth slow motion.
    • H.264/H.265: 8-bit H.264 or next-generation 10-bit H.265 codecs.
    • HDR: HDR PQ and HDR Movie.
    • Focus breathing correction: Pull focus like a pro, without distracting optical effects.
    • -6.5 EV AF performance: That’s less than the light from a half moon.
    • Max ISO 102,400 (extendable to 204,800)
    • 3.69M dot EVF: a high-resolution EVF that refreshes at 120fps.
    • Dual UHS-II SD card slots
    • Built in Wi-Fi and Bluetooth
    • RAW processing in the cloud


    New Technology Explained:

    Advanced Dual Pixel CMOS AF II, with eye detection

    The EOS R6 Mark II uses Canon’s state-of-the-art Dual Pixel CMOS AF II technology to focus and track subjects, keeping them sharp as they move through a scene. Using deep-learning artificial intelligence, we’ve programmed the camera to recognise people, vehicles (cars, motorbikes, trains and aircraft) and animals (dogs, cats, birds and horses). The type of subject to be detected can be chosen in the EOS R6 Mark II’s menu, or set to Auto if you shoot in a range of scenarios.

    When detecting people or animals, the EOS R6 Mark II first looks for a subject’s eyes, and it’s now possible to specify which eye (left or right) should be given priority. If the eyes can’t be seen, the camera focuses on the face instead, and if the subject turns away for a moment, the head is tracked. If the head isn’t visible, the EOS R6 Mark II will track their body.

    RAW burst mode

    The EOS R6 Mark II also features a pre-shooting option as part of RAW burst mode, that captures the action 0.5 sec before the shutter-release button is pressed – a great advantage when shooting unpredictable subjects, from tennis players to toddlers.

    RAW burst mode shoots continuously at 30fps for up to 191 frames (just over 6 sec using a high-speed card) and records all of the frames in a single RAW file, called a roll. This is recorded as a special CR3 file; all with AF tracking. Individual images can be extracted from this roll using Canon’s Digital Photo Professional software, or in camera, and saved as individual JPEG, HEIF or RAW files.


    ‘Detect only’ option for Movie Servo AF

    A technology shared with Canon’s Cinema EOS family, a new Movie Servo AF option – ‘Detect only’ – has been added to the EOS R6 Mark II, and is similar to the ‘Face only’ feature found in our Cinema EOS C70 camera. When this is activated, if the subject specific in the Subject to detect menu moves out of the focus area, the camera will remain at its current point of focus without refocusing on other subjects. For example, if ‘People’ is specified in the menu, focus will not change if a subject walks out of shot. Traditionally, a camera would then refocus on the background, which is often not what’s wanted, especially if the subject may be about to move back into the frame again.

    Focus-breathing correction

    The EOS R6 Mark II can use digital processing to compensate for the effects of focus breathing – the small, but noticeable changes in viewing angle or magnification that happen as some lenses undergo significant changes in focus. Lenses currently supported, after firmware updates, are:

    ● RF 14-35mm F4 L IS USM
    ● RF 15-35mm F2.8 L IS USM
    ● RF 24-70mm F2.8 L IS USM
    ● RF 24-105mm F4 L IS USM
    ● RF 70-200mm F2.8 L IS USM
    ● RF 70-200mm F4 L IS USM

    The RF24mm F1.8 Macro IS STM supports this feature from the beginning and does not require a firmware update.

    Full-frame 24.2-megapixel sensor

    The EOS R6 Mark II features a full-frame 24.2 megapixel CMOS sensor, designed by Canon. Working in tandem with a powerful DIGIC X processor, it powers many of the camera’s groundbreaking features and provides an ideal balance of resolution, low-light and speed.

    The new sensor is fast, powering 40fps6 continuous shooting. Compared to the EOS R6, this new sensor reduces ‘rolling shutter’ distortion, allowing the camera’s electronic shutter to be used to freeze fast-moving objects. This speed also enables oversampled 4K 60p video using the full width of the sensor, and helps power the EOS R6 Mark II’s extraordinarily quick focusing.

    A digital teleconverter provides an instant in-camera 1.6x crop, taking you closer to the action at the press of a button and with your eye still at the viewfinder.

    In-camera focus bracketing

    When you need more depth of field than is available, the EOS R6 Mark II can deploy focus bracketing and depth compositing to help achieve perfect focus throughout the frame.

    After specifying the focus range and number of shots, a single press of the shutter-release button tells the camera to begin shooting, varying focus from near to far as it does so. When this sequence of images is blended together, the result is perfect depth of field for the scene.

    This image sequence can now be merged in-camera, creating a perfect ready-to-go result. The feature can also be used as an on-location preview of what can be achieved later in post-production, giving you the confidence that you have what you need.

    Depth compositing is great for shooting close-up or macro work when depth of field is limited. It also allows photographers to reduce time spent post-processing images from multiple frames and lets them achieve a result quickly, in-camera.

    4K 60p full-width oversampled & 6K RAW

    The EOS R6 Mark II can shoot 4K 60p UHD using the full width of the EOS R6 Mark II’s sensor, with simultaneous Dual Pixel CMOS AF II focusing. Footage is created by oversampling the sensor’s 6K output, resulting in superb image quality.

    Improved circuit designs are highly heat efficient, allowing longer recording times of up to 610 hours, depending on ambient temperature, memory card space and battery life.

    For filmmakers wanting even higher performance, the EOS R6 Mark II outputs 6K RAW via its HDMI output, which can be recorded on an Atomos Ninja V+ recorder in ProRes RAW. This provides more detail, as well as the ability to adjust parameters such as white balance in post-production. Full HD proxy footage can be captured internally to a memory card.

    Movie pre-recording

    When this function is activated, video is continuously streamed through the camera in standby. Such pre-captured footage can be captured from the 3 or 5 secs before the video record button is pressed – very handy when shooting unpredictable subjects or an unmissable one-off moment.

    UVC support for webcam and live streaming

    The EOS R6 Mark II can be used as a webcam on PC and Mac computers running video-call apps such as Skype, Zoom and Teams, without having to install additional software. This plug-and-play capability is powered by industry-standard USB Video Class (UVC) and USB Audio Class (UAC) drivers that are built into Windows and MacOS operating systems.

    Used in this way, the EOS R6 Mark II provides improved image quality compared with standard computer webcams, letting you look your best when you need to make a great impression online.

    False-colour indication
    A technology shared with Canon’s Cinema EOS family, the EOS R6 Mark II features false colour warnings that give an easy-to-see indication of current exposure levels. Six colours, each representing a different luminance level, are overlaid on viewfinder and viewscreen images.
    Recording emphasis and Aspect marker

    When the EOS R6 Mark II’s Recording emphasis feature is turned on, a blinking red frame is visible at the edges of the frame when the camera is recording video. In addition, the EOS R6 Mark II includes an Aspect marker option, which acts as a guide to how footage will look when it’s been processed for different aspect ratios, such as 2.35:1 Cinema Scope, vertical 9:16, 5:4, and even Instagram friendly 1:1. This is very useful when shooting footage for social-media platforms, which often require different frame shapes.

    More exposure modes when shooting video

    When capturing video footage, EOS R6 Mark II users can now shoot in aperture-priority (Av) and shutter-priority (Tv) exposure modes, as well as manual (M), Program (P) and 3 custom setting modes giving more convenience and creative control.

    Multifunction shoe

    The multifunction shoe, first seen on the EOS R3, is also included on the EOS R6 Mark II, allowing a range of new accessories to be used with the camera. These include the DM-E1D digital microphone and Tascam XLR adapter, for recording high-quality sound, and a smartphone adapter – as well as new Speedlite flashes.


    Advanced overheat management

    The EOS R6 Mark II is able to capture video for longer by managing the camera’s response to rises in temperature. Advanced warning of overheating informs videographers well before shooting needs to be paused.

    Low-resolution standby mode helps reduce the likelihood of overheating when the camera is on standby between takes. Display frame rate and image quality are temporarily reduced, conserving power and extending recording time.

    What's in the box?

    EOS R6 Mark II Body
    Camera Cover R-F-5
    Shoe cover ER-SC2
    Strap ER-EOS R6 Mark II
    Battery Charger LC-E6E
    Battery Pack LP-E6NH
    Battery Pack Cover
    AC Cable (EU/SK)
    User Manual Kit (EU)

    TECHNICAL
    SPECIFICATIONS


    IMAGE SENSOR
    Type 35.9 x 23.9 mm CMOS
    Effective Pixels Approx. 24.2megapixels
    Total Pixels Approx. 25.6 megapixels
    Aspect Ratio 3:2
    Low-Pass Filter Built-in/Fixed
    Sensor Cleaning EOS integrated cleaning system
    Colour Filter Type Primary Colour
    Sensor Shift IS Yes, up to 8-Stops advantage depending
    on the lens used1
    IMAGE PROCESSOR
    Type DIGIC X
    LENS
    Lens Mount RF (EF and EF-S lenses can be attached using: Mount
    Adapter EF-EOS R, Control Ring Mount Adapter
    EF-EOS R, Drop-In Filter Mount Adapter EF-EOS R)
    EF-M lenses are not compatible
    Focal Length Equivalent to 1.0x the focal length of the lens with
    RF and EF lenses 1.6x with EF-S/ RF-S
    Image Stabilisation
    FOCUSING
    Type Dual Pixel CMOS AF II
    AF System/Points 100% horizontal and 100% vertical with Face +
    Tracking and Auto Selection modes 100% horizontal
    and 90% vertical with manual selection and large
    zone modes2
    AF working range EV -6.5 – 21 (at 23°C & ISO100)3
    AF Modes One Shot, Servo AF, AI Focus AF
    AF Point Selection Automatic selection: 1053 Available AF areas when
    automatically selected,
    Manual selection: 1-point AF (AF frame size can be
    changed) 4897AF positions available stills
    ( 4067 Movies)
    Manual selection: AF point Expansion 4 points
    (up, down, left, right)
    Manual selection: AF point Expansion surrounding
    Manual selection: Flexible Zone AF 1-3
    (all AF points divided into minimum 9 to 999
    maximum focusing zones)
    AF Tracking Humans, Animals (Dogs, Cats, Birds and horses) or
    Vehicles (Racing cars or Motor bikes, Aircraft and
    Trains)
    AF Lock Locked when shutter button is pressed halfway or AF
    ON is pressed in One Shot AF mode. Using
    customised button set to AF stop in AI servo
    AF Assist Beam Emitted by built in LED or optional dedicated
    Speedlite (flash)
    Manual Focus Selected on lens
    EXPOSURE CONTROL
    Metering modes Real-time with image sensor, 384-zone metering.
    (1) Evaluative metering (linked to All AF points)
    (2) Partial metering (approx. 5.9% of viewfinder at
    centre)
    (3) Spot metering: Centre spot metering (approx. 3%
    viewfinder at centre)- AF point-linked spot metering
    not provided
    (4) Centre weighted average metering
    Metering Brightness Range EV -3 – 20 (at 23°C, ISO100, with evaluative metering)
    AE Lock Auto: AE lock takes effect when focus is achieved
    Manual: By AE lock button in P, Av, Fv, Tv and M
    modes
    Exposure Compensation +/-3 EV in 1/3 or 1/2 stop increments
    (can be combined with AEB)
    AEB +/-3 EV in 1/3 or 1/2 stop increments
    Anti-flicker shooting Yes. Flicker detected at a frequency of 100 Hz or 120
    Hz. Maximum continuous shooting speed may
    decrease available with both electronic and
    mechanical shutter
    High Frequency anti flicker shooting for M and TV
    modes
    ISO Sensitivity Auto 100-102400 (in 1/3-stop or 1 stop increments)
    ISO can be expanded to L:50, H:204,801
    SHUTTER
    Type Electronically-controlled focal-plane shutter and
    Electronic shutter function on sensor
    Speed Mechanical: 30-1/8000 sec (1/2 or 1/3 stop
    increments), Bulb
    Electronic: 30-1/16000 (1/2 or 1/3 stop increments up
    to 1/8000 then 1 stop to 1/16000) (Total shutter speed
    range. Available range varies by shooting mode)4
    Shutter Release Soft touch electromagnetic release
    WHITE BALANCE
    Type Auto white balance with the imaging sensor
    Settings AWB (Ambience priority/White priority), Daylight,
    Shade, Cloudy, Tungsten light, White Fluorescent
    light, Flash, Custom, Colour Temperature Setting
    White balance compensation:
    1. Blue/Amber +/-10
    2. Magenta/Green +/-11
    Custom White Balance Yes, 1 setting can be registered - From image or Live
    View
    WB Bracketing +/-3 levels in single level increments 3, 2, 5 or 7
    bracketed images per shutter release
    Selectable Blue/Amber bias or Magenta/Green bias
    VIEWFINDER
    Type 0.5-inch OLED colour EVF
    Dot count 3.69 Million dots
    Coverage
    (Vertical/Horizontal) Approx. 100%
    Magnification Approx. 0.76x5
    Eyepoint Approx. 23mm (from eyepiece lens centre)
    Dioptre Correction -4 to +2 m-1 (dioptre)
    Display performance Power saving: 59.94 fps Smooth 119.98 fps , supress
    low frame rate 60 -119.8fps6
    Viewfinder Information Shutter speed, Aperture, ISO speed, AF point
    information, Exposure level indicator, Number of
    remaining exposures, Exposure compensation,
    Battery level, Electronic shutter, HDR shooting,
    Highlight tone priority, Multiple-exposure shooting,
    Self-timer shooting mode, Maximum burst, AF
    method, Subject to Track setting, Exposure
    simulation, Drive mode, AEB, Metering mode, FEB,
    Anti-flicker shooting, Still/video cropping, Shooting
    mode, Aspect ratio, Scene icons Auto Lighting
    Optimizer, AE lock Picture Style, Flash-ready, White
    balance, FE lock, Image Quality, High-speed sync,
    Bluetooth function, Wi-Fi on/off, Histogram, Electronic
    level, Focus distance scale in manual focus, SA
    control ring setting, IS system. Audio Level – Manual
    (video), recording time remaining (video),
    headphone level (video), Video recording resolution
    frame rate and compression (video) Rec indicator
    (video), Overheat indicator (video)
    Depth of field preview Yes, via customised button or with "Exposure +DOP"
    ( up to F8)
    Eyepiece Shutter N/A
    LCD MONITOR
    Type 7.5cm (3.0") Clear View LCD II,
    approx. 1.62 million dots
    Coverage Approx. 100%
    Viewing Angle horizontally/
    vertically
    Approx. 170° vertically and horizontally
    Coating Anti-smudge.
    Brightness Adjustment Manual: Adjustable to one of seven levels Colour
    Tone Adjustment: 4 settings
    Touch-screen operations Capacitive method with menu functions, Quick
    Control settings, playback operations, and
    magnified display. AF point selection in still and
    Movies, touch shutter is possible in still photo
    shooting.
    Display Options (1) Basic Camera settings
    (2) Advance Camera settings
    (3) Camera settings plus histogram and dual level
    display
    (4) No info
    (5) Quick Control Screen
    TECHNICAL
    SPECIFICATIONS
    FLASH
    Modes E-TTL II Auto Flash, Metered Manual
    Red-Eye Reduction
    X-sync 1/200sec mechanical shutter / 1/250th electronic
    1st curtain
    Flash Exposure
    Compensation
    +/- 3EV in 1/3 or 1/2 stop increments with EX series
    Speedlite flashes
    Flash Exposure Bracketing Yes, with compatible External Flash
    Flash Exposure Lock Yes
    Second Curtain
    Synchronisation Yes via Speedlite
    Multi-Function shoe/ Hot
    Shoe/PC terminal Yes/No
    External Flash Compatibility E-TTL II with EX / EL series Speedlite, wireless multi-flash
    support
    External Flash Control via camera menu screen
    SHOOTING
    Modes Stills; Scene Intelligent Auto, Flexible priority AE,
    Program AE, Shutter priority AE, Aperture priority AE,
    Manual, Bulb and Custom (x3)
    Movie: Auto Exposure, TV,
    AV Manual and Custom (x3)
    Picture Styles Auto, Standard, Portrait, Landscape, Fine Detail,
    Neutral, Faithful, Monochrome, User Defined (x3)
    Colour Space sRGB and Adobe RGB
    Image Processing Highlight Tone Priority (2 settings)
    Auto Lighting Optimizer (3 settings)
    Long exposure noise reduction
    Clarity
    High ISO speed noise reduction (4 settings)
    (stills and video)
    Lens optical correction
    - Peripheral illumination correction, Chromatic
    aberration correction Distortion correction
    (during/after still photo shooting, during video only)
    Diffraction correction,
    Digital Lens Optimizer
    (during/after still photo shooting only)
    Focus Bracketing including image compositing
    Resize to M, S1, S2
    Cropping of images (JPEG/HEIF)
    - Aspect ratios 3:2, 4:3, 16:9, 1:1 x1.6crop
    - Switch between vertical and horizontal cropping
    orientation
    - Image straightening
    - Cropping frame can be moved using touch screen
    operation
    RAW image processing
    Dual Pixel RAW – Portrait Relighting, Background
    Clarity (in camera)
    Raw Cloud processing
    Multiple exposure
    HDR - with moving subject suppression
    HEIF to Jpeg conversion (single or batch)
    Drive modes Single, Continuous High+, Continuous High,
    Continuous Low, Self timer (2s+remote, 10s+remote)
    Continuous Shooting Max. Approx. 12fps. with Mechanical shutter, speed
    maintained for 1000+ JPEG or 110 RAW 1000 CRAW
    images.Max. Approx. 40fps. with Electronic shutter7
    ,
    8
    ,
    speed maintained for 190 JPEG or 75 RAW, 140
    CRAW images
    RAW Burst 30fps with 0.3 or 0.5 seconds pre record for
    max approx 191 frames
    Interval timer Built in
    FILE TYPE - STILLS
    Still Image Type JPEG: 2 compression options
    RAW: RAW, C-RAW 14 bit (14-bit with Mechanical
    shutter and Electronic 1st Curtain, 12-bit A/D
    conversion with Electronic shutter, Canon original
    RAW 3rd edition)
    HEIF: 10bit HEIF is available in HDR shooting with [HDR
    PQ] set to [Enable]
    Complies with Exif 2.31 and Design rule for Camera
    File system 2.0
    Complies with Digital Print Order Format [DPOF]
    Version 1.2
    RAW+JPEG/HEIF simultaneous
    recording
    Yes, any combination of RAW + JPEG or RAW + HEIF
    possible
    Image Size 3:2 ratio (L, RAW, C-RAW) 6000 x 4000, (M) 3984 x
    2656, (S1) 2976x 11984, (S2) 2400 x 1600
    1.6x (crop) (L) 3744 x 2496, (S2) 2400 x 1600
    4:3 ratio (L) 5328 x 4000, (M) 3552 x2664 (S1) 2656 x
    1992 (S2) 2112 x 1600
    16:9 ratio (L) 6000 x 3368, (M) 3984 x 2240, (S1) 2976 x
    1680, (S2) 2400 x 1344
    1:1 ratio (L) 4000 x 400, (M) 2656x 2656, (S1) 1984 x
    1984, (S2) 1600 x 1600
    Folders New folders can be manually created, named and
    selected
    File Numbering File Numbering
    (1) Consecutive numbering
    (2) Auto reset
    (3) Manual reset
    File naming 3 User presets
    EOS MOVIE
    Movie Type MP4 Video: 4K UHD, Full HD (16:9)9
    , Audio: Linear
    PCM / AAC
    Movie Size 4K UHD (16:9) 3840 x 2160 (59.94, 50, 29.97, 25,
    23.98fps) inter frame (IPB) / (IPB Light)10
    4K UHD Timelapse (16:9) 3840 x 2160 (29.97, 25fps)
    intra frame (All-I)
    Full HD (16:9) 1920 x 1080 (179.82, 150, 119.88, 100,
    59.94, 50, 29.97, 25, 23.98fps) inter frame (IPB) / (IPB
    Light)10
    Full HD Timelapse (16:9) 1920 x 1080 (29.97, 25fps) intra
    frame (All-I), Full HD HDR (16:9) 1920 x 1080 (29.97,
    25fps) intra frame (All-I)10
    Colour Sampling
    (Internal recording) 4K/ Full HD - YCbCr4:2:0 8-bit or YCbCr4:2:2 10bit
    Canon Log Yes, Canon Log 3
    Movie Length Max duration 6 hours (excluding High Frame Rate
    movies, and power and storage limitations ).11
    Upto 5 seconds pre record possible.
    No 4GB file limit with exFAT formatted SD card.
    High Frame Rate Movie Full HD at 180fps, 150fps, 100fps or 119.9fps10
    Recorded as 1/6-speed slow motion movie
    Single scene maximum recording up to approx 1
    hour 180/150fps 1hour 30mins 120/100fps
    Frame Grab 8.3-megapixel JPEG/HEIF still image frame grab from
    4K UHD movie possible (HEIF only possible when HDR
    PQ is set)12
    Bitrate/Mbps MP4 H.264 Canon Log Off
    4K (59.94p/50.00p): IPB Approx. 230 Mbps
    4K (59.94p/50.00p): IPB (Light ) Approx. 120 Mbps
    4K (29.97p/25.00p/23.98p): IPB Approx. 120 Mbps
    4K (29.97p/25.00p/23.98p): IPB (Light ) Approx. 60
    Mbps
    4K Timelapse (29.97, 25fps) All-I Approx. 470Mbps
    Full HD (179.82p/150.00p): IPB Approx. 180 Mbps
    Full HD (179.82p/150.00p): IPB (Light) Approx.
    105Mbps
    Full HD (119.88p/100.00p): IPB Approx. 120 Mbps
    Full HD (119.88p/100.00p): IPB (Light) Approx. 70 Mbps
    Full HD (59.94p/50.00p): IPB Approx. 60 Mbps
    Full HD (59.94p/50.00p): IPB (Light) Approx. 35 Mbps
    Full HD (29.94p/25.00p/23.93p): IPB Approx. 30 Mbps
    Full HD (29.94p/25.00p): IPB (Light) Approx. 12 Mbps
    Full HD Timelapse (29.97, 25fps) All-I Approx. 90Mbps
    Full HDR Movies (29.97, 25fps) IPB Approx. 30 Mbps
    MP4 H.265 Canon Log / HDR PQ: On
    4K (59.94p/50.00p): IPB Approx. 340 Mbps
    4K (59.94p/50.00p): IPB (Light) Approx. 170 Mbps
    4K (29.97p/25.00p/23.98p): IPB Approx. 170 Mbps
    4K (29.97p/25.00p/23.98p): IPB (Light) Approx. 85
    Mbps
    4K Timelapse (29.97, 25fps) All-I Approx. 470Mbps
    Full HD (179.82p/150.00p): IPB Approx. 270 Mbps
    Full HD (179.82p/150.00p): IPB (Light) Approx. 150
    Mbps
    Full HD (119.88p/100.00p): IPB Approx. 180 Mbps
    Full HD (119.88p/100.00p): IPB (Light) Approx. 100
    Mbps
    Full HD (59.94p/50.00p): IPB Approx. 90 Mbps
    Full HD (59.94p/50.00p): IPB (Light) Approx. 50 Mbps
    Full HD (29.94p/25.00p/23.93p): IPB Approx. 45 Mbps
    Full HD (29.94p/25.00p): IPB (Light) Approx. 28 Mbps
    Full HD Timelapse (29.97, 25fps) All-I Approx. 135Mbps
    TECHNICAL
    SPECIFICATIONS
    Dual Card Recording Yes
    Microphone Built-in stereo microphone (48 Khz, 16-bit x 2
    channels), external mic or mikes like Multi-Function
    shoe including XLR via Tascam CAXLR2dC
    HDMI Display Output to external monitor only (output of images
    and shooting information, images are recorded to
    the card)
    HDMI Output Camera screen and External Monitor output (no
    recording to the card, camera screen shows images
    with shooting information)
    4K (UHD) 59.94p / 29.97p / 23.98p,
    Full HD 59.94p / 59.94i, 50.00p / 50.00i
    480p 59.94p
    576p 50p
    Uncompressed YCbCr 4:2:2, 8-bit or 10-bit, sound
    output via HDMI is also possible
    6k upto 60p RAW to Atomos Ninja V+ recorded as
    ProRes RAW or 3.7k RAW with crop
    Focusing Dual Pixel CMOS AF with Eye/Face Detection, Face
    only and Animal Tracking AF, Movie Servo AF
    Manual Focus (Peaking and Focus Guide available)
    ISO Auto: 100-6400, H: 204800
    Manual: 100-25600, H: 204801
    OTHER FEATURES
    Custom Functions 22 Custom Functions
    Metadata Tag User copyright information (can be set in camera)
    Image rating (0-5 stars)
    IPTC data (registered with EOS Utility or Mobile File
    Transfer app)
    Image transfer with caption (Caption registered with
    EOS Utility)
    LCD Panel/Illumination No/No
    Weather Resistance Yes13
    Voice Memo No
    Intelligent Orientation Sensor Yes
    Playback zoom 1.5x - 10x in 15 steps
    Display Formats (1) Single image
    (2) Single image with information (2 levels)
    Basic - Shooting information (shutter speed, aperture,
    ISO and Image quality)
    Detailed - Shooting information (shutter speed,
    aperture, ISO, metering Image, quality and file size),
    Lens information, Brightness and RGB histogram,
    White balance, Picture Style, Color space and noise
    reduction, Lens optical correction, GPS information,
    IPTC information
    (3) 4 image index
    (4) 9 image index
    (5) 36 image index
    (6) 100 image index
    (7) Jump Display (1, 10 or 100 images, start of burst
    sequence, Date, Folder, Movies, Stills, Protected
    images, Rating,)
    (8) Movie edit
    (9) RAW processing
    (10) Rating
    Slide Show Image selection: All images, by Date, by Folder,
    Movies, Stills, Protected images or Rating
    Playback time: 1/2/3/5/10 or 20 seconds
    Repeat: On/Off
    Histogram Brightness: Yes
    RGB: Yes
    Highlight Alert Yes
    Image Erase Single image, select range, Selected images, Burst
    sequence Folder, Card
    Image Erase Protection Erase protection of Single image, Folder or Card all
    found images (only during image search)
    Self-Timer 4 or 10 sec.
    Menu Categories (1) Shooting menu
    (2) AF Menu
    (3) Playback menu
    (4) Network
    (5) Setup menu
    (6) Custom Functions menu
    (7) My Menu
    Menu Languages 30 Languages
    English, German, French, Dutch, Danish, Portuguese,
    Finnish, Italian, Norwegian, Swedish, Spanish, Greek,
    Russian, Polish, Czech, Hungarian, Vietnamese, Hindi,
    Romanian, Ukrainian, Turkish, Arabic, Thai, Simplified
    Chinese, Traditional Chinese, Korean, Malay,
    Indonesia and Japanese
    Firmware Update Update possible by the user (Camera, Lens, External
    Speedlite, BLE remote control, Lens adapter) via
    card or Camera connect app
    INTERFACE
    Computer SuperSpeed USB 3.2 Gen 2 USB C connector
    UVC/UAC support Windows / Mac OS compatible
    with Zoom, Skype(for Business), Teams , Meet,
    Webex, Wecom, Tencent Meeting
    Wi-Fi Wireless LAN (IEEE802.11AC/ab/g/n) (5/ 2.4 GHz), with
    Bluetooth v5.0 support Features supported - EOS
    Utility, Smartphone, Upload to Web14
    Other HDMI micro out (Type D), External Microphone In
    (Stereo mini jack), Headphone socket (Stereo mini
    jack), E3-type terminal (remote control terminal),
    Multi-Function shoe
    DIRECT PRINT
    Canon Printers Direct Print
    PictBridge Not supported
    STORAGE
    Type 2x SD/SDHC/SDXC and UHS-II
    SUPPORTED OPERATING
    SYSTEM
    PC Windows 8.1 and Windows 10, Windows 11 (tablet
    mode not supported)
    Macintosh OS X v10.12, 10.13, 10.14,10.15, OS 11.x
    SOFTWARE
    Image Processing Digital Photo Professional 4.17 or later, Digital Photo
    Professional Express mobile app ( iOS only) (RAW
    Image Processing not DUAL PIXEL RAW on DPP
    Express moible)
    Other EOS Utility 3.16 or later (incl. Remote Capture),
    Picture Style Editor, EOS Lens Registration Tool, EOS
    Web Service Registration Tool, Canon Camera
    Connect V3.0 app, Mobile File Transfer app and
    image.canon app (iOS/Android)
    POWER SOURCE
    Batteries Rechargeable Li-ion Battery LP-E6NH (supplied)/
    LP-E6N
    Battery life With LCD Approx. 760 shots (at 23°C)
    With Viewfinder Approx. 450 shots (at 23°C)15
    Battery Indicator 7 levels + percentage
    Power saving Power turns off after 30 seconds, 1, 3, 5, 10 or 30mins
    Power Supply & Battery
    Chargers
    Battery charger LC-E6E (supplied), AC Adapter ACE6N and DC Coupler DR-E6, AC Adapter Kit ACKE6N/ACK-E6, Car Battery Charger CBC-E6, PD-E1 USB
    power adapter
    TECHNICAL
    SPECIFICATIONS
    Footnotes / Disclaimers:-
    1 * 8-stops based on the CIPA standard with RF 24-105mm F4 L IS USM at a focal length of
    105mm
    2 The AF area available vary depending on the lens used
    3 The lowest light AF is available with an f/1.2 lens, center AF point, One-Shot AF, at 23°C / 73°F,
    ISO 100 Except RF lenses with a Defocus Smoothing (DS) coating
    4 Electronic shutter speed 1/16000th not available in H+ mode
    5 With 50mm lens at infinity, -1m-1 dpt
    6 Low light AF performance will be reduced when supress low frames is used
    7 Max Frames per second will vary depending on the battery type, and charge, if Wi-Fi is
    turned on, operating temperature lens used and file size. The number of possible shots and
    maximum burst vary depending on shooting conditions, aspect ratio, subject, memory card
    brand, ISO speed, Picture Style, and Custom Function). The speeds quoted are based on
    Canon testing with the following settings: Shutter speed 1/1000 sec. or faster, Aperture
    Maximum aperture, Flash Not used, Flicker reduction Not used, Battery pack Fully charged LP6NH, Temperature Room temperature (23°C / 73°F). Battery grip Not used, Wi-Fi settings OFF
    8 The continuous shooting speed may be reduced by the lens, shutter speed, aperture, flash,
    flicker reduction processing, subject conditions, and brightness (for example, when shooting
    in a dark place). When High speed continuous shooting (H+) is set, continuous shooting
    speed will not decline.
    9 4K UHD and Full HD is 100%, 4K movie cropping mode is 62% of the horizonal area
    10 In High frame Rate Movie mode sound is not recorded
    11 If the cameras internal temperature becomes too high the maximum recording time will be
    reduced
    12 Frame grab is not available for RAW movies or Canon Log 3 movies
    13 Although the camera features weather-resistant construction, this cannot completely
    prevent dust or water droplets from entering the camera. To ensure adequate weather
    sealing, the supplied shoe cover should be used unless a weather sealed accessory is
    inserted in the Multi Function shoe.
    14 Wi-Fi use may be restricted in certain countries or regions
    15 Based on the CIPA Standard and using the battery supplied with the camera, except where
    indicated. In power saving mode
    ACCESSORIES
    Lenses All RF/ RF-S lenses (EF & EF-S via Lens adapters)
    Lens Adapters Mount Adapter EF-EOS R
    Control Ring Mount Adapter EF-EOS R
    Drop-In Filter Mount Adapter EF-EOS R
    Flash Canon Speedlite (EL-1, EL-5, EL-100, 90EX, 220EX,
    270EX, 270EX II, 320EX, 380EX, 420EX, 430EX, 430EX II,
    430EX III-RT, 470EX-AI, 550EX, 580EX, 580EX II, 600EX,
    600EX-RT, 600EX II-RT, Macro-Ring-Lite MR-14EX,
    Macro Ring Lite MR-14EX II, Macro Twin Lite MT-24EX,
    Macro Twin Lite MT-26EX Speedlite Transmitter ST-E2,
    Speedlite Transmitter ST-E3-RT,Speedlite Transmitter
    ST-E3-RT V2, Speedlite Transmitter ST-E10)
    Remote Controller/Switch Remote control with E3 type socket and Wireless
    Remote Control BR-E1
    Other BG-R10 battery grip, GP-E2 GPS receiver (digital
    compass not supported), Stereo Microphone DM-E1
    / DM-E100, Multi-Function Shoe Adapter AD-E1,
    Multi-Function Shoe Directional Stereo Microphone
    DM-E1D, Multi-Function Shoe Adapter for
    Smartphone Link AD-P1 for Android, Tascam
    CA-XLR2d-C XLR microphone adapter
    PHYSICAL SPECIFICATIONS
    Body Materials Magnesium Alloy chassis, outer panels are
    polycarbonate resin with glass fiber
    Operating Environment 2 – 40 °C, 85% or less humidity
    Dimensions (WxHxD) 138.4 × 98.4 × 88.4 mm
    Weight (body only) Approx. 588 g (670 g with card and battery)

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